When David discovers that his best friend Emily is being forced to leave their caravan park home, he agrees to help her to run away. But after their plan starts to unravel, secrets come to light that transform his life in ways he never imagined.
Set during Christmas 1988, Lol is haunted by the devastating events that took place two and a half years before. She and Woody both find themselves struggling to cope with their lives ... See full summary »
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
In a typical English working-class town, the juveniles have nothing more to do than hang around in gangs. One day, Alan Darcy, a highly motivated man with the same kind of youth experience,... See full summary »
The funfair is in town for one last night and for Laura and Claire it's their last chance to impress the boy on the waltzers. But with Laura's younger brother in tow the evening soon spirals out of control.
Best friends David and Emily enjoy their carefree life in a coastal caravan park. When they learn that Emily is being forced to move away, David he agrees to help her hide out in a remote cave on the beach. Emily's absence soon becomes complicated, as David watches the effect on her family and police suspect one of their neighbors of involvement. When Emily tells David the real reason she wants to hide, his world is shattered. With his complex feelings for Emily growing stronger due to their shared hidden existence, David takes action. Written by
Nicely conceived, but overly schematic in execution
'The Scouting Book for Boys' tells the story of a teenage boy who helps a girl he fancies run away from home. Ultimately, the unidirectionality of that relationship is to have dire consequences. In many ways, it reminded me of the sort of novels I used to write: the problem is, my novels weren't very good. So you have a naive protagonist; conflicts of interest at first hidden or ignored, later painfully apparent; stylised minor characters who ultimately seem more like the embodiment of ideas rather than real flesh and blood; and a plot that makes sense in outline but doesn't quite hold up in practice, in part because the protagonists seem to be stretched to fulfil its demands, instead of the story feeling like the entirely natural consequence of who the protagonists are. The film is set in north Norfolk: an attractive coast, but I didn't get a profound sense of place from how this movie is shot. The reliably excellent Thomas Turgoose does what he can with the material, but is limited by the lack of depth in the story. In fact, this isn't an awful movie; but it feels like a first time effort, and less than the potential sum of its parts.
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