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After a meteor shower in California, Melissa feels that her co-workers and her boss Samantha that work in the agency owned by Vickland are acting differently after receiving a weird plant. She shares her fears with her colleague Billie and with Detective Alexander that are the only persons that she can trust. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Picked this up in a 10-movie pack for five bucks at K-Mart.
Is it classic sci-fi? No. Is it a very good movie? Hardly.
But I look at it this way: 50 cents for a flick about an alien ginger plant that turns mean girls into sex-starved, naked lesbians? Oh, yeah, K-Mart, here's my four bits. Can't buy me a Hershey bar for that anymore.
Gotta admit, I find a certain charm to The Asylum's "mockbuster" movies. They remind me of my childhood, when I'd read "Cinemagic" magazine and make my own "Star Wars" films on Super-8. Terrible, to be sure, but made with a modicum of love and reverence for the source material.
In rare cases, Asylum's movies are actually better than those they're aping. I'll take "Allan Quartermain and the Temple of Skulls" any day over the incomprehensible "Indiana Jones and the Kingdom of the Crystal Skull." And while the first "Aliens Vs. Predator" was good in a comic book sort of way, "AVP: Requiem" didn't make a lick of sense. Asylum's "AVH: Alien Vs. Hunter," starring aged stoner William Katt, was far more enjoyable. And who'da thunk Asylum's martial arts version of "I Am Legend" -- titled "I Am Omega" and starring that dude from "Iron Chef" -- would be as charming as it is? Not me, brother. But it's now my second favorite version of the story, next to Vincent Price's classic "The Last Man on Earth."
For the record, I'm not some Asylum company suit posting fake positive reviews, and I acknowledge the vast majority of Asylum's output is crapola. I'm just some guy who appreciates bad movies, and The Asylum tends to make more of those than anyone else.
And as long as K-Mart keeps selling them for 50 cents, I'm gonna keep buying them.
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