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Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with... See full summary »
The debut feature by acclaimed Italian director Paolo Sorrentino (Il Divo) is a stylish and blackly comic look at the dark side of fame. Evocatively set during the eighties, the film charts... See full summary »
A retired orchestra conductor is on holiday with his daughter and his film director best friend in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip's birthday.
The story of a man who murdered thirty-two people, gained power, and then got afraid because too many people wanted to kill him. One August morning, he disappeared. For fifteen years, ... See full summary »
Francesco Di Leva
Danse macabre op. 40
Composed by Camille Saint-Saëns (as C. Saint-Saëns)
Performed by CSR Symphony Orchestra
Conducted by Keith Clark
Published by Alphonse Durand Editions Musicales
Courtesy of HNH International Ltd See more »
A film to admire but impossible to love. Not an ounce of humanity to cling on to. Splendidly put together but only with the intellect so, for non Italians a puzzle that seems like a figment of someone's imagination and to be taken as a sort of intellectual metaphor. How can a creature from hell in good terms with the Catholic Church can survive all this years and when I say survive I mean survive from every possible angle. Italians know that is not only true but normal. I'm half Italian so I know what I'm talking about. Andreotti is played by Paolo Servillo in a performance that is part caricature, part faithful portrait, a work of genius and I suspect that the slightly surreal, grotesque undertones, allowed the movie to be made and succeed in the way it did, at least in Italy. I saw it in New York where I was the only spectator in the theater. I can't wait to see where director Sorrentino will take us next.
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