Henry Poole moves in to a house in his old neighborhood, to spend what he believes are his remaining days alone. The discovery of a "miracle" by a nosy neighbor ruptures his solitude and restores his faith in life.
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In a working class neighborhood in Los Angeles, a world weary Henry Poole buys a house, caring little about its lack of amenities. He drinks and eats pizza. Recent stucco work has left a brown stain in a patio wall, and, to Henry's irritation, Esperanza, a neighbor, is certain she can see the face of Jesus in the stain. She brings her priest, then others. Meanwhile, Henry hears his conversations replayed over the fence in another neighbor's yard: it's Millie, about 7, mute, clutching a tape recorder. He tells Millie's mom why he's sad and angry. The face on the wall seems to shed a tear of blood. Is Henry beyond feeling any emotion? Written by
In the scene in the backyard where Henry tries to catch the little girl, he falls. While lying on the ground, he takes a sip of his beverage which is almost empty. When he gets up, the drink is half full and a lime has appeared in it. See more »
This used to be my room. This was the last place I remember being happy. And even then, I can barely remember it.
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My first reaction to this movie (which I had never heard of before viewing) was one of satisfaction; it wasn't a bad movie but neither an instant classic. I was pleasantly surprised. It was definitely better than average, the sort of movie you are glad you rented out on DVD on a quiet night in. Despite it's over all sad demeanour.
However, what I did not expect was the 'after thought' it left me with. Dealing with life, death and everything between, I started to ponder the movie on a different level. Unlike many other movies it was not forgotten and has some imagery that remains long after the movie has finished.
To me this movie, while somewhat invisible when compared to others, is a little under-rated and deserves a wider audience than the one it is destine for.
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