7.2/10
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Secretariat (2010)

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Penny Chenery Tweedy and colleagues guide her long-shot but precocious stallion to set, in 1973, the unbeaten record for winning the Triple Crown.

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, (book)
3 wins & 6 nominations. See more awards »

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Cast

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E.V. Benjamin (as Mike Harding)
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Keith Austin ...
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Storyline

Housewife and mother Penny Chenery agrees to take over her ailing father's Virginia-based Meadow Stables, despite her lack of horse-racing knowledge. Against all odds, Chenery -- with the help of veteran trainer Lucien Laurin -- manages to navigate the male-dominated business, ultimately fostering the first Triple Crown winner in twenty-five years. Written by Anonymous

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The Impossible True Story


Motion Picture Rating (MPAA)

Rated PG for brief mild language | See all certifications »

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Details

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Release Date:

8 October 2010 (USA)  »

Also Known As:

A paripa  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$12,694,770 (USA) (8 October 2010)

Gross:

$59,699,513 (USA) (4 February 2011)
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2.35 : 1
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Did You Know?

Trivia

In the film, Diane Lane's character is a reluctant, naive thoroughbred owner looking for team players to take over Secretariat's racing career. In real life, her jockey, trainer, groom, and exercise rider had worked for the Meadow Stable for years, and all had been through the Triple Crown campaign one year earlier. The year before, their 3-year-old horse, Riva Ridge, won the Kentucky Derby and Belmont Stakes, and finished fourth in the Preakness as the 3 to 5 favorite when the track came up 'sloppy'. See more »

Goofs

When Penny Chenery (Diane Lane) asks Miss Ham (Margo Martindale) to talk to trainer Earl Jensen in the stable in private, Miss Ham exits out the stable door, the inside shot shows nothing but a row of windows to the left of the stable doorway. When Miss Ham hides just outside the same stable doorway there are no windows, but there is equipment and hay hanging from the doorway. See more »

Quotes

Penny Chenery: I will not live the rest of my life in regret.
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Crazy Credits

Zappa Studios talent for extra work. See more »

Connections

References Super Fly (1972) See more »

Soundtracks

Oh Happy Day
Written by Philip Doddridge and Edward F. Rimbault
Arranged by Edwin Hawkins (as Edwin R. Hawkins)
Performed by The Edwin Hawkins Singers (as Edwin Hawkins Singers)
Courtesy of Buddah Records, a unit of Sony Music Entertainment
By Arrangement with Sony Music Licensing
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User Reviews

Exciting Fare
7 October 2010 | by (United States) – See all my reviews

"It is beautiful to watch a fine horse gallop, the long stride, the rush of the wind as he passes—my heart beats quicker to the thud of the hoofs and I feel his strength." Richard Jefferies

Secretariat is no exception. It's the story of the fastest horse in history, first known as Big Red, who went on to win horse racing's triple crown on 1973, a feat not accomplished in 25 years. After that he sired 600 foals, much to the delight of his investors, the first to invest solely in a stud future.

But then I love Seabiscuit (2003) for it depression-era cheerleading. This is what American filmmakers do well--a rouser with messages, big–screen chases, and sentimentality for the little guy. Seabiscuit is Rocky for horses, a suspenseful crowd pleaser with characters such as the whisperer played by Chris Cooper, who said, "You don't throw a whole life away just because it's banged up a little." The thought resonates for almost everyone in the film, a tribute to unity of theme and expression of actor.

Similarly there's more than just a racing film in Secretariat; after all National Velvet has a more interesting story and a younger heroine in Elizabeth Taylor, but that was decades ago. This true story is about the grit of Penny Chenery, who took over Virginia's Meadow Stables from her father and beat the male-dominated odds.

This quintessential Disney movie depicts her as tough and loving, a mother and a businesswoman, who can serve as a model for young women aspiring to reach great goals even in this liberated 21st century, which still has a ways to go before it expunges fully the sexism scourge.

The photography is bracing, often putting the camera right by the prancing hoofs or mid-level close to the steed's haunches. Although nothing new here, it is still exciting fare. Because we all know going in that our horse will win the crown, director Randall Wallace is especially successful in keeping us interested and worried for Secretariat.

Disclosure: I like most Hollywood horse-racing stories.


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