| Kelly Reilly | ... | Jenny | |
| Michael Fassbender | ... | Steve | |
| Tara Ellis | ... | Abi | |
| Jack O'Connell | ... | Brett | |
| Finn Atkins | ... | Paige | |
| Jumayn Hunter | ... | Mark | |
| Thomas Turgoose | ... | Cooper | |
| James Burrows | ... | Harry | |
| Tom Gill | ... | Ricky (as Thomas Gill) | |
| Lorraine Bruce | ... | Tanya | |
| Shaun Dooley | ... | Jon | |
| James Gandhi | ... | Adam | |
| Bronson Webb | ... | Reece | |
| Lorraine Stanley | ... | Nat | |
| Rachel Gleeves | ... | Mel (as Rachel Gleaves) | |
| Mark Devenport | ... | Ashley | |
| Alex Palmer | ... | Paul |
Directed by | |||
| James Watkins | |||
Writing credits(in alphabetical order) | ||
| James Watkins | written by | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Christopher Ross | (director of photography) | ||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Julie Harkin | |||
Production Design by | |||
| Simon Bowles | |||
Set Decoration by | |||
| Lisa Chugg | |||
Costume Design by | |||
| Keith Madden | |||
Makeup Department | |||
| Sophie Brice | .... | makeup artist | |
| Sophie Bryce | .... | makeup artist | |
| Stuart Conran | .... | special makeup effects artist | |
| Clarice Gill | .... | assistant makeup artist | |
| Paul Hyett | .... | prosthetic makeup designer | |
| Kristyan Mallett | .... | prosthetics technician | |
| Leah Mercieca | .... | special makeup effects artist | |
| Kirstie Stanway | .... | makeup designer | |
Production Management | |||
| Jennifer Wynne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alison Banks | .... | second assistant director | |
| Joe Barlow | .... | additional third assistant director | |
| Paul Bennett | .... | additional assistant director | |
| Matt Carver | .... | first assistant director | |
| Clare Glass | .... | third assistant director: dailies | |
| Beatrice Manning | .... | third assistant director | |
Art Department | |||
| Gerry Atkinson | .... | props | |
| Alex Boswell | .... | chargehand stand-by props | |
| John Botton | .... | props | |
| Matthew Broderick | .... | stand-by props | |
| Roy Chapman | .... | property master | |
| Lisa Chugg | .... | production buyer | |
| Melloney Cunnell | .... | assistant art director | |
| Simon Duric | .... | storyboard artist | |
| Robert Haynes | .... | stand-by art director | |
| Ruth Pickard | .... | art department assistant | |
| Ben Vokes | .... | art runner: reshoots | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Ben Barker | .... | supervising sound editor | |
| Sandy Buchanan | .... | adr recordist | |
| Sandy Buchanan | .... | foley recordist | |
| James Corless | .... | sound mix technician | |
| Nina Hartstone | .... | supervising dialogue & adr editor | |
| Andrea King | .... | foley artist | |
| Richard Pryke | .... | sound re-recording mixer | |
| Jack Stew | .... | foley artist | |
| Ivor Talbot | .... | sound mixer | |
| Ian Tapp | .... | sound re-recording mixer | |
| Kieron Teather | .... | sound mixer (second unit) | |
| Tarn Willers | .... | boom operator | |
Special Effects by | |||
| Richard Magrin | .... | special effects technician | |
| John Rafique | .... | special effects supervisor | |
| Nick Smith | .... | special effects technician | |
| Chris Watson | .... | special effects technician | |
Visual Effects by | |||
| Håkan Blomdahl | .... | digital artist: Filmgate | |
| Zachary Bloom | .... | scanning and recording: Framestore CFC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Paul Burke | .... | scanning and recording: Framestore | |
| James Cundill | .... | IQ editor | |
| Alec Feegrade | .... | film recording | |
| Max Horton | .... | colourist | |
| Mathias Larserud | .... | visual effects artist | |
| Jaime Leonard | .... | on-line editor | |
| Linus Lindbalk | .... | digital artist: Filmgate | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Emelie Nilsson | .... | digital artist: Filmgate | |
| Jacob Otterström | .... | digital artist: Filmgate (as Jacob Svensson) | |
| Lee Rankin | .... | scanning and recording: Framestore CFC | |
| Sean Wheelan | .... | visual effects producer: FILMGATE | |
| Pat Wintersgill | .... | on-line editor | |
Stunts | |||
| Richard Bradshaw | .... | stunt coordinator | |
| Tony Christian | .... | stunt double | |
| Rick English | .... | stunt double: Michael Fassbender | |
| Belinda McGinley | .... | stunt double | |
| Andy Wareham | .... | stunt double | |
Camera and Electrical Department | |||
| Theo Berman | .... | camera trainee | |
| James Chesterton | .... | camera trainee | |
| Philippe Cointepas | .... | focus puller: dailies | |
| Johann Cruickshank | .... | best boy: re-shoots | |
| Warwick Drucker | .... | key grip | |
| Stuart Hurst | .... | gaffer: re-shoots | |
| Sebastian Lamb | .... | camera runner | |
| Andy McBrearty | .... | gaffer | |
| Barry McCullagh | .... | electrician | |
| Richard Miles | .... | electrician | |
| James Perry | .... | additional clapper loader | |
| Ang Richards | .... | second assistant camera | |
| Ang Richards | .... | second assistant camera: "a" camera | |
| John Taylor | .... | Steadicam operator | |
| Roger Tooley | .... | Steadicam operator | |
| Nick Wall | .... | still photographer | |
| Jimmy Ward | .... | second assistant camera: second unit | |
| John Watters | .... | camera operator: "b" camera | |
| Peter Wignall | .... | additional photography | |
Costume and Wardrobe Department | |||
| Kate Laver | .... | key costume stand-by | |
| Holly Smart | .... | costume stand-by | |
Editorial Department | |||
| Siobhan Boyes | .... | post-production coordinator | |
| Tamsin Jeffrey | .... | first assistant editor | |
| Laura Jennings | .... | assistant editor | |
Music Department | |||
| Lee Harris | .... | music supervisor | |
| Dana Niu | .... | orchestrator | |
| Alison Wright | .... | score coordinator: Air Edel | |
Other crew | |||
| David Barr | .... | floor runner | |
| Ajay Bhatt | .... | medic | |
| Caroline Bowker | .... | script supervisor | |
| Nicky Coats | .... | production accountant | |
| Matt Curtis | .... | title designer | |
| Lara Davis | .... | production secretary | |
| Kathryn Deighan | .... | runner | |
| Jenny Dowdell | .... | floor runner | |
| Elton Farla | .... | medical coordinator | |
| Lee Francis | .... | production assistant | |
| Dorothee Freytag | .... | location assistant: re-shoots | |
| Sam Holmes | .... | floor runner | |
| Ian Hutchinson | .... | location scout | |
| Timur Karamolla | .... | trainee runner | |
| Steve Mortimore | .... | location manager | |
| Sarah Parfitt | .... | delivery paperwork coordinator | |
| Asha Sharma | .... | assistant location manager: re-shoots | |
| Joss Spry | .... | runner | |
| Katherine Tibbetts | .... | production coordinator | |
| Ben Vokes | .... | runner | |
| Jason Wheeler | .... | location manager | |
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| The Last House on the Left | Torso | The Tournament | House of Wax | A Bay of Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
I can't remember the last time a film evoked such raw emotions in me. I'm literally teared up and shaking - from anger, pain, frustration and disbelief. Watching this film is an experience more than words can describe, it plays on pure emotion. You're sucked into the whole atmosphere, to the characters - both the good and the bad -, and it really eats you up and leaves you with this bundle of emotions that catch you off guard and in the end, leave you empty-handed.
I'm sorry for not being very precise about the plot and the characters, but I simply can't write an ordinary "this film opens with..." review, the experience was just too much.
I highly recommend it, but not for the weak-hearted.