In an attempt to sign a Hollywood starlet, struggling talent agent and former child star Howard Holloway must contend with her volatile father, a scheming long-time rival, and a producer and casting director who despise him.
A modern phone sex and Internet love story. A frustrated sculptor artist calls a phone sex service on a dare and meets the love of his life. These lovers develop an obsessive relationship ... See full summary »
On the day of the Republican National Convention, radio show host Joe Pace joins the rallies, protests, delegates and citizens of NYC. Broadcasting his last show live, on-the-air, he goes on a one man march for free speech.
Cassie Wright, a retiring porn star, along with her assistant Sheila, sets out to trump Annabel Chong's record by filming herself having sex with 600 men. As the men wait their turns, secrets, double-crosses and death all play a part.
Based on a chapter of the novel 'Lullaby' by Chuck Palahniuk. In a cramped apartment, a man hangs suspended between bitterness of losses and the numbness of his solitude. Having lost his ... See full summary »
Hilda Van Lill
Sex addict and colonial theme park worker, Victor Mancini, has devised a complicated scam to pay for his mom's hospital bills while she suffers from an Alzheimer's disease that hides the truth about his childhood. He pretends to choke on food in a restaurant and the person who "saves" him will feel responsible for Victor for the rest of their lives. Written by
In the scene where Victor choked with a piece of meat, Sam Rockwell was actually eating watermelon with sauce. See more »
In the scene where Victor played the rapist to a woman's fantasy of rape. In the first angle, the frustrated woman grabbed Victor's hand, which was holding the knife, so that it would be placed at her neck, then proceeded to use the vibrator on herself. Then when Victor says, "Whoa, whoa, whoa, what about me?" the angle changed and focused on the woman, in which Victor's hand and the knife weren't anywhere to be seen. In the next shot, Victor had his hand and knife at her neck again. See more »
Sometimes you have to loose everything before the penny finally drops... or... whatever.So here's what I figured out.We're not evil sinners or perfect knock offs of god.We let the world tell us weather we're saints or sex addicts.Sane or insane.Heroes or victims.Weather we're good mothers,or loving sons.But we can decide for ourselves.As a certain wise fugitive once told me,sometimes its not important which way you jump,just that you jump.
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Good for a 90 minute film -- Better and fuller if it was 2 hours
I had the opportunity to view the film Choke at Columbia College Chicago for a screening which held a Q&A with the main actor of the film, Sam Rockwell; so being that I read the novel before as well, I would like to share my take on the film.
No synopsis here; read the one that IMDb's.
If you have read the Palahniuk novel Choke, then you should expect that this 90 minute film cannot hold all of the sexual intensity (and comical vulgarity) that the novel had the space to provide for. Do not get me wrong--this film is very funny and Sam Rockwell is, as usual, superb in the anti-hero role that he's played so well in other films.
My one (and major) problem with the film is the fact that it was 90 minutes and wasn't pushed to be a 2 hour piece. I felt that there was so much more to delve into psychologically that Choke the novel did with sex addiction and the story and idea (will not spoil here) of who the character Victor Mancini was or thinks he is. Rockwell's great acting did a lot to pick up this slag, I do have to mention.
One thing I did like, which was also done with the ending of Fight Club (another Palahniuk novel) is that (again, will not spoil here) the finish to the Choke film was more satisfying then the deus ex machina endings that Palahniuk sometimes (well, many times) does with his stories.
Kelly Macdonald, who is wonderful in anything that she is in, as well as the other supporting actors and actresses kept the story alive and in a wonderful way.
The pacing of the film as well as the narrative was very much "Palahniuk" and this is a pace and narrative that is one of a kind and most interesting to view; which is aside from the usually predictable flow of the other films of today.
I did give this movie a 7/10 but I still believe that it is a movie that should be seen by anyone who likes to laugh, especially at things they don't think they would laugh at. Also, because the overall story is hilarious and is satisfyingly unique and the acting makes the film whole, too.
And did I mention Sam Rockwell was great?
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