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Secretariat (2010)

 -  Drama | Family | History  -  8 October 2010 (USA)
7.2
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Ratings: 7.2/10 from 18,181 users   Metascore: 61/100
Reviews: 133 user | 157 critic | 36 from Metacritic.com

Penny Chenery Tweedy and colleagues guide her long-shot but precocious stallion to set, in 1973, the unbeaten record for winning the Triple Crown.

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Title: Secretariat (2010)

Secretariat (2010) on IMDb 7.2/10

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2 wins & 5 nominations. See more awards »

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A young girl befriends a wild black stallion.

Director: Simon Wincer
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Cast

Cast overview, first billed only:
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E.V. Benjamin (as Mike Harding)
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Keith Austin ...
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Storyline

Housewife and mother Penny Chenery agrees to take over her ailing father's Virginia-based Meadow Stables, despite her lack of horse-racing knowledge. Against all odds, Chenery -- with the help of veteran trainer Lucien Laurin -- manages to navigate the male-dominated business, ultimately fostering the first Triple Crown winner in twenty-five years. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

The Impossible True Story

Genres:

Drama | Family | History | Sport

Motion Picture Rating (MPAA)

Rated PG for brief mild language | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

8 October 2010 (USA)  »

Also Known As:

A paripa  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

£40,941 (UK) (3 December 2010)

Gross:

$59,699,513 (USA) (4 February 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Some of the closeup shots of the racing horses were achieved by attaching lightweight digital cameras to sticks and positioning them close to the horses as they galloped around the track. The horses got used to it, but the jockeys were sometimes startled by them. See more »

Goofs

Though taking place between 1969 and 1973, the children of Penny Chenery do not age during the course of the film. See more »

Quotes

Penny Chenery: I got what I wanted.
Hollis Chenery: You got what no one else wanted.
See more »

Connections

Featured in Richard Roeper & the Movies: Secretariat (2010) See more »

Soundtracks

I'll Take You There
Written by Al Bell (as Alvertis Isbell)
Performed by The Staple Singers
Courtesy of Concord Music Group, Inc.
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User Reviews

 
Good, but not GREAT!
13 October 2010 | by (Clovis, New Mexico) – See all my reviews

My grandmother was a parent during the '50's and liked everything neat and clean and in its place. Heaven forbid if things get too out of hand; too "real". I have waited my entire life for Hollywood to tell Secretariat's story and after watching Disney's Secretariat my heart remains unsatisfied. It was a good, "feel good" movie, but "good" is the keyword. I felt like Grandma edited this movie. Again, it is a good movie with some interjections of great cinematography, yet Secretariat was a GREAT horse and deserved a GREAT movie. This was an Oscar winning story, with an Oscar winning cast, but the script was emotionally impotent. There were no risks and risk is what horse racing is all about. The movie is so safe and there wasn't anything safe about the facts that surround this horse and his rise to be the greatest race horse that ever lived.

Still today, when I watch Secretariat run on YouTube, I cry!!! I'm not sure why, but the tears flow from the depths of my being. Rationally, I try to tell myself that he is just a horse, but something overcomes me every time, no matter how many times I watch him run. That overwhelming surge of emotion is what this story deserved. If you've ever been in the presence of a great horse, you will know what I am talking about. They are strong and confident. You can feel their aura. There is a low rolling thunder of excitement when you are near them. Talk to the people who were there. Read the first hand accounts of their emotional state when they saw this horse run. He was mesmerizing, captivating, unexplainably breathtaking. The audience deserved to feel the thunder roll through them in every scene.

I expected so much more from director Randall Wallace. The power and emotion of Braveheart, We Were Soldiers, Pearl Harbor, The Man in the Iron Mask, is what Secretariat deserves. Where was that? I'm not sure what research he did for this movie and how much his hands were tied by the real life characters or the studio, but the main character became the background and what was in the forefront was a "sugar coated" conflict of a woman with a driving passion and the place society and her family was trying to lock her into; however, even her passion didn't spill out onto the audience as it should have. I felt like the accomplishments of Penny Chenery and Secretariat have been shrunk down and placed into a nice, neat little box fit for a good little housewife and her sweet little horse. I felt as if I was the one being squelched, because I wanted so badly for everyone to share the emotion I feel at the sheer audaciousness when this horse ran. To accomplish what they accomplished, he and his owner had to be completely audacious to rise above the negativity and overwhelming odds surrounding them.

Diane Lane is one of my favorite actresses; however, her role left me doubting the character. For example, when a woman talks to her horse, she does more than look into his eye for a few seconds and say, "Well OK then". When a woman truly needs to know something from her horse she breathes him in, they breathe each other in, as their souls entwine and one knows the other. You will see it on his face and you will see it on her face, without human words being spoken. This is a rare and special event, but it happens, and it could have carried this movie. If you have seen Diane Lane in "Unfaithful" you will realize this is an actress that could translate this kind of communication and emotion to the screen.

The audience should have been allowed to feel the emotional range that surrounds all involved in preparing a horse for the greatest races any thoroughbred will ever run. Just watch horse racing on television and you will see real raw emotion that these people explode with at the end of the race. So much was on the line for everyone involved and yet throughout the movie everyone handled the stress with subdued emotion, never getting too far off the scale. Just when you thought someone was going to show some real feelings, they apologized for it. Real life is just as ugly as it is beautiful. Without the dark of night, the brightest stars would never beam their intense beauty upon us. Every masterpiece must have its extreme contrasts to fulfill the emotional needs of its audience.

I'm not blaming anyone. I am sure everyone involved did their best. I am simply sharing with the reader my disappointment in what I thought would be a thrilling tribute to a horse so deserving.

Ron Turcotte said the film captured the story "pretty well". I ask you, is "pretty well" good enough for the greatest race horse who ever ran on the track? Secretariat's heart was two and a half times the size of a normal horse's heart; I feel the portrayal of his story should have been two and a half times the size of any regular movie. He gave us everything he had when he ran the Belmont; thirty-one lengths ahead of Sham who was an amazing, record breaking horse in his own right. Don't we owe it to him, to give him everything we've got, to see that generations to come understand the events that transpired to make him who he is? Have we as a culture become so jaded that there can be no magic in the truth? Can the epic only be found in fiction? I don't believe it. I believe that purity of a moment of perfection forever locked in time is where magic can be found and that magic is why it brings inspiration and tears to the eyes of the soul who seeks it.

Suzette Howard


80 of 109 people found this review helpful.  Was this review helpful to you?

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