IMDb > Love Machine (2001)

Love Machine (2001) More at IMDbPro »


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Overview

User Rating:
8.5/10   11 votes
MOVIEmeter: ?
Down 7% in popularity this week. See why on IMDbPro.
Director:
Writers:
Peter Asaro (writer)
Douglas Matejka (writer)
Genre:
Plot:
In a culture preoccupied with its own technological prowess in the development of labor-saving machines... more | add synopsis
User Reviews:
great material for analyses of robots, AI, and ethics more (2 total)

Cast

  (Credited cast)
Joan Almon ... Herself - Educator
Cynthia Breazeal ... Herself - Roboticist
Rodney Brooks ... Himself - Roboticist
Colleen Cordes ... Herself - Educator
Manuel Delanda ... Himself - Philosopher
Daniel C. Dennett ... Himself - Philosopher
Hubert Dreyfus ... Himself - Philosopher
Ken Goldberg ... Himself - Roboticist
Ernest Green ... Himself - Publisher
Monsignor Albert Hallin ... Himself - Clergy
Dave Lampert ... Himself - Inventor
Robert Morgan Lawrence ... Himself - Sexologist
Matt McMullen ... Himself - Sculptor
Hans Moravec ... Himself - Roboticist
Lisa Palac ... Herself - Writer
Ben Pattee ... Himself - Inventor
Gill Pratt ... Himself - Roboticist
Carol Queen ... Herself - Sexologist
Mario Saucedo ... Himself - Sculptor
Brian Scassellati ... Himself - Roboticist
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Additional Details

Runtime:
110 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 more
Sound Mix:

FAQ

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1 out of 1 people found the following review useful.
great material for analyses of robots, AI, and ethics, 5 June 2007
8/10
Author: Matt Ratto from Sweden

I saw this movie last week, hosted by Peter Asaro, one of the film makers. Much more than just a "gee-whiz" description of current developments in robotics and artificial intelligence, the film provides really rich material for thinking about the delegation of all sorts of labor (including emotional and/or sexual work) to socio-technical systems. It includes examples (both technical and philosophical) that could serve as very useful materials for university courses on social, ethical, and legal issues and technology. With a running time of 110 minutes, it could be a bit much for most undergraduates, and some of the montage sequences can feel a bit long. But apart from this, I found the interviews with Manuel Delanda, Daniel Dennett, and Hubert Dreyfus particular insightful, and the images and soundtrack (including material by Blonde Redhead) provide much needed pacing for reflecting on the issues raised during the film.

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