Certified Copy (2010)
"Copie conforme" (original title)

In Tuscany to promote his latest book, a middle-aged British writer meets a French woman who leads him to the village of Lucignano. While there, a chance question reveals something deeper.

Director:

Abbas Kiarostami

Writers:

Caroline Eliacheff (collaborator on screenplay), Abbas Kiarostami,

Stars:

Juliette Binoche, William Shimell, Jean-Claude Carrière

3 wins & 6 nominations.

Cast

Credited cast:
Juliette Binoche	...	Elle
William Shimell	...	James Miller
Jean-Claude Carrière	...	L'homme de la place
Agathe Natanson	...	La femme de la place
Gianna Giachetti	...	La patronne du café
Adrian Moore	...	Le fils
Angelo Barbagallo	...	Le traducteur
Andrea Laurenzi	...	Le guide
Filippo Trojano	...	Le marié
Rest of cast listed alphabetically:
Manuela Balsinelli	...	La mariée

Storyline

James Miller has just written a book on the value of a copy versus the original work of art. At a book reading, a woman gives him her address, and the next day they meet and take a country-side drive to a local Italian village. Here, they discuss various works of art found in the town, and also the nature of their relationship - which gets both more revealed and concealed as the day progresses.

---

Plot Keywords:

art | copy | book reading | cafe | applying lipstick | 

---

Genres:

Drama

---

Certificate:

Unrated

Details

Official Sites:

Official site Official site [jp]

Country:

France Italy Belgium

Language:

French English Italian

Release Date:

19 May 2010 (France)

Also Known As:

Certified Copy

Filming Locations:

Lucignano, Italy

Box Office

Budget:

€7,000,000 (estimated)

Opening Weekend:

$77,937 (USA) (11 March 2011)

Gross:

$1,337,384 (USA) (10 June 2011)

Company Credits

Production Co:

MK2 Productions, BiBi Film, Abbas Kiarostami Productions

Technical Specs

Runtime:

106 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Kiarostami had directed Shimell in Mozart's "Cosi fan tutte" at the 2008 Aix en Provence festival.

---

Quotes

Elle: I know you hate me. There's nothing I can do about that. But at least try to be a little consistent.

---

Connections

Featured in Ebert Presents: At the Movies: Episode #2.24 (2011)

User Reviews

Certified Copy is the real thing.

"Certified Copy" is a film of great beauty and mystery. The first thing that strikes you about it is how real it feels. Not just its plot, not just the acting, but also the dialogs - they are laced in the anguish, hope, fears, disappointments and joys of the life we all live, everyday. To try to explain what the film is about it to rob it of its sense of poetic irony but all you need to know about it is that it revolves around two people who strike up a conversation after meeting in picturesque Tuscany. Binoche plays the part of a woman, apparently a single mother, who owns a small antiques store. She meets a visiting British writer, James Miller (opera star William Shimell, in his debut) who is there promoting his new book, a treatise on copies in the art world. The two decide to meet later for a discussion dinner, but what at first seems like mundane musings on the every day quickly takes a turn when it appears to us that the two are familiar to each other and perhaps even might have met. We are never told, not directly at least, whether this is the case, but numerous hints are dropped; a joke that Miller shares for instance than Binoche seems to have heard before, then an anecdote that is all too familiar to her and which can relate to, about the replica (or copy!) of the David statue outside the Academia in Florence. Dialogues therefore drive the film. Binoche's description of her sister and her problems with stammering are so succinct, so clairvoyant that when we almost feel we know her as well and later in the film, when Binoche uses the pseudo stammering 'J-J-J-James', it tells you so much about her. If you listen carefully to the dialogs and are intent on picking up inflections, body language and facial expressions the film is richly rewarding.

Credit for this greatly goes to director Abbas Kiarostami for his use of formalism combined with minimalism and tight framings. Let's just say he knows where to place his camera and what to get out of his actors. His closeups of the faces of his two leads is both intrusive and revelatory. In the finest example of this, and in an outstanding unbroken single take, he lingers on the beautiful, ever luminous face of Binoche as she powders her face and applies her lipstick. Ordinarily the scene should have been inconsequential, but in the scheme of things it is both a private moment with the character that Binoche plays and fine testament of Binoche's ability. She is outstanding throughout - shifting from one extreme to the other, crying and laughing, sometimes at the same time. In the films most heartbreaking scene, she asks Miller if he noticed whether she dressed up for him that day. When he answers that he didn't she responds by telling him how she was able to pick up the scent of his new perfume. This might be nothing more than the deconstruction of all cross gender relationships, yet we learn so much about both of them while being kept at a distance. Because we can only infer what is going on, but still not be entirely sure about it, the film envelops us into its puzzle completely. At a time when many directors, most film and almost all actors are stuck doing the same things, "Certified Copy" feels like the real thing.