Bloomington, Minnesota, 1967: Jewish physics lecturer Larry Gopnik is a serious and a very put-upon man. His daughter is stealing from him to save up for a nose job, his pot-head son, who gets stoned at his own bar-mitzvah, only wants him round to fix the TV aerial and his useless brother Arthur is an unwelcome house guest. But both Arthur and Larry get turfed out into a motel when Larry's wife Judy, who wants a divorce, moves her lover, Sy, into the house and even after Sy's death in a car crash they are still there. With lawyers' bills mounting for his divorce, Arthur's criminal court appearances and a land feud with a neighbour Larry is tempted to take the bribe offered by a student to give him an illegal exam pass mark. And the rabbis he visits for advice only dole out platitudes. Still God moves in mysterious - and not always pleasant - ways, as Larry and his family will find out. Written by
don @ minifie-1
At his Bar Mitzvah, Danny reads a "Parshah" or portion of the Torah scroll known as "Behar" (Leviticus 25:1 - 26:2) which details the events of the Jubilee year, including the release of slaves and return of ancestral lands. Because the reading of Torah portions follow a set yearly cycle, this means that Danny's Bar Mitzvah occurred in early May of 1967. See more »
Danny is called up as Maftir, the last reader for that weekly Torah portion. However, what he actually reads is the beginning of Parashat Behar, which is read by the first reader, not the last. The first reader would typically be a "cohen", a descendant of Aaron, the High Priest and brother of Moses. In light of their family name, it is reasonable to assume that the Coen brothers are themselves "cohanim". See more »
I saw this movie at TIFF on Saturday. The Coens quietly (and I mean quietly - no-one could hear even their amplified voices) introduced the movie with reference to the actors present but not the movie, letting it speak for itself. And it did. In its own way. It is an off-beat (what else?) and serious work that radiates bleak despair while searching for a funny bone. In the process, the movie makes other black comedies look positively light and airy. The movie evokes laughs from a different place than most from a profound discomfort watching people twist themselves this way and that to fit in and be regarded seriously, whether situationally, socially or religiously. A great piece of work that will have you thinking long afterwards, especially considering the odd and difficult-to-contextualize prologue and, um different, ending which bookend a remarkable work.
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