In Austin, Texas, the girlfriends Julia, Arlene and Shanna meet in a bar to drink, smoke and make out with their boyfriends before traveling alone to Lake LBJ to spend the weekend together. They meet the former Hollywood stuntman Mike, who takes Pam out in his "death-proof" stunt car. Fourteen months later, Mike turns up in Lebanon, Tennessee and chase Abernathy, Zoë and Kim, but these girls are tough and decide to pay-back the attack. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Kurt Russell can be seen eating in the background through the diner scene in the film's second half. See more »
Through out the movie they simulate splices in the film, sometimes in key places like people's names. In movie projectors, the sound head is in a different location than the shutter/lens area and so the sound is a foot or two ahead of the picture frame that it corresponds with, so a splice will show a flicker then a second later hit the sound head and play static. In the movie, the sound and visual affects of the splice are simultaneous. See more »
[shouting to Jungle Julia]
Hold on, I gotta come up! I gotta take the world's biggest fuckin' piss!
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During the opening credits, the Troublemaker Studios logo remains in it's original form but the Dimension Pictures logo has been rendered in a 1970s style. See more »
Hold on, I gotta come up! I gotta take the world's biggest f*ckin' p*ss!"
This film was an homage to the grind house flicks of the past. It's crowning achievement was the inclusion of some of the baddest gals on film, and one of the hottest.
Vanessa Ferlito as Arlene, who I would watch sitting in a chair for an hour anytime. It was well worth it to see that lap dance. Ferlito was clearly the star of this film.
Then there were the badass girls: Tracie Thoms as Kim and Rosario Dawson as Abernathy. I could watch them ride around in a car for an hour anytime.
It was the last third of the film where the action was ramped with some fantastic stunt work by badass Zoe Bell and, of course, the coup de grâce, Abernathy's boot in Stuntman Mike's (Kurt Russell) face. Heavenly.
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