| Cast overview, first billed only: | |||
| Michael Stuhlbarg | ... | ||
| Richard Kind | ... | ||
| Fred Melamed | ... | ||
| Sari Lennick | ... | ||
| Aaron Wolff | ... | ||
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Jessica McManus | ... | |
| Peter Breitmayer | ... | ||
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Brent Braunschweig | ... | |
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David Kang | ... | |
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Benjamin Portnoe | ... | |
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Jack Swiler | ... | |
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Andrew S. Lentz | ... | |
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Jon Kaminski Jr. | ... | |
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Ari Hoptman | ... | |
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Alan Mandell | ... | |
Bloomington, Minnesota, 1967: Jewish physics lecturer Larry Gopnik is a serious and a very put-upon man. His daughter is stealing from him to save up for a nose job, his pot-head son, who gets stoned at his own bar-mitzvah, only wants him round to fix the TV aerial and his useless brother Arthur is an unwelcome house guest. But both Arthur and Larry get turfed out into a motel when Larry's wife Judy, who wants a divorce, moves her lover, Sy, into the house and even after Sy's death in a car crash they are still there. With lawyers' bills mounting for his divorce, Arthur's criminal court appearances and a land feud with a neighbour Larry is tempted to take the bribe offered by a student to give him an illegal exam pass mark. And the rabbis he visits for advice only dole out platitudes. Still God moves in mysterious - and not always pleasant - ways, as Larry and his family will find out. Written by don @ minifie-1
Misfortunes befall a Jewish physics professor in 1967 Minnesota: his wife is dating a family friend and wants a divorce, his two teenage children are self-centered and unsympathetic, his brother (living with the family) is a nuisance and an embarrassment, one of his students has attempted to bribe him for a better grade...even his neighbors--animal-killing Goyum!--are giving him a rough time. Richly-textured dark comedy by the sometimes-inscrutable Coen brothers, Joel and Ethan, who teamed on the writing, producing and directing, begins with a strange, amusing Yiddish prologue in pre-WWII Eastern Europe that sets the tone for the quizzical, deadpan-eccentric situations that follow. In the lead, Michael Stuhlbarg initially projects a wonderful, grounded screen presence, a combination of a logical perspective and a dryly incredulous resolve; however, the Coens come to rely too much on Stuhlbarg's nebbish qualities, such as his unwavering patience in the midst of outlandish circumstances. Stuhlbarg's crinkled, happy/sad eyes and his nervous, tightly-stretched little smiles also remind one too much of a younger Robin Williams, and the performance begins to look like an impersonation. The art direction and set design is a dream, showcasing the Coens penchant for brilliant scene-composition and execution, but their tale--an ironic tragicomedy about morals and fate and the "expressions of life"--won't be to everyone's taste. Ultimately, the film offers a handful of audacious moments in search of a masterwork. **1/2 from ****