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The Way Back (2010)

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Siberian gulag escapees travel 4,000 miles by foot to freedom in India.

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(screenplay) (as Keith Clarke), (novel) | 1 more credit »
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2,770 ( 262)
Nominated for 1 Oscar. Another 2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Interrogator (as Zahari Baharov)
Sally E. Brunski ...
Janusz's Wife, 1939 (as Sally Edwards)
Igor Gnezdilov ...
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Andrei
Stanislav Pishtalov ...
Commandant
Mariy Grigorov ...
Lazar (as Marii Grigorov)
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Storyline

In 1941, three men attempt to flee communist Russia, escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife, spent much of his youth outdoors, and knows how to live in the wild. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comedic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, as well as many moral and ethical dilemmas throughout the journey towards freedom. Written by <jhailey@hotmail.com>, Shahob, Bellingham, WA, US

Plot Summary | Plot Synopsis

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Their escape was just the beginning


Motion Picture Rating (MPAA)

Rated PG-13 for violent content, depiction of physical hardships, a nude image and brief strong language | See all certifications »

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Details

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Release Date:

21 January 2011 (USA)  »

Also Known As:

Camino a la libertad  »

Filming Locations:

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Box Office

Opening Weekend:

£1,327,650 (UK) (31 December 2010)

Gross:

$2,677,401 (USA) (18 February 2011)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Janusz and the others spot the tattoo of Lenin and Stalin on Valka's chest, he angrily replies that they were great men. Such tattoos were in fact employed by criminals in the false hope that they wouldn't be shot there as it was supposed to be illegal to deface an image of either Lenin or Stalin; although it is well-known that the executions were conducted via shooting in the back of the head. See more »

Goofs

In the establishing long shot of the woodcutters, many of the prisoners are clearly only pretending to cut the logs, only tapping them with their axes. See more »

Quotes

[first lines]
[in Polish, using English subtitles]
Interrogator: [presents pen to sign confession]
Janusz: No.
Interrogator: Bring in the witness.
Janusz's Wife, 1939: [brought in]
Interrogator: Do you know this man? His name?
Janusz's Wife, 1939: Janusz Wieszczek.
Interrogator: Witness, what's your relationship with this man?
Janusz's Wife, 1939: [crying] I am his wife.
[...]
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Connections

Featured in The Hour: Episode #7.78 (2011) See more »

Soundtracks

Tibet
Written by Burkhard Dallwitz
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Frequently Asked Questions

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User Reviews

 
When Irish actors go all Polski
2 January 2011 | by (Ireland) – See all my reviews

Peter Weir's first film in seven years is another exercise in sturdy direction with strong social themes running through it - recalling many of his previous works in style and content. It follows a group of escaped prisoners from a Siberian gulag in 1940 as they brave the treacherous wilderness of Asia for freedom from the Soviet regime. It's tough viewing for the most part but there is a surprising amount of comic relief along the way, provided chiefly by Colin Farrell's salty character. The group scavenge for food, even fighting off wolves for the carcass of an animal at one point - but the constant bickering and relentless doom and gloom does begin to wear. The film picks up however once Saoirse Ronan enters the picture and her youthful feminine presence brings an interesting dynamic. Emoting with a flawless Polish accent (almost like a mini-Streep) her character is one of the more compelling and layered and gives this emerging young actress a chance to display her skills. The cinematography is serviceable but hardly spectacular - capturing a harsh, arid landscape as opposed to Malick-like celebration of nature.

As the film wears on, the struggle to survive intensifies, particular when they reach the Ghobi desert - the scenes are very well done but viewing becomes quite grueling. Harris bring a certain integrity to his role in a rather unshowy performance with not much character introspection (I can see why his Oscar buzz has disappeared). In fact character development across the board is quite lacking, and watching the plot unfold, with the knowledge of the outcome of the story already provided in the opening titles - the narrative becomes quite arbitrary and the story doesn't always sustain interest. The final leg of the journey through the Himalayas almost seems rushed compared to the bloated second act. Still, it's a very well-made film with good acting and visuals - just don't expect to be inspired.


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