An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
In 1941, three men reach India from Tibet, having walked 4000 miles after escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife; he knows how to live in the wilds. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, and moral questions of when to leave someone behind. Written by
When Janusz and the others spot the tattoo of Lenin and Stalin on Valka's chest, he angrily replies that they were great men. Such tattoos were in fact employed by criminals in the false hope that they wouldn't be shot there as it was supposed to be illegal to deface an image of either Lenin or Stalin; although it is well-known that the executions were conducted via shooting in the back of the head. See more »
In the establishing long shot of the woodcutters, many of the prisoners are clearly only pretending to cut the logs, only tapping them with their axes. See more »
Anyone familiar with Peter Weir's incredible body of work - particularly his earlier Australian-produced movies - knows that a new Weir movie is an important event indeed. Almost all Weir's too-infrequent movies are at least noteworthy (Witness, Dead Poets Society) if not downright great (Year of Living Dangerously, The Last Wave).
With The Way Back, Weir may have made his greatest film ever. An epic and unrushed (2 1/4 hours) trek from a Soviet Gulag to the green hills of India, this is a beautifully filmed and superbly acted piece. Let it take its time; it is thrilling and appalling, but also beautiful.
The story, which Weir apparently has long wanted to film, is based on the account of a Polish army officer who later moved to England and wrote (with a ghost-writer) the book "The Long Walk," describing the journey he took with seven others. The movie is quite true to the book, right down to the American "Mr. Smith," Ed Harris' character. While the veracity of the story in the book has been questioned, that doesn't interfere with the great film-making.
Harris is fine as always, as is Colin Farrell as a Russian thug, but it is Jim Sturgess, as the Polish leader of the expedition, who has the most bravura performance.
Bravo to the cast, cinematographer, and most of all, Mr. Weir.
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