In 1941, three men attempt to flee communist Russia, escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife, spent much of his youth outdoors, and knows how to live in the wild. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comedic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, as well as many moral and ethical dilemmas throughout the journey towards freedom. Written by
<email@example.com>, Shahob, Bellingham, WA, US
The film is inspired by the memoir of Slavomir Rawicz depicting his escape from a Siberian gulag and subsequent 4000-mile walk to freedom in India. Incredibly popular, it sold over 500,000 copies and is credited with inspiring many explorers. However, in 2006 the BBC unearthed records (including some written by Rawicz himself) that showed he had been released by the USSR in 1942. In 2009 another former Polish soldier, Witold Glinski, claimed that the book was really an account of his own escape. However this claim too has been seriously challenged. See more »
In Mongolia, the escapees approach an arch decorated with photos of Stalin and a Mongolian leader. When they first see the arch, there is a band of local people coming toward them, led by a person mounted on an animal (probably a horse). However, as the escapees reach the arch, the local band has disappeared. See more »
Peter Weir's follow-up to Master & Commander (2003) is the unflinching, stark, & brilliant The Way Back, which takes on the weighty theme of man's struggle for freedom.
At the dawn of WWII, several men escape from a Russian gulag. The film details their perilous & uncertain journey to freedom, as they cross deserts, mountains, & several nations.
The cast is a clever mix of seasoned pros & relative newcomers. Ed Harris, in the role of the sole American, lends his usual gravitas. Colin Farrell borrows from his In Bruges character, but the addition of bad jailhouse tattoos is wildly amusing, & his Russian is quite passable. It's always nice to see Mister Farrell doing serious work, rather than bland fluff like Miami Vice or SWAT. Mark Strong's brief, but plot-essential appearance is joyous.
Jim Sturgess gets a chance to redeem himself from the disastrous flop 21, & does a fine job here, as the central character. & the adolescent Saoirse Ronan belies her extensive & impressive resume with an understated performance that sparkles against the men's terse asperity.
Breathtaking vistas that serve as the backdrop to the cast's efforts lend The Way Back an epic feel, echoed by mature editing, & mavellously restrained use of music.
This is, quite possibly, the most serious film Peter Weir has ever directed, & the result is both thought-provoking & inspiring. We can only hope that it gets a proper release, & is allowed an opportunity to reach its grown-up audience.
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