Technical Specifications
| Runtime |
2 hr (120 min) 2 hr 10 min (130 min) (Extended Version) |
| Sound Mix | SDDS | Datasat | Dolby Digital |
| Color | Color |
| Aspect Ratio | 2.35 : 1 |
| Camera |
Arri Alexa Plus, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses
Arricam LT, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses Arricam ST, Hawk V-Lite, V-Plus, V-Series, Zeiss Super Speed, Ultra Prime, Angenieux Optimo and Canon Lenses Bolex H16 REX-5, Kern-Paillard Switar and Angenieux Lenses Canon 1014 AZ |
| Laboratory |
DeLuxe, Hollywood (CA), USA
EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate) |
| Film Length | 3,300 m (Portugal, 35 mm) |
| Negative Format |
16 mm
(Kodak Vision3 250D 7207, Vision3 500T 7219)
35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219, Vision2 500T 5260) 8 mm (Kodak Vision3 500T 5219, Ektachrome 100D 5285) Digital |
| Cinematographic Process |
ARRIRAW
(2.8K) (source format) (some scenes)
Digital Intermediate (4K) (master format) Hawk Scope (anamorphic) (source format) Super 16 (source format) (some shots) Super 35 (source format) (some scenes) Super 8 (source format) (some shots) Techniscope (source format) (some scenes) |
| Printed Film Format |
35 mm
(partial blow-up) (Fuji)
D-Cinema |
