Carmen Lowell is working on the backstage of a play at Yale. When the lead actress, her friend Julia, invites her to Vermont with her to work on a play with a professional cast, she decides...
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Carmen Lowell is working on the backstage of a play at Yale. When the lead actress, her friend Julia, invites her to Vermont with her to work on a play with a professional cast, she decides to stay with her friends and her pregnant mother. However, she changes her mind after she finds that her friends will all leave for the summer: Lena Kaligaris will travel to a drawing course, Bridget Vreeland, who is in an existential crisis, missing her mother, will travel to an archaeological dig in Turkey, and Tibby Tomko-Rollins is working in a rental and still editing her documentary. Carmen grows a crush on the lead actor Ian, who convinces her to participate in an audition, and she is then invited by the director Bill Kerr to perform the lead female role. Later she finds the truth about the friendship of Julia. The broken-hearted Lena finds that Kostas has just married, and she dates the model of her drawing class. Bridget finds letters addressed to her from her grandmother that her father ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Lena is in bed in Greece, the lighting on her face changes inconsistently between shots. From some camera angles, the light is coming from her left; from others, it is coming from her right; in at least one, there is light on both sides. See more »
[having just fallen off a donkey]
Awww, that's gonna leave a mark...
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In the first adaptation of Ann Brashares's famous novel series, soap-opera clichés and predictable story lines were defeated by the sheer charm of the characters and their relationships with one another. And whereas that film dealt with the transition to womanhood and celebrating feminine diversity, the sequel fits our young heroines into contrived, "after-school" special story lines that end exactly the way you'd expect them to. The first film is by no means a masterpiece, but there was a genuine sense that these characters were real and thus we could relate to their plights.
There are some moments in the sequel that shine, most of them occurring when the four titular characters are together, but so much time is spent on filler plots and unnecessary contrivances that the film simply gets old too quickly. Alexis Bledel and Blake Lively don't do much to make their characters any more believable or human; they have no personality and thus their individual story lines are rendered even weaker. Amber Tamblyn and America Ferrera do the opposite, and bring their characters to life, against the odds of the mediocre script. There's also some impressive input from supporting performances, such as the great Blythe Danner and the heartfelt Shohreh Aghdashloo. All in all, a disappointment considering the first film, but still a somewhat worthy escape with four friends who, in the end, above all things, value one another more than anything else in the world.
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