Two young rebellious scientists are told by their employers to halt groundbreaking work that has seen them produce new creatures with medical benefits by splicing together multiple organisms' DNA. They decide to secretly continue their work, but this time splicing in human DNA. Written by
Those really are Delphine Chanéac's eyes in her performance as adult Dren. The space between her eyes was digitally widened to create this odd effect. See more »
When Ginger and Fred meet in the case at the shareholders' meeting, they began to hiss and protract their claws and fangs. From behind, Ginger's fang is already out, and Fred begins to push his out. In the next shot, Ginger pushes her fang out for the first time. See more »
[techno music playing]
This retarded, fascist, über music is the fuckin' problem. It's got us thinking in circles.
[turns on jazz music]
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The cast credits and finally the title are scattered throughout the opening credits, instead of appearing consecutively. See more »
Splice centres on two renowned young scientists (Adrien Brody and Sarah Polley) that are quasi-famous for successfully creating a new species of animal, a species with enormous pharmaceutical industry potential in the form of an ability to secrete profitable proteins. Despite a refusal by their company bosses to approve the next stage of the project, or anything that tampers with human DNA, their ambitions lead them to create a human-animal hybrid by combining human genes with those of the created species. This in turn leads to the creation of a new entity they name Dren, which they raise and attempt to study as a personal project concealed from their employers and colleagues.
The story becomes highly engrossing as we follow the creature's development alongside that of the two scientists, who are in a relationship that becomes increasingly strained by a series of ethical and logistical dilemmas. The two central performances are well-judged, but the real star is Dren; or the CGI responsible for her creation, which is always convincing and solid at all stages of the creature's evolution. Vincenzo Natali's visually intense direction is also worth mentioning, and he clearly enjoys playing with a generous budget as compared with his previous features like Cube.
This is, however, no modern masterpiece the plot becomes predictable and contrived in the final third, the minor characters are little more than stereotypes (lax young brother, venal bosses) and the comedic elements of the film don't always sit comfortably with the horror aspects (there is, however, a notable exception in a hilarious scene towards the end). But these drawbacks are outweighed by the plus points, which makes Splice an enjoyable experience overall.
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