| Derek Jacobi | ... | Grandfather | |
| Toby Jones | ... | Daniel Quilp | |
| Sophie Vavasseur | ... | Nell Trent | |
| Gina McKee | ... | Sally Brass | |
| Adam Godley | ... | Samson Brass | |
| Anna Madeley | ... | Betsy Quilp | |
| Adrian Rawlins | ... | Jacob | |
| Geoff Breton | ... | Dick Swiveller | |
| Bryan Dick | ... | Freddie Trent | |
| Zoë Wanamaker | ... | Mrs. Jarley | |
| Martin Freeman | ... | Mr. Codlin | |
| Steve Pemberton | ... | Mr. Short | |
| George MacKay | ... | Kit | |
| Josie Lawrence | ... | Mrs. Jiniwin | |
| Bradley Walsh | ... | Mr. Liggers | |
| Charlene McKenna | ... | The Marchioness | |
| Jonathan Coy | ... | Rev. Pratchett | |
| Kelly Campbell | ... | Mrs. Nubbles | |
| Michael Webber | ... | Innkeeper | |
| Elizabeth Bennett | ... | Mrs. George | |
| Gerry O'Brien | ... | Constable | |
| rest of cast listed alphabetically: | |||
| Ciaran Fagan | |||
| Andrew Constantini | ... | Country man (uncredited) | |
| Glenn Gannon | ... | Mob Leader (uncredited) | |
Directed by | |||
| Brian Percival | |||
Writing credits | ||
| Martyn Hesford | (screenplay) | |
| Charles Dickens | (novel) | |
Produced by | |||
| Andrew Benson | .... | producer | |
| Noëlette Buckley | .... | line producer | |
| Rebecca Eaton | .... | executive producer | |
| Andrew Lowe | .... | executive producer | |
| Gareth Neame | .... | executive producer | |
Original Music by | |||
| Stephen McKeon | |||
Cinematography by | |||
| Peter Greenhalgh | (director of photography) | ||
Film Editing by | |||
| Tony Cranstoun | |||
Casting by | |||
| Susie Parriss | |||
Production Design by | |||
| Michael Pickwoad | |||
Art Direction by | |||
| Michael Higgins | |||
Costume Design by | |||
| Lorna Marie Mugan | |||
Makeup Department | |||
| Eileen Buggy | .... | hair designer | |
| Morna Ferguson | .... | makeup designer | |
| Anna Gronerus | .... | assistant hair stylist | |
| Anna Gronerus | .... | assistant makeup artist | |
| Niamh O'Loan | .... | assistant hair stylist | |
| Niamh O'Loan | .... | assistant makeup artist | |
| Tina Phelan | .... | assistant makeup artist: dailies (uncredited) | |
Production Management | |||
| Clare Kavanagh | .... | post-production supervisor | |
Art Department | |||
| Ignacio Barbe | .... | dressing props | |
| Gareth Byrne | .... | dressing props | |
| Pat Byrne | .... | dressing props | |
| Tamara Conboy | .... | stand-by art director | |
| Marc Dowds | .... | dressing props (as Mark Dowds) | |
| Tom Dowling | .... | construction manager | |
| Dave Flanagan | .... | dressing props | |
| Ronan Kennedy | .... | stand-by props | |
| Eoin Lewis | .... | dressing props | |
| Bernard Lyster | .... | dressing props | |
| Emer MacAvin | .... | production buyer | |
| Nuala McKernan | .... | property master | |
| Anthony Nugent | .... | stand-by props | |
| Marion Picard | .... | assistant buyer (uncredited) | |
| John Snee | .... | dressing props (uncredited) | |
| Lucy van Lonkhuyzen | .... | assistant art director (uncredited) | |
Sound Department | |||
| Mark Barry | .... | boom operator | |
| Brendan Deasy | .... | sound recordist | |
| John Fitzgerald | .... | sound re-recording mixer | |
| Sarah Gaines | .... | dubbing editor | |
| Fionn Higgins | .... | dubbing editor (as Fionán Higgins) | |
| Jon Stevenson | .... | sound supervisor | |
| Peter Blayney | .... | sound re-recording mixer (uncredited) | |
| Caoimhe Doyle | .... | foley artist (uncredited) | |
| Nick Foley | .... | adr recordist (uncredited) | |
| Brendan Geaney | .... | foley editor (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Rachael Tate | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Paul Byrne | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Donal O'Farrell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Garret Baldwin | .... | gaffer (as Garrett Baldwin) | |
| John Dunne | .... | grip | |
| Colm Hogan | .... | still photographer | |
| Anthony Meade | .... | clapper loader | |
| Ivan Meagher | .... | focus puller | |
| Steve Murray | .... | camera operator | |
| Jason Bulley | .... | underwater cameraman (uncredited) | |
| Graeme Haughton | .... | electrician (uncredited) | |
| Rory O'Riordan | .... | camera trainee (uncredited) | |
Animation Department | |||
| Gavin Casey | .... | motion designer (uncredited) | |
Costume and Wardrobe Department | |||
| Anne Cartwright | .... | wardrobe assistant (as Annie Cartwright) | |
| Patch Corcoran | .... | wardrobe assistant | |
| Sue Wain | .... | wardrobe supervisor | |
| Louise Kennedy | .... | wardrobe assistant (uncredited) | |
| Julia Knight | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Gary Curran | .... | colorist | |
| Martin Fanning | .... | assistant editor | |
| Warren Dowling | .... | on-line editor (uncredited) | |
Transportation Department | |||
| Dan Breen | .... | transportation captain (as Dan Breen Snr.) | |
Other crew | |||
| Janine Bennett | .... | script editor | |
| Aliboo Bradbury | .... | head of business | |
| Yvonne Burke | .... | production coordinator | |
| Peter Conway | .... | location manager | |
| Rory Mac Dermott | .... | production accountant (as Rory MacDermott) | |
| Fionnuala Dorney | .... | assistant accountant | |
| Grainne Dunne | .... | assistant coordinator (as Gráinne Dunne) | |
| Jeanette McGrath | .... | script supervisor | |
| Laura Treacy | .... | extras coordinator | |
| Grant Bobbett | .... | assistant location manager (uncredited) | |
| Mel Churcher | .... | dialogue coach: adr (uncredited) | |
| Eamonn Cleary | .... | location assistant (uncredited) | |
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| Nicholas Nickleby | To Live | David Copperfield | Cousin Bette | Character |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Ireland section |
I like this recent, surprisingly short (given the length of the novel) adaptation of Charles Dickens' The Old Curiosity Shop. There are a fair number of negative reviews and comments here and I really can't argue with them. Film is so much a matter of taste. I caught this one at the right time. It drew me in.
What impressed me most perhaps was less the story itself than the film's evocation of early 19th century London. Director Brian Percival and his associates deserve a lot of praise for the ambiance; and the actors and their costumes were well matched. This is (for me) a rare occasion as one of the reasons I seldom watch recent adaptations of classic fiction is that everything looks too modern; the actors don't look at ease in the setting; and there's always something contemporary feeling threatening to take the movie over entirely. I didn't get this here.
In terms of style and content this version of The Old Curiosity Shop evoked memories of the series of low budget horror films Val Lewton produced in Hollywood back some seventy years ago. It's not a horror picture, but what happens to the children in the story is often horrifying; and the tone is nearly seductively dark, with hints of all manner of perversion lurking on the sidelines. At its best the film plays like a first rate B movie. I mean that as a compliment. It's very good, not great, but then I don't sense that it was aiming that high.
Oops! The story. It's awfully complicated and would take nine more paragraphs to properly summarize. It's basically about how greed and poverty destroyed the innocence of children in the London of Dickens' era; and how good men doing bad things can do as much harm as bad men doing same. In other words, to paraphrase a famous thinker, all it takes for evil to triumph is for good men to do nothing about it. Worse yet, if good men aren't pro-active in their virtue, vigilant about it, as the grandfather in this story is not, the terms of their lives shall be dictated by men up to no good. This is a lesson worth learning.