In 1941, three men reach India from Tibet, having walked 4000 miles after escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife; he knows how to live in the wilds. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind. Written by
When Irena is being carried in the desert, the film gets flipped. First she was on the left side, then during a close-up she is on the right, then when they go back out she's on the left again. See more »
Peter Weir's follow-up to Master & Commander (2003) is the unflinching, stark, & brilliant The Way Back, which takes on the weighty theme of man's struggle for freedom.
At the dawn of WWII, several men escape from a Russian gulag. The film details their perilous & uncertain journey to freedom, as they cross deserts, mountains, & several nations.
The cast is a clever mix of seasoned pros & relative newcomers. Ed Harris, in the role of the sole American, lends his usual gravitas. Colin Farrell borrows from his In Bruges character, but the addition of bad jailhouse tattoos is wildly amusing, & his Russian is quite passable. It's always nice to see Mister Farrell doing serious work, rather than bland fluff like Miami Vice or SWAT. Mark Strong's brief, but plot-essential appearance is joyous.
Jim Sturgess gets a chance to redeem himself from the disastrous flop 21, & does a fine job here, as the central character. & the adolescent Saoirse Ronan belies her extensive & impressive resume with an understated performance that sparkles against the men's terse asperity.
Breathtaking vistas that serve as the backdrop to the cast's efforts lend The Way Back an epic feel, echoed by mature editing, & mavellously restrained use of music.
This is, quite possibly, the most serious film Peter Weir has ever directed, & the result is both thought-provoking & inspiring. We can only hope that it gets a proper release, & is allowed an opportunity to reach its grown-up audience.
137 of 180 people found this review helpful.
Was this review helpful to you?