| Natalie Bassingthwaighte | ... | Kate | |
| Jesse Johnson | ... | Gus | |
| Natalie Walker | ... | Ling | |
| Ben Knight | ... | Matt (as Ben Kermode) | |
| Christian Clark | ... | Jason | |
| Kristin Sargent | ... | Annika | |
| rest of cast listed alphabetically: | |||
| Nicholas Bell | ... | Bill | |
| Joe Hachem | ... | Motel Operator | |
| Jennifer Hansen | ... | Waitress | |
| Geire Kami | ... | Patient | |
| Dawn Klingberg | ... | Kora | |
| Suhayb Lahdo | ... | The Man | |
| Pamela Shaw | ... | Morgan Weismann | |
| Leon Stripp | |||
Directed by | |||
| Oscar D'Roccster | |||
Writing credits | ||
| John V. Soto | (written by) | |
| Robert Lewis Galinsky | additional story and dialogue | |
| Elizabeth Howatt-Jackman | additional story and dialogue | |
Produced by | |||
| George Adams | .... | executive producer | |
| Lyndi Adler | .... | associate producer | |
| Jan Bladier | .... | line producer | |
| Michael Canty | .... | co-executive producer | |
| Pete Ford | .... | executive producer | |
| Robert Lewis Galinsky | .... | executive producer | |
| Robert Lewis Galinsky | .... | producer | |
| Elizabeth Howatt-Jackman | .... | executive producer | |
| Elizabeth Howatt-Jackman | .... | producer | |
| David Lee | .... | line producer | |
| Mark Pennell | .... | executive producer | |
| Chris Udunuwara | .... | co-executive producer | |
Original Music by | |||
| Dale Cornelius | |||
Cinematography by | |||
| Andrew Topp | |||
Film Editing by | |||
| Geoff Hitchins | |||
Casting by | |||
| Louise Mitchell | |||
Art Direction by | |||
| Harvey Mawson | |||
| Lance Whitehouse | |||
Costume Design by | |||
| Paul Warren | |||
Makeup Department | |||
| Russell Sharp | .... | special makeup effects artist | |
Production Management | |||
| Dave Gumbrell | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Chris Lynch | .... | second unit director | |
| Cameron Stewart | .... | third assistant director | |
Art Department | |||
| Peter Blackwood | .... | stand-by props | |
| David Cooper | .... | art department assistant | |
| Ross Hubbard | .... | art department assistant | |
| Christopher A. Link-Pierce | .... | art department assistant | |
| Thomas McSweeney | .... | art department assistant | |
Sound Department | |||
| Paul Clark | .... | sound recordist | |
| Tristan Meredith | .... | sound designer | |
| Tristan Meredith | .... | sound mixer | |
| Chris Navarro | .... | adr mixer | |
| Chris O'Shea | .... | boom operator | |
Visual Effects by | |||
| Andy Montague | .... | digital compositor | |
| Scott Zero | .... | title designer | |
| Scott Zero | .... | visual effects supervisor | |
Stunts | |||
| Clint Dodd | .... | stunts | |
| Amanda Graver | .... | stunt double | |
| Amanda Graver | .... | stunts | |
| Brett Sheerin | .... | stunts | |
| Robert Shook | .... | stunts | |
| Leon Stripp | .... | stunts | |
Camera and Electrical Department | |||
| Mat Govoni | .... | assistant camera | |
| Brendan Madden | .... | rigging gaffer | |
| Darrell Martin | .... | camera operator | |
| Adam Vitolins | .... | grip | |
| Sunny Wilding | .... | first assistant camera: "a" camera | |
Other crew | |||
| Jannine Barnes | .... | assistant accounting payroll | |
| John Fox | .... | armorer | |
| Francesca Linger | .... | assistant accountant | |
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| Freeway | Fear | Lucker the Necrophagous | Indiana Jones and the Temple of Doom | Prey |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb History section | IMDb Australia section |
I have never felt the urge to write a comment on IMDb before because i either like a film and vote or hate it enough to enjoy it and vote and leave it at that. Until i met Prey, that is. This is the most inept piece of film making to come out of Australia since the good old 80s 10ba system was throwing us some trash. there is nothing redeeming about this film and at 76 minutes it has overstayed its welcome by a good 20 minutes. The entire cast is Australian but for reasons never explained, of the 6 people 4 of them are Americans in Australia (you know they're not really because the accents are atrocious). This film, and i call it that loosely, was developed with Film Victoria. How? Why? I cannot comprehend. This is a movie that is begging for a bit of T & A but can't muster the courage to be the blatantly exploitative movie it needs to be. For gods sake you can even see people swearing when the rerecorded voice is trying to cover it up. This is a testament to Australian film-making at the moment. no courage, no balls and no talent. No matter how flawed they may be, indie produced no budget genre fare (like Gabriel, Undead and The Dark Lurking)are at least trying to be a hell of a lot more than the sum of their parts should be, and for the most part they are succeeding. No wonder all these guys are trying to get to the states, and good luck to them i say!