The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
Richter Boudreau is a son of local celebrity Cynthia who is not very successful and works as a film critic for local newspaper. In a short time he loses his job, heritage, and one of his "... See full summary »
Deborah Kara Unger
Despite its nearly four-hour running time, this is a uniquely personal look at movies from one of the late 20th century's great directors and film historians. The film consists of head & ... See full summary »
Michael Henry Wilson
THE GODFATHER LEGACY goes deep inside Francis Ford Coppola's epic saga about the Corleone crime family and reveals how the Academy Award-winning film and its sequels became one of the most ... See full summary »
Journalists from all over America meet Marlon Brando in a New York hotel room to interview him about his new film, Morituri. Seeing this as an opportunity to let the legendary actor promote... See full summary »
A sprawling two-hour forty-five minute documentary about screen legend Marlon Brando, features never-before-seen footage and a series of original, in-depth interviews from a wide variety of Hollywood figures and family members. Included are classic film clips from many of his films including "A Streetcar Named Desire (1951);" "Viva Zapata!" (1952); "Julius Caesar" (1953); "The Wild One" (1953); "On the Waterfront" (1954); "Guys and Dolls" (1955); "The Teahouse of the August Moon" (1956); "Sayonara" (1957); "The Young Lions" (1958); "Mutiny on the Bounty" (1962); "The Chase" (1966); "Reflections in a Golden Eye" (1967); "The Godfather" (1972); "Last Tango in Paris" (1973); "The Missouri Breaks" (1976); "Superman" (1978); "Apocalypse Now" (1979); "A Dry White Season" (1989); "The Freshman" (1990) and "Don Juan Demarco" (1995). Among the many peers, family members and friends making appearances include Ellen Adler, Ed Begley, Andrew Bergman, Bernardo Bertolucci, James Caan, Johnny Depp, ... Written by
"Brando" is a two-part documentary about one of our greatest screen actors, considered by many to be the greatest, Marlon Brando. I saw it all at once, which may have been a mistake because, interesting as it is, it seemed overly long to me.
The documentary attempts to cover everything - Brando's childhood, stage work, his breakthrough success in "Streetcar," subsequent film work, private life and political beliefs, his becoming box office poison, and his resurrection as a great character actor beginning with "The Godfather." Ultimately, "Brando" leaves one feeling sad for what his private life became and when all is said and done, what went on behind that glorious facade remains a mystery. He obviously had passionate political beliefs and a true desire to help the blacks and the Indians, and he did so; at a certain point, his commitment to these causes, and his feeling for Tahiti, took over his life and superseded his desire to act.
One can't help admire Brando and feel frustrated at the same time. His gifts went into the realm of genius, but he was basically lazy and over time became lazier. Though the documentary doesn't cover it, he hated doing theater night after night, which is why he never returned to it. Eventually film became a drag for him too. He said he hated acting; it was probably a painful process for him, but at the beginning, he must have at least liked it and found it cathartic. Later on, it's apparent he did it for the money, becoming increasingly difficult to work with and prone to playing mind games with directors and actors. Some of that was probably out of boredom. He had a quick mind and an attention span that grew shorter over time.
There are some wonderful film clips, but I missed the monologue from "Superman," which he did brilliantly in one take. There are also reminders through photos of his godlike looks and an interesting screen test for "Rebel Without a Cause."
The best thing about "Brando" for me were the interviews with former classmates, Angie Dickinson and Mai Britt, who worked with him, and Carmelita Pope and Ellen Adler who knew him in the early days. An interview with the personable John Turturro provided lively commentary throughout, and there were also interviews with John Travolta, Karl Malden, Jane Fonda, Martin Scorcese, Martin Landau, Cloris Leachman, Robert Englund and others.
Though in the end he's still an enigma, one will certainly get a glimpse of this unusual man and phenomenal actor in this thorough documentary.
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