The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.
During World War II, 19 year old soldier Alyosha gets a medal as a reward for a heroic act at the front. Instead of this medal he asks for a few days leave to visit his mother and repair ... See full summary »
In 1941, three men reach India from Tibet, having walked 4000 miles after escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife; he knows how to live in the wilds. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind. Written by
In the screenplay Peter Weir included the experiences of French adventurer Cyril Delafosse-Guiramand, who did the walk described in Slavomir Rawicz's book. He became a technical advisor for the film production, too. Peter Weir recollected: "...Cyril Delafosse-Guiramand, late 30s, French. He works in the IT industry but his hobby is walking. He was inspired by the book and sometime after 2000 he undertook the walk, so he was the first person I went to see. He was living in Laos then with his wife. So I went up there and we talked for a couple of days and I said, 'Would you advise us? d I'll send you scripts.' Then I began to say, 'Can I put some of the stuff you're telling me in, like this thing about these mosquitoes? This man you met in the forest that has a bark necklace?' He said, 'Sure,' very generously so I put that in.. Then he coached the actors and then was with us every day." See more »
When they notice Janusz has left the Tibetan monastery and they call for him on the mountain ridge, K2 appears in the background, which is in the Karakorum mountains, far away from where the action rolls, near the Tibetan border with Nepal. See more »
Anyone familiar with Peter Weir's incredible body of work - particularly his earlier Australian-produced movies - knows that a new Weir movie is an important event indeed. Almost all Weir's too-infrequent movies are at least noteworthy (Witness, Dead Poets Society) if not downright great (Year of Living Dangerously, The Last Wave).
With The Way Back, Weir may have made his greatest film ever. An epic and unrushed (2 1/4 hours) trek from a Soviet Gulag to the green hills of India, this is a beautifully filmed and superbly acted piece. Let it take its time; it is thrilling and appalling, but also beautiful.
The story, which Weir apparently has long wanted to film, is based on the account of a Polish army officer who later moved to England and wrote (with a ghost-writer) the book "The Long Walk," describing the journey he took with seven others. The movie is quite true to the book, right down to the American "Mr. Smith," Ed Harris' character. While the veracity of the story in the book has been questioned, that doesn't interfere with the great film-making.
Harris is fine as always, as is Colin Farrell as a Russian thug, but it is Jim Sturgess, as the Polish leader of the expedition, who has the most bravura performance.
Bravo to the cast, cinematographer, and most of all, Mr. Weir.
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