Now out of prison but still disgraced by his peers, Gordon Gekko works his future son-in-law, an idealistic stock broker, when he sees an opportunity to take down a Wall Street enemy and rebuild his empire.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
As the global economy teeters on the brink of disaster, a young Wall Street trader partners with disgraced former Wall Street corporate raider Gordon Gekko on a two-tiered mission: To alert the financial community to the coming doom, and to find out who was responsible for the death of the young trader's mentor. Written by
The Spanish painter Goya's painting "Saturno devorando a un hijo (Saturn devouring his son)" is actually in Museo del Prado, in Madrid, with the rest of the 13 Goya's "Black Paintings". In the movie, Bretton says that there are 14 paintings in El Prado and this is in his office. See more »
The high definition feed of New York City cable network NY1 is shown on a television screen in Jacob's loft. NY1 did not start broadcasting in the 16:9 HD aspect ratio until October 2009, over a year after the scene was set. See more »
Sequels rarely come out of a comparison looking good - and this one's no exception. The original Wall Street was a classic on several planes, but "Never Sleeps" just isn't.
Douglas, as usual, gives a strong and perceptive performance: he is backed up by the rest of the cast. The acting throughout is good.
So are the camera-work, the lighting, the sets and the locations.
The problem is in the direction: at 133 minutes this film doesn't have the meat to fill the time out. Twenty minutes could be cut and there would be little effect on the storytelling, there's so little of it. Visual metaphors come in chunks and, yes - we *do* get them. It's just that they don't advance the action: it's almost as if we've suddenly turned up at a powerpoint presentation.
And what on earth possessed Stone to spend so much time on aerial shots of the city? This isn't a travelogue, for God's sake. And exactly why is a slightly competitive motorbike ride brought into it? Because a couple of bikes happened to be available and the trees were turning? This is year 12 film club stuff, Oliver.
I gave this movie four out of ten, but, thinking about it i have come back to edit my review to a three. I'd better stay clear of IMDb or we could end up with one.....
The general feeling of drift was, for me, not exactly helped by a pretty ordinary soundtrack. Some of the dialogue is indistinguishable from the background track and, at times, the score is also a hindrance rather than a necessary part of the experience.
I have had to walk out of several films this last year: there are so few movies being made that justify anything like the moolah being spent on them. I stayed to the bitter end of "Never Sleeps" and will give it a generous four - but it won't be on my DVD Christmas list.
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