A Serious Man (2009)

A black comedy drama centered on Larry Gopnik, a Midwestern professor who watches his life unravel through multiple sudden incidents. Though seeking for meaning and answers he seems to stay stalled.

Directors:

Ethan Coen, Joel Coen

Writers:

Joel Coen, Ethan Coen

Stars:

Michael Stuhlbarg, Richard Kind, Fred Melamed

Nominated for 2 Oscars. Another 20 wins & 39 nominations.

Cast

Cast overview, first billed only:
Michael Stuhlbarg	...	Larry Gopnik
Richard Kind	...	Uncle Arthur
Fred Melamed	...	Sy Ableman
Sari Lennick	...	Judith Gopnik
Aaron Wolff	...	Danny Gopnik
Jessica McManus	...	Sarah Gopnik
Peter Breitmayer	...	Mr. Brandt
Brent Braunschweig	...	Mitch Brandt
David Kang	...	Clive Park
Benjamin Portnoe	...	Danny's Reefer Buddy
Jack Swiler	...	Boy on Bus
Andrew S. Lentz	...	Cursing Boy on Bus
Jon Kaminski Jr.	...	Mike Fagle
Ari Hoptman	...	Arlen Finkle
Alan Mandell	...	Rabbi Marshak

Storyline

Bloomington, Minnesota, 1967: Jewish physics lecturer Larry Gopnik is a serious and a very put-upon man. His daughter is stealing from him to save up for a nose job, his pot-head son, who gets stoned at his own bar-mitzvah, only wants him round to fix the TV aerial and his useless brother Arthur is an unwelcome house guest. But both Arthur and Larry get turfed out into a motel when Larry's wife Judy, who wants a divorce, moves her lover, Sy, into the house and even after Sy's death in a car crash they are still there. With lawyers' bills mounting for his divorce, Arthur's criminal court appearances and a land feud with a neighbour Larry is tempted to take the bribe offered by a student to give him an illegal exam pass mark. And the rabbis he visits for advice only dole out platitudes. Still God moves in mysterious - and not always pleasant - ways, as Larry and his family will find out.

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Plot Keywords:

divorce | house | bribe | professor | car crash | 

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Genres:

Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for language, some sexuality/nudity and brief violence

Details

Official Sites:

Official Facebook Official site

Country:

USA UK France

Language:

English Yiddish Hebrew

Release Date:

20 November 2009 (UK)

Also Known As:

Un hombre serio

Filming Locations:

Uptown Vision Clinic, Minneapolis, Minnesota, USA

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

£321,114 (UK) (20 November 2009)

Gross:

$9,190,525 (USA) (1 January 2010)

Company Credits

Production Co:

Focus Features, StudioCanal, Relativity Media

Technical Specs

Runtime:

106 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Most of the doorposts throughout the movie (including the Gopniks' and Mrs. Samsky's) have a small box attached to them. This is a mezuzah, a case containing passages from the Torah (Deuteronomy 6:4-9 and 11:13-21), which Jews traditionally affix to the door frames of their houses as a constant reminder of God's presence. A mezuzah also functions as a sign that a Jewish person occupies the house or works in the building onto which it is affixed, so in this movie, the frequent sight of mezuzahs on doorframes is one of many indications that most of the characters are Jewish.

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Goofs

Larry's first name is spelled differently throughly the course of the movie. The sign on his office door reads "Prof. Lawrence Gopnik", but the letter from Meshbesher is addressed to "Laurence Gopnik" .

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Quotes

[first lines]
Shtetl Husband: What a marvel... what a marvel.

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Crazy Credits

At the end of the credits is a line advising that "No Jews were harmed in the making of this motion picture."

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Connections

Referenced in The Rotten Tomatoes Show: The Rotten Tomatoes Show Year Endies (2009)

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Soundtracks

"Somebody to Love"
Written by Darby Slick
Performed by Jefferson Airplane
Courtesy of The RCA Records Label
By arrangement with Sony BMG Music Entertainment

User Reviews

Blacker than black

I saw this movie at TIFF on Saturday. The Coens quietly (and I mean quietly - no-one could hear even their amplified voices) introduced the movie with reference to the actors present but not the movie, letting it speak for itself. And it did. In its own way. It is an off-beat (what else?) and serious work that radiates bleak despair while searching for a funny bone. In the process, the movie makes other black comedies look positively light and airy. The movie evokes laughs from a different place than most – from a profound discomfort watching people twist themselves this way and that to fit in and be regarded seriously, whether situationally, socially or religiously. A great piece of work that will have you thinking long afterwards, especially considering the odd and difficult-to-contextualize prologue and, um different, ending which bookend a remarkable work.