A sex-addicted con-man pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death.

Director:

Writers:

(screenplay), (novel)

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
2 wins & 6 nominations. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
Kathryn Alexander ...
Mousy Girl / Agnes
Teodorina Bello ...
Jamaican Lady
...
Edwin's Wife
...
Willi Burke ...
Deranged Socialite (as Wilma 'Willi' Burke)
...
Internet Date / Gwen
...
...
...
...
Viola Harris ...
...
...
Nico (as Paz De La Huerta)
...
Shapely Nurse
...
Edit

Storyline

Sex addict and colonial theme park worker, Victor Mancini, has devised a complicated scam to pay for his mom's hospital bills while she suffers from an Alzheimer's disease that hides the truth about his childhood. He pretends to choke on food in a restaurant and the person who "saves" him will feel responsible for Victor for the rest of their lives. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

From the author of Fight Club

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity and language | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

26 September 2008 (USA)  »

Also Known As:

Asfixia  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$1,319,286 (USA) (26 September 2008)

Gross:

$2,926,565 (USA) (21 November 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(DeLuxe)

Aspect Ratio:

1.66 : 1
See  »
Edit

Did You Know?

Trivia

In the DVD commentary, director Clark Gregg said he offered the role of the naked woman at the bathroom plane who caused Victor's addiction to his wife Jennifer Grey. She replied with: "Are you out of your mind?" See more »

Goofs

In the scene where Victor played the rapist to a woman's fantasy of rape. In the first angle, the frustrated woman grabbed Victor's hand, which was holding the knife, so that it would be placed at her neck, then proceeded to use the vibrator on herself. Then when Victor says, "Whoa, whoa, whoa, what about me?" the angle changed and focused on the woman, in which Victor's hand and the knife weren't anywhere to be seen. In the next shot, Victor had his hand and knife at her neck again. See more »

Quotes

Victor Mancini: We are not born equal sinners, or perfect knock-offs of God. The world tells us whether we're heroes or victims. But, we can decide for ourselves.
See more »

Connections

References Gilligan's Island (1964) See more »

Soundtracks

Mellow Samba
Written and Performed by Smokey Hormel
Published by Showpoodle Music (BMI)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Worth digesting slowly
27 September 2008 | by (Ontario, Canada) – See all my reviews

Few authors have as instantly distinctive a style as Chuck Palahniuk: simply look for the most convoluted, scathingly hilarious, disturbingly filthy and twisted narratives which somehow prove revelatory of strikingly genuine nuggets of human nature, usually the ones we would rather keep hidden. Perhaps for this reason, with the exception of his enormous cult hit Fight Club, Palahniuk's work has seldom been adapted for the big screen, with movie executives likely preferring to work with plots which they can be sure their viewers will understand, and not result in heart attacks from either repulsion or outrage. As such, writer/director Clark Gregg's adaptation of Palahniuk's Choke is a daring move - after all, how often does one see the tale of a sardonic sex-addict playing on the sympathies of those who save him from choking to death in restaurants to pay for his mother's hospital bills gracing the marquees? And yet, as surprising as it may seem, for all of the caustically humorous overtones, at the heart of Choke lies a surprisingly tender and fascinatingly complex character study, brimming with humanity and pathos... and yes, loads of gratuitous sex on the side.

Those expecting more along the lines of Fight Club's nihilistic social commentary and brutal violence may find themselves disappointed, as Choke's sordid portrait of a man so used to mindlessly numbing his pain coming to terms with his flaws and potential for good almost by accident proves a far more sympathetic look, albeit one with graphic and perverse sexual content. That being said, writer/director Gregg's screenplay is a razor sharp medley of slashing Palahniuk wit and biting one-liners as well as surprisingly poignant character revelations, blending an increasingly eclectic myriad of events into an impressively concise (the film runs only 89 minutes) yet still cohesive storyline. If a flaw is to be found, it lies in the film's ending, which flirts which but mercifully avoids succumbing to convention and provides what may be one plot twist too many, making the finale somewhat unnecessarily cluttered (and yet strangely fitting) but in such an impressively unique work, such minute concerns are easily forgiven.

One of the film's many blessings is the casting of the supremely talented Sam Rockwell as Victor Mancini, the sort of lead role he is far too often deprived of. It is a testament to Rockwell's immense skill and charisma that he manages not only to sympathize a character who ultimately sets out to make himself dislikeable but also evokes both hilarity and pathos in the least likely places, delivering one of the most remarkable performances in recent memory. Similarly, Angelica Huston is incendiary as Mancini's mother (in flashbacks shown to be an even less stable parent before her dementia) and her interactions with her son prove surprisingly poignant and emotionally wrenching. The tremendously likable Brad William Henke raises many a laugh as Mancini's similarly sex-addicted best friend, and Kelly Macdonald gives a quirky but charming performance as the doctor who may, despite Mancini's best efforts, end up being a love interest. Director Gregg has a hilarious supporting role as the earnest head of Victor's collonial historical interpreter site, and Jonah Bobo proves a rising talent to watch as Victor's childhood self.

Darkly hilarious, sublimely subversive and yet hiding surprising pathos and heart, Choke proves one of the most offbeat films of the year, and is all the more entertaining for it. While the film is without question not for everyone, those willing to stomach the acerbic and often disturbing humour and hefty sexual content may discover one of the most darkly enjoyable movie experiences of quite some time.

-9/10


40 of 60 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?