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The story centers on a year in the life of three men trying to survive a round of corporate downsizing at a major company - and how that affects them, their families, and their communities.
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Director:
Tate Taylor
Stars:
Emma Stone,
Viola Davis,
Bryce Dallas Howard
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
A drama based on the experiences of Kathryn Bolkovac, a Nebraska cop who served as a peacekeeper in post-war Bosnia and outed the U.N. for covering up a sex scandal.
In 1941, three men reach India from Tibet, having walked 4000 miles after escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife; he knows how to live in the wilds. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind. Written by
<jhailey@hotmail.com>
The film is based on a memoir by Slavomir Rawicz depicting his escape from a Siberian gulag and subsequent 4000-mile walk to freedom in India. Incredibly popular, it sold over 500,000 copies and is credited with inspiring many explorers. However, in 2006 the BBC unearthed records (including some written by Rawicz himself) that showed he had been released by the USSR in 1942. In 2009 another former Polish soldier, Witold Glinski, claimed that the book was really an account of his own escape. However this claim too has been seriously challenged. See more »
Goofs
When they notice Janusz has left the Tibetan monastery and they call for him on the mountain ridge, K2 appears in the background, which is in the Karakorum mountains, far away from where the action rolls, near the Tibetan border with Nepal. See more »
So the book has been proved false. Does this mean that the "true story" isn't true after all? There have been many claims by others that it is fact instead of fiction. Whatever - it doesn't matter, Peter Weir's "The Way Back", this movie about that book, which tells the tale of gulag escapees and their harrowing journey to freedom, is a well-told and inspiring tale than anything else.
All of the actors are terrific in their roles - Jim Sturgess as the de- facto leader of the bunch, showing a more improved and mature side to his acting since "21"; Ed Harris as the gruff American Smith, who is hard-edged and iron-willed until he eventually befriends...; Saiorse Ronan as Irene, the runaway girl who joins them on their quest - Ronan here shows a perfect balance of various emotions while not overdoing it like many child stars her age... she definitely is one of the best young actresses today; Colin Farrell as the violent yet humorous soldier who protects the team from danger in Siberia and provides comic relief when needed - Farrell shows that he can be tough yet likable at the same time without being completely overblown and shows his versatility as an actor; European actors Dragos Bucur, Alexandru Potocean, Sebastian Urzendowsky and Gustaf Skarsgård round off the remaining escapees and they all acted great in their respective and differing roles. The chemistry between all of the actors at parts are great.
Having said that, the film's only flaw is that it sacrificed substantial characterization for realism and visual spectacles. The characters are thinly but not overly so fleshed out, and the interactions between them are short before the next walking shot. But when it comes to realism and believability the film succeeds. I was surprised when I saw National Geographic was one of the co-producers of the film, but I wasn't as soon as I saw how realistic the depictions of survival the characters did in the film. Men will do anything to escape to freedom, and the determination and spirit to survive in a harsh and unforgiving natural world, is what Weir and his script is trying to say, but the walking parts are written in masterful detail that any line of dialog may ruin it, so silence is sometimes golden in these parts. The screenplay also challenges the usual Hollywood clichés that usually are found in this film genre, and it transforms them into better, more realistic and sometimes unsettling situations.
Production-wise, the film is a triumph. The production design is great and makes extremely well use of real locations. The cinematography by Russell Boyd is dazzling, simply marvelous, it is wide, sweeping and epic, with lush scenery of forests, deserts and the snow-peaked Himalayas exquisitely shot throughout. The wide cinematography makes the experience even more harrowing thanks to Lee Smith's fluid and crisp editing and Burkhard Dallwitz's great music score and terrific music timing - Dallwitz and Weir know when and how music/sound can be used in a scene, and that sometimes, silence is crucial to certain moments. Here, Weir uses that silence to terrific and very intense effect, and with his extremely focused direction, manages to being out a very exhilarating and at the same time excruciating (in a good way) experience. So much so that I forgot about the controversy surrounding the "true story" and found myself hugely engrossed in the movie, not wanting it to end.
In short, the film lightly suffers from lack of proper characterization, but is heavy on almost everything else - acting, directing, cinematography, production value and music. If it had proper characterization, it would have been an instant classic and a contender for the Best Picture Oscar. Still, as it stands, "The Way Back" is still an epic adventure; an inspiring, sometimes funny, and often intense and harrowing experience that also proves that Peter Weir is still an ambitious tour-de-force filmmaker.
Overall rating: 77/100
56 of 71 people found this review helpful.
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So the book has been proved false. Does this mean that the "true story" isn't true after all? There have been many claims by others that it is fact instead of fiction. Whatever - it doesn't matter, Peter Weir's "The Way Back", this movie about that book, which tells the tale of gulag escapees and their harrowing journey to freedom, is a well-told and inspiring tale than anything else.
All of the actors are terrific in their roles - Jim Sturgess as the de- facto leader of the bunch, showing a more improved and mature side to his acting since "21"; Ed Harris as the gruff American Smith, who is hard-edged and iron-willed until he eventually befriends...; Saiorse Ronan as Irene, the runaway girl who joins them on their quest - Ronan here shows a perfect balance of various emotions while not overdoing it like many child stars her age... she definitely is one of the best young actresses today; Colin Farrell as the violent yet humorous soldier who protects the team from danger in Siberia and provides comic relief when needed - Farrell shows that he can be tough yet likable at the same time without being completely overblown and shows his versatility as an actor; European actors Dragos Bucur, Alexandru Potocean, Sebastian Urzendowsky and Gustaf Skarsgård round off the remaining escapees and they all acted great in their respective and differing roles. The chemistry between all of the actors at parts are great.
Having said that, the film's only flaw is that it sacrificed substantial characterization for realism and visual spectacles. The characters are thinly but not overly so fleshed out, and the interactions between them are short before the next walking shot. But when it comes to realism and believability the film succeeds. I was surprised when I saw National Geographic was one of the co-producers of the film, but I wasn't as soon as I saw how realistic the depictions of survival the characters did in the film. Men will do anything to escape to freedom, and the determination and spirit to survive in a harsh and unforgiving natural world, is what Weir and his script is trying to say, but the walking parts are written in masterful detail that any line of dialog may ruin it, so silence is sometimes golden in these parts. The screenplay also challenges the usual Hollywood clichés that usually are found in this film genre, and it transforms them into better, more realistic and sometimes unsettling situations.
Production-wise, the film is a triumph. The production design is great and makes extremely well use of real locations. The cinematography by Russell Boyd is dazzling, simply marvelous, it is wide, sweeping and epic, with lush scenery of forests, deserts and the snow-peaked Himalayas exquisitely shot throughout. The wide cinematography makes the experience even more harrowing thanks to Lee Smith's fluid and crisp editing and Burkhard Dallwitz's great music score and terrific music timing - Dallwitz and Weir know when and how music/sound can be used in a scene, and that sometimes, silence is crucial to certain moments. Here, Weir uses that silence to terrific and very intense effect, and with his extremely focused direction, manages to being out a very exhilarating and at the same time excruciating (in a good way) experience. So much so that I forgot about the controversy surrounding the "true story" and found myself hugely engrossed in the movie, not wanting it to end.
In short, the film lightly suffers from lack of proper characterization, but is heavy on almost everything else - acting, directing, cinematography, production value and music. If it had proper characterization, it would have been an instant classic and a contender for the Best Picture Oscar. Still, as it stands, "The Way Back" is still an epic adventure; an inspiring, sometimes funny, and often intense and harrowing experience that also proves that Peter Weir is still an ambitious tour-de-force filmmaker.
Overall rating: 77/100