In the 1970s, Om, an aspiring actor, is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
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Om Prakash Makhija is a Junior Artist in the 1970's hindi film industry, who is in love with actress Shantipriya. Om rescues Shanti from a fire scene where the fire has escaped control, and they become friends. His hopes seems to be coming true, but shortly thereafter he finds out that she is married to a film producer, Mukesh Mehra, and is expecting his child. He then watches in horror as Mukesh, after luring her in an abandoned studio, sets it on fire to prevent a financial loss and protect his career. Om attempts to rescue her in vain, and he eventually is killed. 30 years later, Om has reincarnated as the only son of a Bollywood actor, Rajesh Kapoor, and is himself an actor. His memories start to return when he meets with his widowed mother, Bela, from his previous birth. He also meets with Mukesh and together they decide to make a movie 'Om Shanti Om'. Om then hires a look-alike of Shantipriya, and hopes to force a confession out of Mukesh - but things go awry and Om finds his ... Written by
Shahrukh Khan goes to meet Deepika Padukone after saving her from fire where she says Dosti Me No Sorry No Thank You,it shown as younger Sooraj Barjatya next door hearing the conversation and using this particular line for his future film Maine Pyar Kiya. See more »
Why does everybody leave Mukesh alone after the accident? See more »
Life is like a film, it always has a happy ending and if it's not happy then it's not yet the end.
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The movie starts off as a charming, witty satire of long-standing bollywood clichés but then fails by expecting the audience to take the same clichés seriously to fill out the threadbare story. Along the way many laughs are to be had but they empty as the script runs out of gags long before the end.
Shah Rukh manages to keep the length of it watchable with his boundless charisma but there is little depth to his character. Indeed the main problem is that the characters are all under-written. Shreyas Talpade is almost entirely wasted. As are most of the other characters, such as Kiron Kher who dazzles in her key scenes, but are then left neglected.
Deepika Padukone impresses in her debut, displaying versatility that could pave a successful career forward. Arjun Rampal also gives a rare good performance. In a role that could have been hampered by over-acting, he gives a well-judged tone to it.
The songs are a highlight, especially the one which utilized slick editing to bring the stars of past and present together. Not quite so much of a highlight was the cameo-filled sequence which runs far longer than it should have.
Overall, the first act could be seen again and again by any fan of Hindi cinema but the full running time would have few watching the movie through to the finish on repeat viewing.
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