| Photos (See all 52 | slideshow) | Videos (see all 18) |
| Kathryn Alexander | ... | Mousy Girl / Agnes | |
| Teodorina Bello | ... | Jamaican Lady | |
| Kate Blumberg | ... | Edwin's Wife | |
| Jonah Bobo | ... | Young Victor | |
| Willi Burke | ... | Deranged Socialite (as Wilma 'Willi' Burke) | |
| Heather Burns | ... | Internet Date / Gwen | |
| David Fonteno | ... | Edwin | |
| Matt Gerald | ... | Detective Ryan | |
| Clark Gregg | ... | Lord High Charlie | |
| Joel Grey | ... | Phil | |
| Viola Harris | ... | Eva Muller | |
| Brad William Henke | ... | Denny | |
| Paz de la Huerta | ... | Nico (as Paz De La Huerta) | |
| Michelle Hurst | ... | Shapely Nurse | |
| Anjelica Huston | ... | Ida J. Mancini | |
| Gillian Jacobs | ... | Cherry Daiquiri / Beth | |
| Jen Jones | ... | Old Lady with Note | |
| Jordan Lage | ... | Mob Member #1 | |
| Kelly Macdonald | ... | Paige Marshall | |
| Matt Malloy | ... | Detective Foushee | |
| Mary B. McCann | ... | Detective Dorfman (as Mary Mccann) | |
| Alice Barrett | ... | Lanky Woman on Airplane (as Alice Barrett Mitchell) | |
| Marty Murphy | ... | Second Trooper (as Martin Murphy) | |
| Neil Pepe | ... | Zoo Security Guard | |
| Bijou Phillips | ... | Ursula | |
| Peggy Pope | ... | Sister Angela | |
| Denise Raimi | ... | Pretty Foster Mom | |
| Donald Rizzo | ... | Guard Captain Norm | |
| Judith Roberts | ... | Elegant Lady (as Judith Anna Roberts) | |
| Sam Rockwell | ... | Victor Mancini | |
| Yolonda Ross | ... | Cute Teacher | |
| Mike S. Ryan | ... | Lonnie (as Michael S. Ryan) | |
| Solo Scott | ... | Mob Member #2 | |
| Suzanne Shepherd | ... | Waitress | |
| David Shumbris | ... | First Trooper | |
| Sebastian Sozzi | ... | Tito | |
| Kate Udall | ... | Tall Nurse | |
| Melinda Wade | ... | Mob Leader | |
| Isiah Whitlock Jr. | ... | Detective Palmer | |
| rest of cast listed alphabetically: | |||
| Gregory Mikell | ... | African Waiter | |
| Fast Ali | ... | Girl in closet (uncredited) | |
| Joseph Basile | ... | Blacksmith (uncredited) | |
| Allison Karman | ... | Filthy Wench (uncredited) | |
| Tiffany Rae Larkin | ... | Tall Nurse (uncredited) | |
| Chuck Palahniuk | ... | Passenger (uncredited) | |
| Paul Thornton | ... | Restaurant Patron (uncredited) | |
| Erin Anne Williams | ... | Colonial Villager (uncredited) | |
Directed by | |||
| Clark Gregg | |||
Writing credits(WGA) | ||
| Clark Gregg | (screenplay) | |
| Chuck Palahniuk | (novel) | |
Produced by | |||
| Johnathan Dorfman | .... | producer | |
| Temple Fennell | .... | producer | |
| Beau Flynn | .... | producer | |
| Mia Lee | .... | associate producer | |
| Laurie May | .... | associate producer | |
| Mike S. Ryan | .... | executive producer | |
| Derrick Tseng | .... | executive producer | |
| Gary Ventimiglia | .... | executive producer | |
| Mary Vernieu | .... | executive producer | |
| Tripp Vinson | .... | producer | |
| Lisa Zambri | .... | associate producer | |
Original Music by | |||
| Nathan Larson | |||
Cinematography by | |||
| Tim Orr | (director of photography) | ||
Film Editing by | |||
| Joe Klotz | |||
Casting by | |||
| Suzanne Smith | |||
| Mary Vernieu | |||
| Venus Kanani | (uncredited) | ||
Production Design by | |||
| Roshelle Berliner | |||
Art Direction by | |||
| Matteo De Cosmo | |||
Set Decoration by | |||
| Kate Foster | |||
Costume Design by | |||
| Catherine George | |||
Makeup Department | |||
| Cyndie Boehm | .... | assistant makeup artist | |
| Christine Fennell | .... | key hair stylist | |
| Charles McKenna | .... | assistant hair stylist (as Charles Mckenna) | |
| Stacey Panepinto | .... | key makeup artist | |
Production Management | |||
| Tony Hernandez | .... | unit production manager | |
| John Portnoy | .... | post-production supervisor | |
| Mia Lee | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Nicholas R. Bell | .... | second assistant director | |
| Borjan Jovanovich | .... | second second assistant director (as Boryan Jovanovich) | |
| Stuart Williams | .... | first assistant director (as Stuart J.C. Williams) | |
Art Department | |||
| Justin Bennett | .... | set dresser | |
| Naomi Bombardi-Wilson | .... | art production assistant | |
| David Brenner | .... | set dresser | |
| Kristin Emery | .... | charge scenic (as Kristen Emery) | |
| Josh Fifarek | .... | storyboard artist | |
| Shannon Finnerty | .... | assistant prop master | |
| Yolan Fisher | .... | prop master | |
| Eduardo Garabal | .... | lead dresser | |
| Richard Hebrank | .... | construction coordinator | |
| John Jackson | .... | key construction grip | |
| JoJo Li | .... | additional graphics (as Jojo Li) | |
| Melissa B. Miller | .... | art department coordinator | |
| Darin J. Patterson | .... | art production assistant (as Darin Patterson) | |
| Chris Potter | .... | set dresser | |
| Kevin L. Raper | .... | graphics (as Kevin Raper) | |
| Brendan K. Russell | .... | set dresser (as Brendan Russell) | |
| Rene Sekula | .... | prop assistant | |
| Max Sherwood | .... | on-set dresser | |
| Mark Sonderskov | .... | construction coordinator | |
| Brandon Tonner-Connolly | .... | set dresser (as Brandon T. Connelly) | |
| Adriano Valle | .... | on-set dresser | |
| Alicia Van Couvering | .... | additional graphics | |
| Charles Varga | .... | journeyman scenic (as Chuck Varga) | |
| Gerardo Villarroel | .... | set dressing production assistant | |
| Cathy Wassylenko | .... | camera scenic | |
| Uriah Herr | .... | set dresser (uncredited) | |
| Linette McCown | .... | sculptor (uncredited) | |
| Linette McCown | .... | set dresser (uncredited) | |
Sound Department | |||
| John Benson | .... | foley editor | |
| Joey Bilger | .... | assistant sound editor | |
| Christian Buenaventura | .... | adr editor | |
| Neil Danziger | .... | boom operator | |
| Dave Davenport | .... | post audio coordinator | |
| Albert Gasser | .... | sound designer | |
| Christof Gebert | .... | location sound mixer (as Christopher Gebert) | |
| John Green | .... | dialogue editor | |
| Dave Hancock | .... | mix technician | |
| Tamara Johnson | .... | sound re-recording mixer | |
| Bob Lacivita | .... | adr mixer | |
| Robb Navrides | .... | adr editor | |
| Bryan Pennington | .... | sound consultant: Dolby | |
| Griffin Richardson | .... | additional sound mixer | |
| Steven Stuhr | .... | dialogue editor (as Steve Stuhr) | |
| Richard Taylor | .... | supervising sound editor | |
| Jeremy Balko | .... | adr mixer (uncredited) | |
| Joe Earle | .... | sound re-recording mixer (uncredited) | |
| Giles Khan | .... | additional boom operator (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
Visual Effects by | |||
| Reza Amidi | .... | digital conform | |
| Reza Amidi | .... | opticals | |
| Eduardo Cisneros | .... | imaging technician | |
| Daniel 'Ishi' Cruz | .... | imaging technician | |
| John Flores | .... | imaging technician | |
| Alex Hernandez | .... | imaging technician | |
| Tim Heugle | .... | data wrangler (as Tim Heugele) | |
| Kevin Lomet | .... | data wrangler | |
| Ann Lopez | .... | imaging technician | |
| Elizabeth Ostermann | .... | digital restoration | |
| John Portnoy | .... | visual effects: Upload Films | |
| Paola Varvaro | .... | digital restoration | |
| George Zidd | .... | data wrangler | |
Stunts | |||
| Michael Angelo | .... | stunts | |
| Paul Marini | .... | stunt driver | |
| Kimberly Shannon Murphy | .... | stunts (as Kimberly Shannon-Murphy) | |
| Elliot Santiago | .... | stunts | |
| Manny Siverio | .... | stunt coordinator | |
| Jeff Ward | .... | stunt coordinator | |
| David Shumbris | .... | stunts (uncredited) | |
Casting Department | |||
| Karen E. Etcoff | .... | extras casting: Kee Casting | |
| Lindsay Graham | .... | casting associate: LA | |
| Paul Schnee | .... | casting associate: NY | |
| Georgia Simon | .... | adr casting | |
| Bill Tripician | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Diana J. Collins | .... | wardrobe supervisor | |
| Elizabeth Dran | .... | costume intern | |
| Cameron Folan | .... | assistant costume designer | |
| Suzanne Kelly | .... | set costumer | |
| Lucia Lettini | .... | set costumer (uncredited) | |
| Susan Wachsler | .... | costumer (uncredited) | |
Editorial Department | |||
| John Gardiner | .... | telecine assistant | |
| Sarah Gibbins | .... | post-production assistant | |
| Kyle Gilman | .... | assistant editor | |
| Shannon K. Hall | .... | dailies project manager | |
| Michael L. Holland | .... | digital intermediate producer | |
| Joan Malloch | .... | post-production coordinator | |
| Ira Schweitzer | .... | colorist: dailies | |
| Duncan Skiles | .... | post-production assistant | |
| Ann Trulove | .... | assistant editor | |
| Michael Underwood | .... | digital film colorist (as Mike Underwood) | |
| Darin Wooldridge | .... | additional digital colorist: Technicolor | |
| Benjamin Sutor | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Lyle Hysen | .... | music supervisor | |
| Gandhar Savur | .... | music clearances | |
| Ken Weinstein | .... | music supervisor | |
| Alice Wood | .... | music editor | |
Transportation Department | |||
| Terry Adams | .... | driver | |
| George Campbell | .... | driver | |
| Chris Defeo | .... | driver | |
| Kevin Flynn | .... | transportation captain | |
| Jim Kelly | .... | transportation co-captain | |
| Wallace Mosely II | .... | driver (as Wallace Mosley) | |
Other crew | |||
| Richard M. Bartholomay | .... | location assistant (as Richard Bartholomay) | |
| Barnett Brettler | .... | location intern (as Michael Brettler) | |
| Robert Broder | .... | set medic | |
| Chelsea E. Bruce | .... | intern | |
| Nicholas Bryan | .... | office production assistant | |
| Danielle Carter | .... | intern | |
| Sungmi Choi | .... | intern | |
| Alexandra Church | .... | assistant: Beau Flynn (as Alex Church) | |
| Wendy Cohen | .... | product placement and clearances: Production Resources | |
| James Conaboy | .... | set production assistant | |
| Laura Cramer | .... | intern | |
| Joe Dapello | .... | legal services: Schreck Rose Dapello Adams & Hurwitz LLP (as Joseph J. Dapello Esq.) | |
| Deliana Daskalova | .... | office production assistant | |
| Bethany Dettmore | .... | location assistant (as Beth Dettmore) | |
| Grace Doherty | .... | location scout | |
| Moosie Drier | .... | adr loop group | |
| Marie Durkan | .... | assistant: Mr. Dapello, Schreck Rose Dapello Adams & Hurwitz LLP | |
| James H. Fitzgerald | .... | key set production assistant (as James Fitzgerald) | |
| Zoe Ford | .... | intern | |
| William Day Frank | .... | assistant: Clark Gregg (as Will Frank) | |
| Eddie Frierson | .... | adr loop group | |
| Abigail Hansen | .... | intern | |
| Thalia Harithas | .... | assistant production office coordinator | |
| Bridget Hoffman | .... | adr loop group | |
| Katherine Hoskins Mackey | .... | stand-in: female lead | |
| Joshua Huffman | .... | production office coordinator | |
| Joe Ireland | .... | intern | |
| Marabina Jaimes | .... | adr loop group (as Maribina Jaimes) | |
| Louis Katz | .... | production physician (as Louis A. Katz M.D.) | |
| Rona Katz | .... | insurance: D.R. Reiff & Associates | |
| Kirsten Kearse | .... | script supervisor | |
| Dan Lasik | .... | chef | |
| Jenny Lovin | .... | accounting production assistant | |
| Peter Madamba | .... | script clearance: Act One Script Clearance | |
| Luke Marion | .... | key set production assistant | |
| Keith Marlin | .... | set production assistant | |
| Laura Martinez | .... | assistant: Tripp Vinson | |
| Seane McFarland | .... | technical advisor (as Seane Mcfarland) | |
| Ross Miller | .... | insurance: D.R. Reiff & Associates | |
| Paul Myers | .... | first assistant accountant | |
| Claire Newlands | .... | intern | |
| David Occhino | .... | assistant location manager | |
| David Phillip | .... | parking coordinator | |
| Jorge Pina | .... | chef | |
| John Portnoy | .... | titles: Upload Films | |
| Buck P.B.D. Rodgers | .... | production assistant | |
| Michelle Ruff | .... | adr loop group | |
| Alan D. Sacks | .... | legal services: Schreck Rose Dapello Adams & Hurwitz LLP (as Alan D. Sacks Esq.) | |
| Maher Sattar | .... | intern | |
| Jonathan Schwartz | .... | intern | |
| Jay Scrimmizi | .... | location intern (as Jay Scrimizzi) | |
| Luke Tomalin Sherman | .... | set production assistant (as Luke T. Sherman) | |
| Georgia Simon | .... | adr loop group | |
| John Skidmore | .... | production secretary | |
| Skip Stellrecht | .... | adr loop group | |
| Anthony Torre | .... | chef | |
| Samantha Treiber | .... | set production assistant | |
| Alicia Van Couvering | .... | assistant to executive producers | |
| Lauren Vanderschuur | .... | set production assistant (as Lauren D. Vanderschuur) | |
| Natalie M. Vasquez | .... | intern | |
| Gregory Walsh | .... | location intern | |
| Josh Wasserman | .... | location intern | |
| Jeffrey M. Weber | .... | set production assistant | |
| Kathy Welch | .... | post production accountant | |
| Michael Wiggins | .... | production accountant | |
| Tucker Williams | .... | assistant: Lisa Zambri | |
| Danielle Wilson | .... | craft service | |
| Amy Wolk | .... | on-set tutor: On Location Education | |
| Dennis Yeandle | .... | set medic | |
| Louis Zuppardi | .... | location manager | |
| Jaclyn Bashoff | .... | assistant: Anjelica Huston (uncredited) | |
| Cristal Calderon | .... | production assistant (uncredited) | |
| Maureen Duffy | .... | completion guarantor (uncredited) | |
| Logan Wolfe Edler | .... | production assistant (uncredited) | |
| Richard T. Lynch | .... | production assistant (uncredited) | |
| R. Zachary Shildwachter | .... | additional production assistant (uncredited) | |
Thanks | |||
| Johann Benét | .... | very special thanks | |
| Guilherme Campellon | .... | special thanks | |
| Michael J. Fox | .... | thanks | |
| Steven Gorelick | .... | special thanks | |
| Kristen Konvitz | .... | the producers wish to thank | |
| David Mamet | .... | thanks | |
| Agnès Mentre | .... | the producers wish to thank | |
| Chuck Palahniuk | .... | the producers wish to thank | |
| Don Roos | .... | thanks | |
| Jessica Sobhraj | .... | thanks | |
| Ed Solomon | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Choke tells the story of Victor Mancini (Sam Rockwell), a sex addict working in a colonial times reproduction. His mother, Ida (Anjelica Huston), suffers from dementia, and spends most of her time thinking Victor is someone else (mainly long dead lawyers) during his frequent visits to the hospital. To pay the bills, Mancini has a bit of a unique talent: he chokes on food in swanky restaurants, and practically forces innocent bystanders into saving him from death.
I read the book Choke a few years ago, thinking it would be same in vain to writer Chuck Palahniuk's near flawless Fight Club (and of course, David Fincher's incredible film). But Choke was nothing like it, and anyone going to see the film thinking it will be is in for a disappointment.
But like Fight Club before it, Choke is adapted quite well from its raunchy source material. The story is quite liberally changed in some instances, but in others, it is an almost literal recreation. Mancini is a well-rounded character, with bizarrely comic traits that are pure Palahniuk. I found myself almost crying from laughing so hard at the comic mishappenings he got himself into, frequently calling back to the events in the book. It was strange however that so little an amount of time is spent on the choking that Mancini has down practically to an art form, but then its off-the-rails, frank portrayal of sex was always much stronger. First-time director Clark Gregg does an excellent job making this character so true to Palahniuk's work that you can forgive him for glossing off something so integral to the plot (but at least it makes for a whole lot less convoluted, confusing and downright silly third act). Gregg's addition of the little idiosyncrasies of Mancini's lifestyle (small cuts to previous sexual encounters, frequent breast-filled day dreams) only further strengthens how close the film cuts to its source material.
But despite being 92 minutes long, I think Gregg could have done with a touch more editing. The film is not lengthy at all (many sequences practically zip by in the hyper-kinetic sense of Fight Club before it), but the film feels quite long in some instances. Despite their importance to the story, the flashback sequences involving a much younger looking Huston and young Victor (playing by Jonah Bobo) drag on endlessly, nearly losing their train of thought mid-scene. Some of the scenes between Mancini and Ida's doctor, Paige Marshall (Kelly Macdonald), also have a habit of dragging their heels. Some cuts here and there in these scenes could have only benefited the film. As well, Gregg's doing away with the third act leaves some subplots hanging in the balance, never to fully integrate themselves with the film as a whole. Non-readers may not even notice some of them (including one glaring omission), but it may strike those who have read it as quite odd.
The supporting cast is pretty well rounded. Macdonald does a great job in her scenes, as do Bijou Phillips in a small role as one of Mancini's co-workers, and Gregg himself as the lead character in the colonial times reproduction. I had failed to realize it was him when watching the film, but he brings a special greatness to every one of his character's lines.
I was a little disappointed however in Brad William Henke's portrayal of Mancini's friend Denny however. Not because Henke does a bad job in the role, but because he does not get nearly enough time on screen. He steals many of his scenes, and seems to know just how to frame Denny, frequently shifting from the downtrodden weakling of a sidekick, to the strong willed individual Mancini wishes he could be. Henke is having fun in the goofy role, and it is obvious that he is very comfortable doing it. He does not have a whole lot of credits on his filmography, but I can only help this role makes him a lot more accessible in Hollywood. More scenes could have only reinforced the notion.
Huston, looking much older than usual for the majority of the film, is excellent in her portrayal of Ida. She does not look to be doing much, but the emotions she conveys simply through her facial movements and expressions is enough to suggest that she is doing more than simply phoning in her performance. The role may not seem too tough, but she pulls it off without breaking a sweat. Despite disliking the flashback scenes, they only further developed her character into the closet psycho she is so great at playing.
But the movie rests on Rockwell's shoulders, and he is clearly up to the task. The breath of life he gives Victor Mancini is almost poetic in how personal it looks and sounds. No, he does not give the same energy that Brad Pitt does as Tyler Durdan, but this does not seem to bother Rockwell in the least. He plays Mancini just the way he needs to in order to make him a believable regular guy, suffering from addiction problems and his need to please his overbearing mother even as she is slowly withering away. You can see the pain in his face right from minute one, and never once does he let us take this idealism for granted. He uses it and characterizes Mancini with a great breadth of thought not regularly seen in contemporary American cinema.
While it is not perfect at all, Choke is a wonderfully valiant attempt at recapturing the nearly demented nature of a Palahniuk book. His unique voice is captured quite fluidly within the film, and writer/director Gregg can be quite proud of his work here. With the help of a great supporting cast, Rockwell practically lights up the screen in a way that only further proves his greatness as an actor.
7/10.