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Death Proof (2007)

7.1
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Ratings: 7.1/10 from 176,905 users  
Reviews: 562 user | 203 critic

Two separate sets of voluptuous women are stalked at different times by a scarred stuntman who uses his "death proof" cars to execute his murderous plans.

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Title: Death Proof (2007)

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Cast

Cast overview, first billed only:
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Herself
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Jungle Julia (as Sydney Poitier)
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Kim
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Pam
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Lee
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Dov
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Storyline

In Austin, Texas, the girlfriends Julia, Arlene and Shanna meet in a bar to drink, smoke and make out with their boyfriends before traveling alone to Lake LBJ to spend the weekend together. They meet the former Hollywood stuntman Mike, who takes Pam out in his "death-proof" stunt car. Fourteen months later, Mike turns up in Lebanon, Tennessee and chase Abernathy, Zoë and Kim, but these girls are tough and decide to pay-back the attack. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

A crash course in revenge See more »

Genres:

Action | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

31 May 2007 (Hungary)  »

Also Known As:

Grindhouse Presents: Quentin Tarantino's Death Proof  »

Filming Locations:

 »

Box Office

Opening Weekend:

£407,525 (UK) (21 September 2007)

Gross:

£707,262 (UK) (28 September 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(international) | (Grindhouse) | (extended)

Sound Mix:

| |

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The complete list of songs contained in the jukebox is as follows: 01. Isaac Hayes - "Theme from Shaft" / "Ellie's Love Theme" (from Shaft (1971)); 02. Barry White - "You're My First, My Last, My Everything" / "Can't Get Enough"; 03. Bob Dylan - "George Jackson (Acoustic)" / "George Jackson (Big Band)"; 04. Stevie Wonder - "Lately" / "If It's Magic"; 05. The Chi-Lites - "Have You Seen Her" / "Oh Girl"; 06. The THP Orchestra - "Theme from S.W.A.T., Pt. 1" / "Oh Girl"; 07. Stevie Wonder - "I Ain't Gonna Stand for It" / "Knocks Me off My Feet"; 08. Bloodstone - "Natural High" / "This Thing is Heavy" ("Natural High" is heard in Jackie Brown (1997)); 09. Don McLean - "American Pie, Pt. 1" / "American Pie, Pt. 2"; 10. Sweet - "Little Willy" / "Man from Mecca"; 11. The Isley Brothers - "Take Me to the Next Phase, Pt. 1" / "Take Me to the Next Phase, Pt. 2"; 12. The Miracles - "Love Machine, Pt. 1" / "Love Machine, Pt. 2"; 13. Bob Dylan - "Subterranean Homesick Blues" / "She Belongs to Me"; 14. Honey Cone - "Stick Up" / "V.I.P."; 15. Earth Wind & Fire - "Shining Star" / "Yearning, Learning"; 16. Amii Stewart - "Knock on Wood" / "When You Are Beautiful"; 17. Honey Cone - "Want Ads" / "We Belong Together"; 18. Kool & The Gang - "Hollywood Swinging" / "Jungle Boogie" ("Jungle Boogie" is heard in Pulp Fiction (1994)); 19. Bob Dylan - "Band of the Hand" / "Theme from Joe's Death" (from Band of the Hand (1986)); 20. Sweet - "Wig-Wam-Bam" / "New York Connection"; 21. Friends of Distinction - "Grazing in the Grass" / "I Really Hope You Do"; 22. Marvin Gaye - ":Trouble Man" / "Don't Mess With Mr. T "(from Trouble Man (1972)); 23. Bob Dylan - "Stuck Inside of Mobile with the Memphis Blues Again" / "Rita May"; 24. Pacific Gas & Electric - "Are You Ready?" / "Staggolee"; 25. Donna Summer - "Love to Love you Baby" / "Need-A-Man Blues"; 26. Michael Zager Band - "Let's All Chant" / "Love Express"; 27. Santa Esmeralda - "Don't Let Me Be Misunderstood" / "You're My Everything" ("Don't Let Me Be Misunderstood" is heard in Kill Bill: Vol. 1 (2003)); 28. Jigsaw - "Sky High" / "Brand New Love Affair"; 29. George Baker Selection - "Little Green Bag" / "Pretty Little Dreamer" ("Little Green Bag" is heard in Reservoir Dogs (1992)); 30. Sweet - "Blockbuster" / "Need a Lot of Lovin'"; 31. Eddie Floyd - "Good Love, Bad Love" / "Things Get Better"; 32. Joe Tex - "The Love You Save" / "If Sugar Was as Sweet as You"; 33. Bob Dylan - "Gotta Serve Somebody (Long Version)" / "Gotta Serve Somebody (Short Version)"; 34. Dick Dale - "Misirlou" / "Eight Till Midnight" ("Miserlou" is heard in Pulp Fiction (1994)); 35. Lee Williams - "They Told a Lie" / "I'm Tore Up"; 36. William Bell - "Formula of Love" / "You Don't Miss Your Water"; 37. Dinah Washington - "Mad About the Boy" / "Stormy Weather"; 38. The Box Tops - "Cry Like a Baby" / "The Door You Closed to Me"; 39. The Checkmates Ltd. - "Black Pearl" / "Lazy Susan"; 40. Sweet - "Fox on the Run" / "Miss Demeanor"; 41. The Delfonics - "Didn't I (Blow Your Mind This Time)" / "La-La Means I Love You" ("Didn't I" is heard in Jackie Brown (1997)); 42. Brothers Johnson - "Get the Funk Outta Ma Face" / "Tomorrow"; 43. Bob Dylan - "Hurricane, Pt. 1" / "Hurricane, Pt. 2"; 44. ABBA - "Waterloo" / "Watch Out"; 45. 'T. Rex (I)' - "Jeepster" / "Life's a Gas"; 46. Melanie - "What Have They Done to My Song Ma?" / "Ruby Tuesday"; 47. George Frayne - "Hot Rod Lincoln" / "Beat Me Daddy Eight to the Bar"; 48. Robert Mitchum - "The Ballad of Thunder Road" / "The Tip of My Fingers" ("Ballad" is the theme from Thunder Road (1958)); 49. Dean Martin - "Rio Bravo" / "My Rifle My Pony and Me" (From Rio Bravo (1959)); 50. Dave Dee Dozy Beaky Mick and Tich - "Hold Tight" / "You Know What I Want". See more »

Goofs

In the closing credits, The Austin Chronicle, is misspelled as "Cronicle." See more »

Quotes

[first lines]
Arlene: [shouting to Jungle Julia] Hold on, I gotta come up! I gotta take the world's biggest fuckin' piss!
See more »

Crazy Credits

In the OPENING credits during the prologue driving sequence, after "Kurt Russell in" there is a quick two-or-three frame color animation of the title "Quentin Tarentino's Thunder Bolt" which cuts immediately to a simple grainy white-on-black title screen that says "Death Proof". See more »

Connections

References Bullitt (1968) See more »

Soundtracks

Good Love, Bad Love
Written by Al Bell (as Alvertis Isbell) & Eddie Floyd
Performed by Eddie Floyd
Courtesy of Atlantic Recordings Corp.
By Arrangement with Warner Music Group Film & T.V. Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Remembrance cinema at its best!
14 January 2008 | by (United Kingdom) – See all my reviews

This is an absolutely brilliant film and a film that I could watch over and over. Written and directed by Quentin Tarantino this film seems to have divided audiences like no other, it has been adored and despised in many quarters and there seems to be no middle ground for opinion. It is cited, by Tarantino himself, as being a remembrance to the B movies of the 60s and 70s through the guise of Grindhouse cinema. In order to fully appreciate what Tarantino has done then I would agree that you must be at least familiar (on some level) with the films of that genre and era and familiar with Grindhouse cinema and its workings. It is not an absolute necessity to be fully aware of this type of film-making but it helps if you want to completely appreciate this film.

Grindhouse cinema was never revered in its day and many have questioned its reprisal. For an audience to require adequate knowledge of such a minnow in cinema history is regarded by many critics as asking too much and is adduced as being a major factor in its downfall. This is due to the belief that Tarantino has made a film for too niche a market, and as a consequence it should be of no surprise that it flopped at the box office. This is something that I whole heartedly disagree with because, to the contrary, I believe that Tarantino has made his most selfish film to date, he has made something that he wanted to... that no studio dictated... no executive planned and no audience asked for, this film is 100 percent his and it just so happens that not that many people like it, all great directors make films that fit into this category.

A major critique of Death Proof has been that it contains a lot of dialogue, but I feel that this should be expected as it is a remembrance to Grindhouse cinema and these types of movies are notorious for the amount of talk they can contain and the amount of "build up" they might have and Tarantino himself is recognised as being a writer that emphasises the dialogue in his films. Modern cinema goers are likely to not have the patience for such an offering and thus dismiss its significance and become agitated at a lack of "action" and this is evident from some of the reviews on this website.

The film is about two separate sets of voluptuous women who are stalked by a stuntman called Mike that uses his death proof cars to execute the women. The essence of the story at the heart of Death Proof is that it's impeccably nostalgic as it insinuates to the very essence of cult, it is a forged story because of its countless renditions and numerous re-tellings by the way of novels, films and tales. Being familiar with such a story allows for an ease in understanding and following of narrative – a common attribute in cult films. The voluptuous women, or female characters, in the film are all so similar in appearance yet all so different in disposition, because the film is essentially split into two parts we witness the floundering of one set of female characters and the resurgence in dominance of another. The female empowerment in Death Proof is symbolic to a desire for masculinity which is so wonderfully conveyed by their attempt in "taming" the car (I shouldn't need to mention what the car is symbolic of). It's often perceived that in these films masculinity must be achieved in order to succeed, which in itself is a direct reference to the inspired B movies of Russ Meyer.

On a personal level I was happy to watch a film that accomplishes its stunt work without any CGI and re-live many of the films I dismissed too eagerly in my youth. Being a homage the film is littered with references, the most notable of which being the casting of Kurt Russell – a deliberate nod to the master of cult (and horror) John Carpenter (the shirt worn by Jack Burton, from Big Trouble In Little China, is visible on the wall in the bar), The Dodge Challenger driven by Stuntman Mike has the plate numbers OA5599, which correspond to the white Dodge Challenger from the heavily referenced film Vanishing Point. The film also contains lots of Tarantino-esquire moments, from the copious amount of foot shots to re-appearance of Sheriff Earl McGraw, and there are some moments of pure Tarantino ingenuity i.e. the four-shot death scene, the reversed hospital set, the lap dance, the shot of the car in the rain, Stuntman Mikes nod to the third person and the wonderfully constructed soundtrack. Upon seeing Death Proof I immediately watched it again as I felt it deserved it. Enjoy.


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