| Dan Eberle | ... | Noname | |
| Maya Ferrara | ... | Claire | |
| Karl Herlinger | ... | Rottweiler | |
| Beau Allulli | ... | Blueboy | |
| David F. Nighbert | ... | Frank | |
| Paul James Vasquez | ... | Joe | |
| James Alba | ... | Horse | |
| Paul Bowen | ... | Big Black | |
| George Tchortov | ... | Sig | |
| Jarret Garcia | ... | Moo | |
| David Cornue | ... | Redcoat | |
| Torben Brooks | ... | Jon | |
| Janet Panetta | ... | Anne Thomson | |
| Adam Nagaitis | ... | Jack Lord | |
| rest of cast listed alphabetically: | |||
| Anthony Auriemma | ... | Lewis (as Anthony Vincent) | |
| Amanda Bender | ... | Ms New Jersey | |
| Bill Campbell | ... | Tubesock | |
| Theresa Galeani | ... | Ms East New York | |
| Mat Govich | ... | Serbia | |
| Tim Guetterman | ... | Skel | |
| Jennifer Hallie | ... | Pumpkin Pie | |
| David Healy | ... | MTA worker | |
| Gavin Lewis | ... | Unfriendly Detective | |
| Gayle Madeira | ... | Lewis's Date | |
| Yelena Mnatsakanyan | ... | Mouth | |
| Mariann Moery | ... | Mrs. Thomson's Neighbor | |
| Santiago Papini | ... | Pringle | |
| Seamus Petrocelli | ... | Salami | |
| Justin Ray | ... | Bagman | |
| Pedro Rafael Rodriguez | ... | Arresting Officer (as Pedro Rodriguez) | |
| Nina Rogers | ... | Baby | |
| Robert Saietta | ... | Business Man | |
| Desi Sanchez | ... | Hostile Store Attendant | |
| Steve Siegelbaum | ... | Skankpusher | |
| Maki Stapleton | ... | Party Girl | |
| Joe Stipek | ... | Grease II | |
| Jared Stone | ... | Roach | |
| Rob Tinsley | ... | Michael Stipe | |
Directed by | |||
| Dan Eberle | |||
Writing credits(in alphabetical order) | ||
| Dan Eberle | writer | |
Original Music by | |||
| Jesse Chandler | |||
Cinematography by | |||
| Tim Guetterman | |||
Film Editing by | |||
| Dan Eberle | |||
| Tim Guetterman | |||
Makeup Department | |||
| Steve Siegelbaum | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| James Wills | .... | assistant director | |
Stunts | |||
| George Tchortov | .... | action director | |
Camera and Electrical Department | |||
| James Parsons | .... | camera operator: "b" camera | |
| James Parsons | .... | director of photography: second unit | |
| James Parsons | .... | gaffer | |
Music Department | |||
| Bill Campbell | .... | composer: theme music | |
| Omar Jackson | .... | composer: additional music | |
Other crew | |||
| Ari Taub | .... | business consultant | |
Thanks | |||
| Chris Bongirne | .... | thanks | |
| Evan Meszaros | .... | very special thanks | |
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| Spider-Man 3 | Alpha Dog | Code of Silence | Spider-Man 2 | King of New York |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
Wow, one comment on such a movie, hard to believe it, because it's great.
First, it takes a lot of guts to release a movie so atypical compared to the "hollywood stuff" were watching normally. No stunts, no great looking actors, no digital tricks, no commercial music, no brilliant colors, not even a pleasant hero.
Nevertheless this film offers something, that most of the 1a productions lack off: Credibility!
Dan Eberle plays a loser, who is selling his soul for thirty bucks a day to work as a courier for drug dealers. If that would nor be bad enough, every time he jobs something goes wrong and he ends up beaten up, without money and with even more problems than he had the day before. Nobody is respecting him or taking him for serious. The only thing he seems to be able to manage in his life is his addiction to drugs, he is clean.
So what's so interesting about this film? Well, the fact that it could be a real story, something that really happens every day in every part of the world. The dirty truth, ugly, bloody, revolting and pitiful...
But very interesting, like when two people have a fight in front of you... you can't stop watching, you just stare at it motionless although you don't support it.
Do yourself a favor and watch this movie, it's original, brutal and somehow very fascinating. I will keep my copy and watch it again, what not happens to often.