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Secretariat (2010)

 -  Drama | Family | History  -  8 October 2010 (USA)
7.2
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Ratings: 7.2/10 from 18,574 users   Metascore: 61/100
Reviews: 133 user | 157 critic | 36 from Metacritic.com

Penny Chenery Tweedy and colleagues guide her long-shot but precocious stallion to set, in 1973, the unbeaten record for winning the Triple Crown.

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Title: Secretariat (2010)

Secretariat (2010) on IMDb 7.2/10

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2 wins & 5 nominations. See more awards »

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Cast

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E.V. Benjamin (as Mike Harding)
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Keith Austin ...
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Storyline

Housewife and mother Penny Chenery agrees to take over her ailing father's Virginia-based Meadow Stables, despite her lack of horse-racing knowledge. Against all odds, Chenery -- with the help of veteran trainer Lucien Laurin -- manages to navigate the male-dominated business, ultimately fostering the first Triple Crown winner in twenty-five years. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

The Impossible True Story

Genres:

Drama | Family | History | Sport

Motion Picture Rating (MPAA)

Rated PG for brief mild language | See all certifications »

Parents Guide:

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Details

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Release Date:

8 October 2010 (USA)  »

Also Known As:

A paripa  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

£40,941 (UK) (3 December 2010)

Gross:

$59,699,513 (USA) (4 February 2011)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Triple Crown trophy seen after the 3rd race is the actual trophy, not a replica. It was loaned to the production by the Kentucky Derby Museum, and was human-accompanied on the trip from museum to film set and back. See more »

Goofs

When Penny is being confronted by her brother and husband regarding the inheritance tax. The brother is sitting on the edge of the desk while Penny is sitting on the edge of her chair with her elbows on her knees. As the conversation continues Penny is suddenly sitting upright in the chair with her hands in her lap. See more »

Quotes

Eddie Sweat: Hey, Kentucky! Big old Red done ate his breakfast this morning! And you about to see something that you ain't never even seen before!
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Crazy Credits

Zappa Studios talent for extra work. See more »

Connections

Featured in Maltin on Movies: Secretariat (2010) See more »

Soundtracks

I'll Take You There
Written by Al Bell (as Alvertis Isbell)
Performed by The Staple Singers
Courtesy of Concord Music Group, Inc.
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User Reviews

Exciting Fare
7 October 2010 | by (Columbus, Ohio) – See all my reviews

"It is beautiful to watch a fine horse gallop, the long stride, the rush of the wind as he passes—my heart beats quicker to the thud of the hoofs and I feel his strength." Richard Jefferies

Secretariat is no exception. It's the story of the fastest horse in history, first known as Big Red, who went on to win horse racing's triple crown on 1973, a feat not accomplished in 25 years. After that he sired 600 foals, much to the delight of his investors, the first to invest solely in a stud future.

But then I love Seabiscuit (2003) for it depression-era cheerleading. This is what American filmmakers do well--a rouser with messages, big–screen chases, and sentimentality for the little guy. Seabiscuit is Rocky for horses, a suspenseful crowd pleaser with characters such as the whisperer played by Chris Cooper, who said, "You don't throw a whole life away just because it's banged up a little." The thought resonates for almost everyone in the film, a tribute to unity of theme and expression of actor.

Similarly there's more than just a racing film in Secretariat; after all National Velvet has a more interesting story and a younger heroine in Elizabeth Taylor, but that was decades ago. This true story is about the grit of Penny Chenery, who took over Virginia's Meadow Stables from her father and beat the male-dominated odds.

This quintessential Disney movie depicts her as tough and loving, a mother and a businesswoman, who can serve as a model for young women aspiring to reach great goals even in this liberated 21st century, which still has a ways to go before it expunges fully the sexism scourge.

The photography is bracing, often putting the camera right by the prancing hoofs or mid-level close to the steed's haunches. Although nothing new here, it is still exciting fare. Because we all know going in that our horse will win the crown, director Randall Wallace is especially successful in keeping us interested and worried for Secretariat.

Disclosure: I like most Hollywood horse-racing stories.


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