Legendary explorer Thor Heyerdal's epic 4,300-mile crossing of the Pacific on a balsawood raft in 1947, in an effort to prove that it was possible for South Americans to settle in Polynesia in pre-Columbian times.
Pål Sverre Hagen,
Anders Baasmo Christiansen,
In 1941, three men reach India from Tibet, having walked 4000 miles after escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife; he knows how to live in the wilds. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind. Written by
In the screenplay Peter Weir included the experiences of French adventurer Cyril Delafosse-Guiramand, who did the walk described in Slavomir Rawicz's book. He became a technical advisor for the film production, too. Peter Weir recollected: "...Cyril Delafosse-Guiramand, late 30s, French. He works in the IT industry but his hobby is walking. He was inspired by the book and sometime after 2000 he undertook the walk, so he was the first person I went to see. He was living in Laos then with his wife. So I went up there and we talked for a couple of days and I said, 'Would you advise us? d I'll send you scripts.' Then I began to say, 'Can I put some of the stuff you're telling me in, like this thing about these mosquitoes? This man you met in the forest that has a bark necklace?' He said, 'Sure,' very generously so I put that in.. Then he coached the actors and then was with us every day." See more »
When they notice Janusz has left the Tibetan monastery and they call for him on the mountain ridge, K2 appears in the background, which is in the Karakorum mountains, far away from where the action rolls, near the Tibetan border with Nepal. See more »
This is a film for people who appreciate epic landscapes and survivor stories. It has some engaging characters but not brilliant dialogue or complicated characters. Mostly, it is a visual film, displaying the vulnerability of a few people in a harsh, vast, beautiful landscape. They must depend on each other, and they develop an intimacy based on their shared struggle rather than on deep conversations and emotional revelations, or at least, not until a young girl joins them. Weir seems to be commenting on the yin yang of masculinity/femininity at times in this film. I also liked the subtle underlying commentary on the brutal oppression of the Soviet regime under Stalin.
All of the actors were good; Farrell adds a touch of humor, Sturgess portrays anguish well, and Harris is a good tough old guy--his usual persona. By the way, Manohla Dargis in The New York Times complains that Farrell is too good-looking to be a Russian gangster. What this assessment is based on I can't imagine; doubt Dargis hangs with Russian gangsters.
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