In an attempt to sign a Hollywood starlet, struggling talent agent and former child star Howard Holloway must contend with her volatile father, a scheming long-time rival, and a producer and casting director who despise him.
On the day of the Republican National Convention, radio show host Joe Pace joins the rallies, protests, delegates and citizens of NYC. Broadcasting his last show live, on-the-air, he goes on a one man march for free speech.
Cassie Wright, a retiring porn star, along with her assistant Sheila, sets out to trump Annabel Chong's record by filming herself having sex with 600 men. As the men wait their turns, secrets, double-crosses and death all play a part.
Based on a chapter of the novel 'Lullaby' by Chuck Palahniuk. In a cramped apartment, a man hangs suspended between bitterness of losses and the numbness of his solitude. Having lost his ... See full summary »
Hilda Van Lill
When reporter Carl Streator discovers that unsuspecting readers are reading a culling song from a book Poems and Rhymes and accidentally killing their children, he undertakes a desperate ... See full summary »
Sex addict and colonial theme park worker, Victor Mancini, has devised a complicated scam to pay for his mom's hospital bills while she suffers from an Alzheimer's disease that hides the truth about his childhood. He pretends to choke on food in a restaurant and the person who "saves" him will feel responsible for Victor for the rest of their lives. Written by
In the scene where Victor choked with a piece of meat, Sam Rockwell was actually eating watermelon with sauce. See more »
In the scene where Victor played the rapist to a woman's fantasy of rape. In the first angle, the frustrated woman grabbed Victor's hand, which was holding the knife, so that it would be placed at her neck, then proceeded to use the vibrator on herself. Then when Victor says, "Whoa, whoa, whoa, what about me?" the angle changed and focused on the woman, in which Victor's hand and the knife weren't anywhere to be seen. In the next shot, Victor had his hand and knife at her neck again. See more »
Ida J. Mancini:
A long time ago in ancient Greece,there was a young girl who fell in love with a young boy from another country.One day word came that the young boy would have to go home.So on their last night together she traced the outline of her lovers shadow,so that she could always remember how he looked on the very last moments they were ever to be together.
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This movie left me in a strangely ambivalent state after I watched it, because I'm not sure if I'm judging it on its actual merits, or my expectations. Having been a fan of Chuck Palahniuk's novel, I was expecting something brash, frenetic and perfectly offensive, but in a good way. The problem is that while the novel was blunt and vulgar, spelling out every bit of Victor Mancini's sexual exploits in almost academic detail, the movie stops a bit short of pushing the edge and instead leaves a lot of it up to suggestion.
Another reason that I'm not sure how I felt about it is because the director took a unique approach to the work that I'm still trying to decide if I liked or not. You see, Chuck Palahniuk's novels have a very distinctive narrative style to them, and in Fight Club (also based on one of Chuck's books,) director David Fincher emulated it perfectly. I'm talking mostly about Chuck's usage of repetition with lines such as "I am Jack's colon," Choke's director, Clark Gregg chose not to emulate this and instead brought the text of the book to life without mimicking it's distinctive narrative. So if you're a fan of Chuck's work, this may bother you. On the other hand, it does help Choke stand out on its own merits and not feel like it's trying to build off of the success of Fight Club.
So for those of you who haven't read the book, how does it stand? Well as I said before, considering how much more graphic and indecent this movie's source material was, I think the movie missed out on a lot of its potential. I almost feel like Clark Gregg went too easy on all of the characters making them come off as sympathetic when they worked better as being completely hopeless. It's also not as funny as it could have been, since a lot of Victor's (the protagonist's) interactions with everybody from the sex addicts, to the people in the historic reenactment village to the people he pretends to choke for, were all summarized too much, and had much more potential for comedy. Overall i'd say this movie is alright, but could have been done better.
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