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When John takes his San Francisco friends to his deceased uncle's remote ranch to hunt wild pigs, it seems like a typical guys weekend with guns - despite the presence of John's sexy girlfriend Brooks. But as John and his crew trek deeper into the forest, they begin tracking the awful truth about his uncle's demise and the legend of The Ripper -- a murderous three-thousand-pound black boar! Their pursuit leads them through fields of marijuana and into the muddy landscape of Big Wallow, involving high-powered weaponry, the violent and unpredictable Tibbs Brothers, massacred emus, a machete-toting Hippie Stranger, vengeful rednecks, and throat-slitting Cult Girls who grow dope by day and worship a Giant Killer Pig by night. By the time the pig hunt is done, no one is innocent - or unscathed. Not for the faint of heart, PIG HUNT is a darkly comic horror film that combines the best of DELIVERANCE, JAWS, and DINER, but remains uniquely Nor-Cal in its tone and scope. It is cinematic ... Written by
A quote from Geroge Orwell's 'Animal Farm', "The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.", just before the end credits. See more »
A mashup of elements from "Razorback," "Deliverance" and other rural-peril faves, "Pig Hunt" proves an enjoyably offbeat hybrid horror exercise. Helmer Jim Isaac's first indie production, following several compromised studio efforts including sci-fi slasher "Jason X," amplifies the quirkiness of Robert and Zach Anderson's screenplay by unpredictably mixing disparate pacing, tones, humor and brute action. Sum isn't entirely satisfying, and the current marketplace preference for formulaic scare pics won't help B.O. But fans tired of rote remakes and ripoffs will appreciate the pic's idiosyncrasy. It's currently playing limited theatrical gigs while in search of a wider distribution deal.
Four twentysomething buds, led by John (Travis Aaron Wade), leave San Francisco for a weekend of game hunting in rural Mendocino County, though the guys-only plan goes south when John's g.f. Brooks (Tina Huang) -- who turns out to be the group's sharpest shooter -- insists on coming along.
After being warned about an improbable 3,000-lb. "Pigfoot" (aka "the Ripper") roaming wild, they acquire uninvited company in the form of two local yokels who have an apparent score to settle with John.
City-slicks-vs.-hicks tension soon gets ugly, resulting in full-on war waged by the large, inbred Tibbs clan against the panicked visitors. Meanwhile, carnivorous Hogzilla turns out to be no mythical beastie.
A local "hippie commune" consisting of one charismatic male (Bryonn Bain) and his sizable harem of Amazonian babes further adds to the eventual mayhem, which doesn't explode until halfway through the pic's runtime.
Slow start has its own rewards in atmosphere and slyly offbeat rhythms; when the porcine stool finally hits the fan, the action (especially that taking place chez Tibbs) is no-holds-barred muscular. Given the welcome sense that the story might lunge in any direction at any time, however, the final payoff (which involves some not-very-convincing creature effects) is a little less kicky than one might have hoped.
Perfs are enthusiastic, tech and design contribs above-average.
Score by Les Claypool of Primus adds to hipster cachet; he and blues mouth harpist Charlie Musselwhite contribute cameo roles.
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