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A Serious Man (2009)
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Overview
User Rating:
Directors:
Writers (WGA):
Release Date:
9 October 2009 (Denmark)
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Plot:
A black comedy set in 1967 and centered on Larry Gopnik, a Midwestern professor who watches his life unravel when his wife prepares to leave him because his inept brother won't move out of the house. | full synopsis
Plot Keywords:
1967
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Black Comedy
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Professor
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Telephone Call
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Bribe
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Awards:
2 nominations
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NewsDesk:
(382 articles)
Birthday Suits: Deserve's Got Nothin' To Do With it
(From FilmExperience. 22 November 2009, 7:57 AM, PST)
This week's new cinema previews
(From The Guardian - Film News. 20 November 2009, 4:15 PM, PST)
(From FilmExperience. 22 November 2009, 7:57 AM, PST)
This week's new cinema previews
(From The Guardian - Film News. 20 November 2009, 4:15 PM, PST)
User Comments:
One of their best
more (60 total)
US Showtimes:
| Culver Plaza Theatres | 12:10pm | 2:40 | 5:05 | 7:30 | 10:00 | (personalize) more |
Cast
(Cast overview, first billed only)| Michael Stuhlbarg | ... | Larry Gopnik | |
| Richard Kind | ... | Uncle Arthur | |
| Fred Melamed | ... | Sy Ableman | |
| Sari Lennick | ... | Judith Gopnik | |
| Aaron Wolff | ... | Danny Gopnik | |
| Jessica McManus | ... | Sarah Gopnik | |
| Peter Breitmayer | ... | Mr. Brandt | |
| Brent Braunschweig | ... | Mitch Brandt | |
| David Kang | ... | Clive Park | |
| Benjy Portnoe | ... | Danny's Reefer Buddy (as Bejamin Portnoe) | |
| Jack Swiler | ... | Boy on Bus | |
| Andrew S. Lentz | ... | Cursing Boy on Bus | |
| Jon Kaminski Jr. | ... | Mike Fagle | |
| Ari Hoptman | ... | Arlen Finkle | |
| Alan Mandell | ... | Rabbi Marshak |
Additional Details
MPAA:
Rated R for language, some sexuality/nudity and brief violence.
Parents Guide:
Runtime:
105 min | Canada:105 min (Toronto International Film Festival)
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:
USA:R (certificate #45447) |
Denmark:11 |
UK:15 |
Canada:G (Québec) |
Australia:M |
Canada:PG (British Columbia) |
Ireland:15A |
Canada:14A (Alberta/Manitoba/Ontario) |
Iceland:12 |
Finland:K-11
Filming Locations:
Company:
Fun Stuff
Trivia:
Based on the Columbia House selections mentioned (Santana's "Abraxis" and CCR's "Cosmo's Factory") the film is set in 1970, not 1967 as most reviews state. (CCR music also plays a prominent role in the Coen's The Big Lebowski (1998).)
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Goofs:
Factual errors: F Troop was an ABC show, which would have been channel 9 in the Twin Cities at that time. Channel 4, that they kept trying to find, was CBS (WCCO). There was nothing on channel 7, a station they complained came in poorly.
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Quotes:
Rabbi Nachtner:
Sy Ableman was a serious man.
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Movie Connections:
Featured in "Siskel & Ebert & the Movies: (2009-10-03)" (2009)
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FAQ
This FAQ is empty. Add the first question.more (60 total)
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My wife and I saw the film last Friday. We talked about it for an hour over dinner and again in the evening. The more we discussed it the better we liked it.
It helps to be familiar with the paradox of Schrodinger's cat, a staple of quantum physics, which can be found on Wikipedia, before you go see this film. You might also want to understand the quantum concept of duality.
The entire movie examines Gopnick and his world==and to a lesser extent that of his teenage son--in light of these aspects of quantum mechanics. I could not find a single scene that did not address uncertainty and/or duality. The attempt to discern traditional religious meaning in this world is humorous in itself. The opening presents the paradox and is crucial to the rest of the film.
Unlike the local review for the film which described this as a "typical Coen Brothers film" and "weird" and "no closure at the end", I found this film to be quite literal and true to the principles of uncertainty and duality. The two major characters both find closure, and in retrospect, there is clearly a beginning, middle and end to the story the brothers wanted to tell.
But the movie continues after the closure, just as life continues on a daily basis, setting up another expectation of continual uncertainty.
Not being Jewish, I no doubt missed some of the double entendre and humor in the tradition. I would have liked to understand the Hebrew passage of the bar mitzvah ceremony, for example, and how it relates to the core theme of the film. But the movie is universal in its appeal, if you understand the basic concept of quantum mechanics upon which the film is based.
I rate this as one of their best films due to its intellectual foundation. Much more important to me than No Country.