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The Way Back (I) (2010)

7.3
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Ratings: 7.3/10 from 72,085 users   Metascore: 66/100
Reviews: 146 user | 204 critic | 33 from Metacritic.com

Siberian gulag escapees travel 4,000 miles by foot to freedom in India.

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(screenplay), (novel), 1 more credit »
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Title: The Way Back (2010)

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Nominated for 1 Oscar. Another 2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Alexandru Potocean ...
...
...
...
...
Sebastian Urzendowsky ...
...
Interrogator (as Zahari Baharov)
Sally E. Brunski ...
Janusz's Wife, 1939 (as Sally Edwards)
Igor Gnezdilov ...
...
Andrei
Stanislav Pishtalov ...
Commandant
Mariy Grigorov ...
Lazar (as Marii Grigorov)
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Storyline

In 1941, three men reach India from Tibet, having walked 4000 miles after escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife; he knows how to live in the wilds. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Their escape was just the beginning


Motion Picture Rating (MPAA)

Rated PG-13 for violent content, depiction of physical hardships, a nude image and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Language:

| |

Release Date:

21 January 2011 (USA)  »

Also Known As:

Camino a la libertad  »

Filming Locations:

 »

Box Office

Opening Weekend:

$1,208,196 (USA) (21 January 2011)

Gross:

$2,677,401 (USA) (18 February 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Valka says when told he be should be grateful: "Gratitude is for dogs!" Stalin said a very similar thing: "Gratitude is a sickness suffered by dogs." See more »

Goofs

When Irena is being carried in the desert, the film gets flipped. First she was on the left side, then during a close-up she is on the right, then when they go back out she's on the left again. See more »

Quotes

[first lines]
[in Polish, using English subtitles]
Interrogator: [presents pen to sign confession]
Janusz: No.
Interrogator: Bring in the witness.
Janusz's Wife, 1939: [brought in]
Interrogator: Do you know this man? His name?
Janusz's Wife, 1939: Janusz Wieszczek.
Interrogator: Witness, what's your relationship with this man?
Janusz's Wife, 1939: [crying] I am his wife.
[...]
See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #1.1 (2011) See more »

Frequently Asked Questions

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User Reviews

 
Peter Weir goes from ocean to desert
16 November 2010 | by See all my reviews

Peter Weir's follow-up to Master & Commander (2003) is the unflinching, stark, & brilliant The Way Back, which takes on the weighty theme of man's struggle for freedom.

At the dawn of WWII, several men escape from a Russian gulag. The film details their perilous & uncertain journey to freedom, as they cross deserts, mountains, & several nations.

The cast is a clever mix of seasoned pros & relative newcomers. Ed Harris, in the role of the sole American, lends his usual gravitas. Colin Farrell borrows from his In Bruges character, but the addition of bad jailhouse tattoos is wildly amusing, & his Russian is quite passable. It's always nice to see Mister Farrell doing serious work, rather than bland fluff like Miami Vice or SWAT. Mark Strong's brief, but plot-essential appearance is joyous.

Jim Sturgess gets a chance to redeem himself from the disastrous flop 21, & does a fine job here, as the central character. & the adolescent Saoirse Ronan belies her extensive & impressive resume with an understated performance that sparkles against the men's terse asperity.

Breathtaking vistas that serve as the backdrop to the cast's efforts lend The Way Back an epic feel, echoed by mature editing, & mavellously restrained use of music.

This is, quite possibly, the most serious film Peter Weir has ever directed, & the result is both thought-provoking & inspiring. We can only hope that it gets a proper release, & is allowed an opportunity to reach its grown-up audience.


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