| Photos (See all 16 | slideshow) | Videos (see all 2) |
Directed by | |||
| Neil Marshall | |||
Writing credits | ||
| Neil Marshall | (written by) | |
Original Music by | |||
| Ilan Eshkeri | |||
Cinematography by | |||
| Sam McCurdy | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Simon Bowles | |||
Art Direction by | |||
| Jason Knox-Johnston | (supervising art director) | ||
| Andy Thomson | |||
Set Decoration by | |||
| Zoe Smith | |||
Costume Design by | |||
| Keith Madden | |||
Makeup Department | |||
| Sharon Anniss | .... | makeup assistant: second unit, Scotland (as Sharon Arniss) | |
| Hollie Armstrong | .... | makeup assistant: Scotland | |
| Hollie Armstrong | .... | makeup assistant: second unit, Scotland | |
| Hannah Bamford | .... | makeup trainee: second unit, Scotland | |
| Zoe Brownm | .... | makeup assistant: second unit, Scotland | |
| Nicola Buck | .... | makeup assistant: second unit, Scotland | |
| Jana Carboni | .... | makeup artist | |
| Sharon Colley | .... | makeup assistant: second unit, Scotland | |
| Amy Davies | .... | makeup trainee: second unit, Scotland | |
| Robbie Drake | .... | prosthetics technician | |
| Tahira Herold | .... | hair designer | |
| Tahira Herold | .... | makeup designer | |
| Paul Hyett | .... | special makeup effects designer | |
| Lucinda Jelley | .... | makeup trainee: second unit, Scotland | |
| Lizzie Lawson | .... | makeup artist (as Lizzie Lawson Zeiss) | |
| Ailbhe Lemass | .... | makeup assistant: second unit, Scotland | |
| Monica MacDonald | .... | makeup artist | |
| Nuria Mbomio | .... | makeup assistant: second unit, Scotland | |
| Claire McAndrew | .... | makeup assistant: second unit, Scotland | |
| Katherine Rayner | .... | hair crowd supervisor | |
| Katherine Rayner | .... | makeup crowd supervisor | |
| Pascale Recher | .... | makeup assistant: second unit, Scotland (as Pascale Racher) | |
| Caroline Silk | .... | makeup assistant: second unit, Scotland | |
| Vivienne Simpson | .... | makeup assistant: second unit, Scotland | |
| Rachael Speke | .... | makeup assistant: second unit, Scotland (as Rachel Speek) | |
| Sylvia Atkins | .... | daily crowd trainee (uncredited) | |
| Orlando Bassi | .... | wigmaker (uncredited) | |
Production Management | |||
| Duncan Broadfoot | .... | unit manager: Scotland | |
| Polly Duval | .... | post-production supervisor | |
| Cass Marks | .... | production manager | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Duncan Muggoch | .... | production manager: second unit, Scotland | |
| Lee Simmons | .... | unit manager: London | |
| Sarah Wheale | .... | production manager: second unit (as Sarah Wheel) | |
Art Department | |||
| Mark Billingham | .... | stand-by props: second unit, Scotland | |
| Sophie Bridgman | .... | art department assistant | |
| Jay Butcher | .... | stand-by chippy | |
| Christopher Chandler | .... | dressing props (as Chris Chandler) | |
| Lisa Chugg | .... | prop buyer | |
| Oliver Clifford | .... | stand-by props: second unit, Scotland | |
| David Conway | .... | stand-by props: second unit, Scotland | |
| Martin Dawe | .... | polyurethane sculpture supervisor | |
| Gary Dempsey | .... | stand-by painter | |
| Roddy Dolan | .... | stand-by props: second unit, Scotland | |
| Michaela Elliott-Vass | .... | polyurethane sculpture and construction coordinator | |
| James Enright | .... | prop making supervisor c/o propshop | |
| Hyatt Evans | .... | polyurethane sculptor | |
| Mark Farrow | .... | polyurethane sculptor | |
| Jaeson Finn | .... | concept artist | |
| Jaeson Finn | .... | storyboard artist | |
| Raymond Flindall | .... | stand-by rigger (as Ray Flindall) | |
| Tom Geoghesan | .... | stand-by props: second unit, Scotland | |
| Douglas Glen | .... | stand-by props: second unit, Scotland | |
| Esther Goodchild Bradley | .... | props trainee | |
| Muffin Green | .... | property master | |
| Edward Griffiths | .... | prop maker | |
| Shane Harford | .... | stand-by props: second unit, Scotland | |
| John Hext | .... | painter (as Johnny Hext) | |
| Henry Hole | .... | greens | |
| Marcus Jefferies | .... | polyurethane sculptor | |
| Ben Johnson | .... | dressing props: second unit, Scotland | |
| Edward Kellow | .... | stand-by props: second unit, Scotland | |
| Nigel Kirk | .... | head painter | |
| Jason Line | .... | painter | |
| Dimitris Lyritzis | .... | stand-by props: second unit, Scotland | |
| Johnny Mann | .... | carpenter (as John Mann) | |
| Jon Marson | .... | greensman | |
| Jim McCallum | .... | dressing props: second unit, Scotland | |
| Adam McCreight | .... | dressing props | |
| Adam McCreight | .... | storeman | |
| Graham Mitchell | .... | carpenter | |
| Jono Moles | .... | construction manager | |
| John Moolenschot | .... | carpenter | |
| Keith Mowatt | .... | carpenter | |
| Marcus Murray | .... | carpenter | |
| Kelly Neary | .... | art department work experience | |
| Harry Pain | .... | stand-by art director | |
| Barnaby Papworth | .... | construction manager | |
| Jeremy Parr | .... | polyurethane sculptor | |
| Alan Payne | .... | graphic designer | |
| Zebedee Ratcliffe | .... | polyurethane sculptor | |
| Simon Riley | .... | stand-by props | |
| Tom Roberts | .... | stand-by props | |
| Gary Robinson | .... | dressing props: second unit, Scotland | |
| Caradoc Rouse | .... | carpenter | |
| Kristin Theyers | .... | dressing props | |
| Rebecca Thomas | .... | assistant prop buyer (as Becky Thomas) | |
| Rod Vass | .... | sculpture and construction supervisor: Armordillo Design & Construction | |
| Karl Wardle | .... | polyurethane sculptor (as Karl Waddle) | |
| Ceri Warrick-Foster | .... | dressing props: second unit, Scotland | |
| Alex Wells | .... | carpenter | |
| Dave Wells | .... | carpenter | |
| Sam Wells | .... | carpenter | |
| Paul 'Welcie' Wellstead | .... | construction rigger (as Paul Wellstead) | |
| Jo Weston | .... | painter | |
| Harvey Woodward | .... | painter | |
| Adriaan Engelbrecht | .... | weapons foam technician (uncredited) | |
| Peter Hooper | .... | greens supervisor (uncredited) | |
| Thomas Jones | .... | prop maker (uncredited) | |
| Melanie Light | .... | art department assistant (uncredited) | |
| Lucy Moles | .... | construction buyer (uncredited) | |
| Sophie Tarver | .... | propmaker (uncredited) | |
Sound Department | |||
| Peter Burgis | .... | foley artist | |
| Paul Carter | .... | sound designer | |
| Paul Carter | .... | sound effects | |
| Matthew Collinge | .... | additional sound re-recording mixer | |
| Matthew Collinge | .... | sound designer (as Matt Collinge) | |
| Matthew Collinge | .... | sound supervisor (as Matt Collinge) | |
| Howard Halsall | .... | adr editor | |
| Howard Halsall | .... | dialogue editor | |
| John Hayes | .... | sound recordist | |
| Michael Maroussas | .... | adr editor | |
| Michael Maroussas | .... | dialogue editor | |
| Keith Partridge | .... | foley recordist | |
| Mark Paterson | .... | sound re-recording mixer | |
| Jeremy Price | .... | additional sound effects editor | |
| Rob Prynne | .... | additional sound effects editor (as Robert Prynne) | |
| Jamie Roden | .... | sound re-recording mixer | |
| Paul Schwartz | .... | sound maintenance | |
| Danny Sheehan | .... | supervising sound editor | |
| Barnaby Smyth | .... | foley supervisor | |
| Jason Swanscott | .... | foley artist | |
| Charlie Weisfeld | .... | sound trainee | |
| Sandy Buchanan | .... | adr recordist (uncredited) | |
| Simon Diggins | .... | adr recordist (uncredited) | |
| Chris Sturmer | .... | dolby sound consultant (uncredited) | |
| Greg Zimmerman | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Astrig Askerling | .... | prosthetics technician | |
| Will Bazeley | .... | special effects trainee | |
| Andy Collins | .... | senior special effects technician: second unit, Scotland | |
| Stuart Conran | .... | prosthetic technician | |
| Mike Crowley | .... | senior special effects technician: second unit, Scotland | |
| Keith Dawson | .... | senior special effects technician: second unit, Scotland | |
| Chris Fitzgerald | .... | prosthetic technician | |
| Andy Frazer | .... | senior special effects technician: second unit, Scotland | |
| Joe Halford | .... | senior special effects technician: second unit, Scotland | |
| Graham Hills | .... | senior special effects technician: second unit, Scotland | |
| Chris Kirkpatrick | .... | prosthetic technician | |
| Melissa Lenihan | .... | prosthetics technician (as Melissa Leniham) | |
| Dickon Mitchell | .... | senior special effects technician: second unit, Scotland | |
| Christine Overs | .... | animal fabricator (as Chrissie Overs) | |
| Stephen Paton | .... | senior special effects technician: second unit, Scotland (as Steve Paton) | |
| Chris Reynolds | .... | special effects supervisor | |
| Demetris Robinson | .... | prosthetic technician (as Demitris Robinson) | |
| Simon Rose | .... | prosthetic technician | |
| Luca Saccuman | .... | prosthetic assistant | |
| Jon Savage | .... | senior special effects technician: second unit, Scotland | |
| Chris Trice | .... | mechanical effects | |
| David j Watson | .... | senior special effects technician: second unit, Scotland (as Dave Watson) | |
| Gareth Wingrove | .... | senior special effects technician: second unit, Scotland | |
| Dan Frye | .... | special makeup effects technician (uncredited) | |
| Danny Hills | .... | special effects trainee (uncredited) | |
| Jody Taylor | .... | special effects senior technician (uncredited) | |
Visual Effects by | |||
| Fredrik Averpil | .... | visual effects artist: Filmgate | |
| Matthew Baker | .... | digital restoration | |
| Håkan Blomdahl | .... | visual effects artist: Filmgate | |
| Adam Gottard | .... | digital restoration | |
| Charlotte Gray | .... | digital restoration | |
| Marcus Hindborg | .... | on set visual effects supervisor: Filmgate | |
| Emma Hulme | .... | digital restoration | |
| Andreas Hylander | .... | visual effects artist: Filmgate | |
| Elin Kothe | .... | visual effects artist: Filmgate (as Elin Lindahl) | |
| Konstantinos Koutsoliotas | .... | visual effects artist | |
| Malin Leuchovius | .... | visual effects coordinator: Filmgate (as Malin Persson) | |
| Linus Lindbalk | .... | visual effects artist: Filmgate | |
| Joseph McLamb | .... | visual effects artist: Filmgate | |
| Steve Mercer | .... | visual effects editor | |
| Daniel Nielsen | .... | visual effects artist: Filmgate | |
| Jacob Otterström | .... | visual effects supervisor: Filmgate | |
| Daniel Reidler | .... | visual effects artist: Filmgate | |
| Sean Wheelan | .... | visual effects producer: Filmgate | |
| Barry Corcoran | .... | titles compositor (uncredited) | |
| Matthew Lawrence | .... | titles compositor (uncredited) | |
| Brad Le-Riche | .... | digital effects artist (uncredited) | |
| Olle Rydberg | .... | modeler / texture artist (uncredited) | |
Casting Department | |||
| Lucy Hellier | .... | casting assistant | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Christiane Barbknecht | .... | costume armor | |
| Simon Brindle | .... | principal costume props | |
| Louise Day | .... | costume amourer | |
| Alicia Hood | .... | stand-by costumer | |
| James Hunter | .... | stand-by costumer: second unit, Scotland | |
| Nicky Jones | .... | senior costume armourer | |
| Kate Laver | .... | stand-by costumer | |
| Fiona Lucas | .... | costume assistant: second unit, Scotland | |
| Janine Marr | .... | costume supervisor: Scotland | |
| Zoe Morris | .... | costume assistant: second unit, Scotland | |
| Leigh Nicol | .... | stand-by costumer | |
| Kevin Pratten | .... | stand-by costumer | |
| Holly Smart | .... | stand-by costumer | |
| Oliver Southall | .... | stand-by costumer: second unit, Scotland | |
| Gabrielle Spanswick | .... | costume supervisor: London (as Gabriella Spanswick) | |
| Alison Strudwick | .... | costume assistant: second unit, Scotland | |
| Sarah Ward | .... | costume assistant: second unit, Scotland | |
| Tamar Zaig | .... | costume assistant: second unit, Scotland | |
Editorial Department | |||
| Matt Adams | .... | digital intermediate consultant | |
| Jens Baylis | .... | first assistant editor | |
| Matthew Benns | .... | digital intermediate data manager | |
| Clare Brody | .... | digital intermediate data manager | |
| Dan Dolan | .... | digital scanning and recording | |
| Stephen Garrett | .... | digital intermediate editor | |
| Neil Hurford | .... | lab grader | |
| Todd Kleparski | .... | digital intermediate producer | |
| Scott Liddle | .... | digital scanning and recording | |
| Ben Setterfield | .... | digital scanning and recording | |
| Asa Shoul | .... | digital intermediate colorist | |
| Philippa Wood | .... | post production coordinator | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Millie Baring | .... | music production assistant | |
| Christoph Bauschinger | .... | music editor | |
| Andy Brown | .... | conductor (as Andrew Brown) | |
| Jessica Dannheisser | .... | orchestrator | |
| Felix Erskine | .... | composer: additional music | |
| Stanley Gabriel | .... | assistant engineer | |
| Matthias Gohl | .... | music producer (as Gohl) | |
| Celia Graham | .... | musician: vocalist | |
| Lewis Jones | .... | music engineer | |
| John Kenny | .... | musician: carnyx | |
| Elisa Kustow | .... | music production coordinator | |
| The London Metropolitan Orchestra | .... | musicians | |
| Stephen McLaughlin | .... | music mixer | |
| Stephen McLaughlin | .... | music producer (as McLaughlin) | |
| Mike Taylor | .... | musician: bodhran | |
| Gillian Tinglay | .... | musician: Celtic harp | |
| Mikael Carlsson | .... | soundtrack producer (uncredited) | |
| Paul Saunderson | .... | composer assistant (uncredited) | |
Other crew | |||
| Jean Marc Alibert | .... | horse rider | |
| Sean Barclay | .... | location fixer: aerial unit Scotland | |
| Chris Barnett | .... | chef (as Chris Barnet) | |
| Craig Barwick | .... | production accountant | |
| Danielle Bennett | .... | floor runner: London | |
| David Birkbeck | .... | horse rider | |
| Mitch Brown | .... | chef | |
| Anwen Bull | .... | script supervisor: Scotland | |
| Andy Butcher | .... | horse rider | |
| Lee Bye | .... | representative: Pathé | |
| Jo Cameron Brown | .... | voice coach | |
| Rob Campbell-Bell | .... | location assistant: London | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| James Clarke | .... | representative: Pathé | |
| Eleri Coulten | .... | production runner | |
| Jake Cox | .... | horse rider | |
| Tom Cox | .... | horse rider | |
| Matt Curtis | .... | title designer: main & end titles | |
| Dylan Davies | .... | unit medic | |
| Nicola Dempsey | .... | production assistant | |
| Graeme Douglas | .... | mountain safety: second unit, Scotland | |
| Paul Dray | .... | laboratory contact: DeLuxe London | |
| Pierre Du Plessis | .... | representative: Pathé | |
| Danny Edwards | .... | chef (as Dan Edwards) | |
| Gaia Elkington | .... | assistant: Christian Colson, Celador Films | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Bobby Finn | .... | location assistant: Scotland | |
| John Fletcher | .... | representative: Pathé | |
| Chris Foggin | .... | floor runner | |
| Stefan Georgiou | .... | b-roll | |
| Samuel Glover | .... | catering runner: Scotland (as Sam Glover) | |
| Mark Grimwade | .... | location manager: London | |
| Oliver Hazell | .... | floor runner: second unit, Scotland | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Nick Jeffries | .... | supervising armorer (as Nick Jefferies) | |
| Mark Johnson | .... | commercial director: Celador Films | |
| Matt Jones | .... | location manager: Scotland (as Matthew Jones) | |
| Nick Kay | .... | floor runner: second unit, Scotland | |
| Anna Landiun | .... | management accountant: Celador Films | |
| James Lockett | .... | floor runner: second unit, Scotland | |
| Damien Lucas | .... | location assistant: London | |
| Hayley Lyon | .... | second assistant accountant | |
| Stefano Margaritelli | .... | rushes runner | |
| Sharon McGuinness | .... | location assistant: London | |
| Fiona McGuire | .... | representative: Pathé | |
| Jaime McInerney | .... | floor runner: second unit, Scotland | |
| Simon Mills | .... | assistant production coordinator | |
| Tariq Mirza | .... | production legal | |
| Chris Moore | .... | location scout: second unit | |
| Max Murphy | .... | floor runner: Scotland | |
| Camilla Naprous | .... | horse rider | |
| Daniel Naprous | .... | horse master | |
| Gerard Naprous | .... | horse master | |
| George Nelson | .... | floor runner: second unit, Scotland | |
| Caroline O'Reilly | .... | script supervisor | |
| Caroline O'Reilly | .... | script supervisor: second unit, Scotland | |
| Pete Olivant | .... | horse rider | |
| Sylvia Parker | .... | script supervisor | |
| Alain Perelin | .... | horse rider | |
| Mike Pike | .... | horse rider | |
| Raymond Reader | .... | head chef | |
| Ian Robinson | .... | laboratory contact: DeLuxe London | |
| Mike Runagall | .... | representative: Pathé | |
| Muriel Sauzay | .... | representative: Pathé | |
| Mark Scott | .... | catering runner: Scotland | |
| David Seaton | .... | assistant location manager: London | |
| Albert Sharpe | .... | electronic press kit | |
| Andy Soane | .... | chef | |
| Mountain and Water Safety Specialists | .... | mountain advisor | |
| Vaughn Stein | .... | floor runner: second unit, Scotland | |
| David Sutcliffe | .... | health and safety | |
| Eve Swannell | .... | production coordinator | |
| Antony Swiatek | .... | production legal: Olswang | |
| Joanna Thapa | .... | production assistant: Celador Films | |
| Ian Thomson | .... | publicist | |
| Jane Trower | .... | first assistant accountant | |
| Angus Watts | .... | floor runner: second unit, Scotland | |
| Colleen Woodcock | .... | representative: Pathé | |
| Derek Yeaman | .... | location manager: pre-prep Scotland | |
| Jo Cameron Brown | .... | loop group voice (uncredited) | |
| Juliette Caron | .... | french subtitles by (uncredited) | |
| Lucia Foster Found | .... | aerial operations coordinator (uncredited) | |
| Glynn Henderson | .... | safety consultant, Scotland (uncredited) | |
| Nick Oliver | .... | location scout (uncredited) | |
| Sarah Parfitt | .... | delivery paperwork coordinator (uncredited) | |
| Ben Rothwell | .... | assistant armourer (uncredited) | |
| Mark Scott | .... | catering assistance (uncredited) | |
| Andy Stephens | .... | aerial operations manager (uncredited) | |
| Joanna Thapa | .... | production assistant (uncredited) | |
Thanks | |||
| Walter Hill | .... | thanks | |
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A group of Roman soldiers who survived an ambush are chased relentlessly by a hunting party of Picts. As with every other movie by Neil Marshall (The Descent, Doomsday) this big screen epic attempts to mix the grittiness of European filmmaking with the entertainment values of Hollywood movie-making. And as is becoming signature with this director, Centurion pursues his tradition to feature very strong and memorable female characters.
While it is Centurion Quintus Dias (Michael Fassbender) who is the protagonist as the somewhat reluctant leader of our heroes, the most memorable character on screen is Etain, a Brigantian tracker played by Olga Kurylenko. Etain's tribe was massacred by the Romans and she took refuge with the Picts. Her backstory is a powerful device that explains all the hatred she has for Romans and the length she will go to exact revenge. Neil Marshall makes great use of actress Kurylenko and she literally eats the screen in almost every scene she is in, despite her character being mute. Etain reaches iconic status as far as I'm concerned, much like Karl Vreski (Die Hard).
The actual plot, despite its historical context, is less Gladiator and more Apocalypto. Several battles are extremely gritty, entering gory territory as blood flows. There are a lot of CGI sequences mixed with traditional effects but they do not detract from the experience too much. Quintus' bunch of survivors are portrayed by a group of effective actors but the movie's short length prevents much characterization. Where Marshall is more effective is in the portrayal of the Picts. In very few words, several characters stand out throughout the movie.
Everything is fairly entertaining but the movie never quite reaches classic epic status due to its short length and several incongruities. For instance, I still don't understand why two healthy and armed soldiers would run away from wolves, nor why wolves would pursue them (that simply flies in the face of anything we know about the behavior of wolves). Etain is also ordered to severe the heads of the men she is chasing but conveniently omits certain characters so that they survive their injuries, which makes no sense and is transparent bad writing. Likewise, when the Romans have a chance to steal or kill the Picts' horses, they simply ignore this opportunity. These plot holes add up pretty fast and detract from our experience, turning what could have been a classic into just a great pop corn flick.
But an entertaining pop corn flick it is, despite its faults! I wish Marshall would be slightly less ambitious, as it seems he is at his best working on smaller scale movies but he still has a knack to shoot fun films and create engaging characters. Special kudos for not glorifying the Roman empire and especially, for not portraying the Picts as clear-cut villains. Although the structure of the film firmly puts the Picts in the "baddies" slot, there are several hints and a lot of subtext that, on the contrary, showcases the Roman empire as bloodthirsty invaders, plotting backstabbers and savages themselves.
Every amateur of sword epic will want to see this one at least once, possibly several times.