An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
In 1941, three men reach India from Tibet, having walked 4000 miles after escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife; he knows how to live in the wilds. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind. Written by
Early in the film, as the prisoners are marched up to the front gate of the Gulag prison camp, a slogan written in Russian Cyrillic letters is seen over that gate. It is a slightly shortened variation of a famous propaganda slogan from Communist-era Soviet Union, which translates approximately to "Labor in the USSR is a matter of honour, a matter of valour and heroism." See more »
When they notice Janusz has left the Tibetan monastery and they call for him on the mountain ridge, K2 appears in the background, which is in the Karakorum mountains, far away from where the action rolls, near the Tibetan border with Nepal. See more »
This was a long film but I was unaware of the length because I was so thoroughly engrossed. The scenery and the photography were simply spell binding but more than that, this was a story about the indomitable spirit of people faced with desperate odds told with sensitivity and at times, humour. Others have commented on the quality of the acting, the accuracy of the story and the cinema-photography; I want to comment on a different aspect of the film. We hear and see a great deal about the crimes of the Nazis during this period but very little about the crimes of the Soviet system. This film is not a "dull metaphor" of the Cold War as one reviewer has said If this films sparks a little enquiry amongst its audiences it will have done a great service to the memory of Poles and other eastern Europeans who suffered the double tragedy of Nazi and then Communist occupation. When Nazism was defeated in 1945, half of Europe was just beginning a sentence in Communist bondage that was to last another thirty five years. This aspect of the story is all the more effective because it is told through the eyes of a small group of people and at a personal level. At the end of this film, the entire audience sat still for about fifteen seconds. There was not the usual end of film scrum. People just needed a moment to absorb what they had sen. This was the best film of the year!
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