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The Way Back (2010)

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Siberian gulag escapees travel 4,000 miles by foot to freedom in India.

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(screenplay) (as Keith Clarke), (novel) | 1 more credit »
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Nominated for 1 Oscar. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Interrogator (as Zahari Baharov)
Sally Brunski ...
Janusz's Wife, 1939 (as Sally Edwards)
Igor Gnezdilov ...
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Andrei
Stanislav Pishtalov ...
Commandant
Mariy Grigorov ...
Lazar (as Marii Grigorov)
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Storyline

In 1941, three men attempt to flee communist Russia, escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife, spent much of his youth outdoors, and knows how to live in the wild. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comedic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, as well as many moral and ethical dilemmas throughout the journey towards freedom. Written by <jhailey@hotmail.com>, Shahob, Bellingham, WA, US

Plot Summary | Plot Synopsis

Plot Keywords:

gulag | desert | priest | india | himalayas | See All (83) »

Taglines:

Their escape was just the beginning


Motion Picture Rating (MPAA)

Rated PG-13 for violent content, depiction of physical hardships, a nude image and brief strong language | See all certifications »

Parents Guide:

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Details

Language:

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Release Date:

21 January 2011 (USA)  »

Also Known As:

Camino a la libertad  »

Filming Locations:

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Box Office

Opening Weekend:

£1,327,650 (UK) (31 December 2010)

Gross:

$2,677,401 (USA) (18 February 2011)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The 53,820-sqare-foot Gulag Camp was built at Nu Boyana Studio in Sofia, Bulgaria, and is still (as of 2015) maintained by the studio and available for filming. See more »

Goofs

In the establishing long shot of the woodcutters, many of the prisoners are clearly only pretending to cut the logs, only tapping them with their axes. See more »

Quotes

[first lines]
[in Polish, using English subtitles]
Interrogator: [presents pen to sign confession]
Janusz: No.
Interrogator: Bring in the witness.
Janusz's Wife, 1939: [brought in]
Interrogator: Do you know this man? His name?
Janusz's Wife, 1939: Janusz Wieszczek.
Interrogator: Witness, what's your relationship with this man?
Janusz's Wife, 1939: [crying] I am his wife.
[...]
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Connections

Referenced in Ebert Presents: At the Movies: Episode #1.14 (2011) See more »

Soundtracks

Tibet
Written by Burkhard Dallwitz
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Frequently Asked Questions

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User Reviews

 
Peter Weir goes from ocean to desert
16 November 2010 | by See all my reviews

Peter Weir's follow-up to Master & Commander (2003) is the unflinching, stark, & brilliant The Way Back, which takes on the weighty theme of man's struggle for freedom.

At the dawn of WWII, several men escape from a Russian gulag. The film details their perilous & uncertain journey to freedom, as they cross deserts, mountains, & several nations.

The cast is a clever mix of seasoned pros & relative newcomers. Ed Harris, in the role of the sole American, lends his usual gravitas. Colin Farrell borrows from his In Bruges character, but the addition of bad jailhouse tattoos is wildly amusing, & his Russian is quite passable. It's always nice to see Mister Farrell doing serious work, rather than bland fluff like Miami Vice or SWAT. Mark Strong's brief, but plot-essential appearance is joyous.

Jim Sturgess gets a chance to redeem himself from the disastrous flop 21, & does a fine job here, as the central character. & the adolescent Saoirse Ronan belies her extensive & impressive resume with an understated performance that sparkles against the men's terse asperity.

Breathtaking vistas that serve as the backdrop to the cast's efforts lend The Way Back an epic feel, echoed by mature editing, & mavellously restrained use of music.

This is, quite possibly, the most serious film Peter Weir has ever directed, & the result is both thought-provoking & inspiring. We can only hope that it gets a proper release, & is allowed an opportunity to reach its grown-up audience.


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