The fight ends when someone quits or is knocked unconscious. Don't look to the referee for help. If you get into trouble, your opponent will break your elbow, knee you in the head, or choke... See full summary »
In an attempt to sign a Hollywood starlet, struggling talent agent and former child star Howard Holloway must contend with her volatile father, a scheming long-time rival, and a producer and casting director who despise him.
Cassie Wright, a retiring porn star, along with her assistant Sheila, sets out to trump Annabel Chong's record by filming herself having sex with 600 men. As the men wait their turns, secrets, double-crosses and death all play a part.
Based on a chapter of the novel 'Lullaby' by Chuck Palahniuk. In a cramped apartment, a man hangs suspended between bitterness of losses and the numbness of his solitude. Having lost his ... See full summary »
Hilda Van Lill
A chronicle of Buster "Rant" Casey's unusual life, one that took him away from his small town to the big city, where he became the leader of an urban demolition derby called Party Crashing -- a lifestyle that led to his early demise.
Sex addict and colonial theme park worker, Victor Mancini, has devised a complicated scam to pay for his mom's hospital bills while she suffers from an Alzheimer's disease that hides the truth about his childhood. He pretends to choke on food in a restaurant and the person who "saves" him will feel responsible for Victor for the rest of their lives. Written by
In the scene where Victor choked with a piece of meat, Sam Rockwell was actually eating watermelon with sauce. See more »
In the scene where Victor played the rapist to a woman's fantasy of rape. In the first angle, the frustrated woman grabbed Victor's hand, which was holding the knife, so that it would be placed at her neck, then proceeded to use the vibrator on herself. Then when Victor says, "Whoa, whoa, whoa, what about me?" the angle changed and focused on the woman, in which Victor's hand and the knife weren't anywhere to be seen. In the next shot, Victor had his hand and knife at her neck again. See more »
Sometimes you have to loose everything before the penny finally drops... or... whatever.So here's what I figured out.We're not evil sinners or perfect knock offs of god.We let the world tell us weather we're saints or sex addicts.Sane or insane.Heroes or victims.Weather we're good mothers,or loving sons.But we can decide for ourselves.As a certain wise fugitive once told me,sometimes its not important which way you jump,just that you jump.
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Bringing a story like 'Choke' on screen is tricky business and really does require a competent director, like Clark Gregg (who also wrote the screenplay and acted). I haven't read Palahniuk's novel but the humour and world in Gregg's 'Choke' feels very much like one that Palahniuk would create. 'Choke' is a dark comedy. It's hilarious but underneath the surface there are layers of darkness. The film also touches plenty of complex themes such as trauma, dementia, sexual addiction, emotional numbness, desire, love and redemption which are smoothly included within the story. Yet, it is above all a comedy and while the characters appear as hideous losers on the surface, we gradually get to like them. Sam Rockwell is terrific as the messed-up troubled Victor. Only Rockwell could play such a character so naturally. In addition, he is supported by a fantastic Angelica Huston, a quirky Kelly MacDonald and a chronically horny turned romantic Brad William Henke. There's a hilarious 'rape' sequence with Heather Burns. I never thought I would describe that word to describe rape but one just has to watch that scene to get what I mean. The film is packed in a tight 90 minutes but I wish it was longer as I found myself wanting more. 'Choke' is clearly not for everybody but it is certainly worthwhile for those interested in adult humour and psychology.
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