| Val Kilmer | ... | John Cologne | |
| Bobb'e J. Thompson | ... | Antoine | |
| Richard Edson | ... | Manny | |
| Marg Helgenberger | ... | Alice | |
| Ivana Milicevic | ... | Cheryl | |
| Lobo Sebastian | ... | Jimmy Espinosa | |
| Michael Muhney | ... | Detective Daniels | |
| Sean Blakemore | ... | Officer Walters | |
| Wilmer Valderrama | ... | Max | |
| Ashley Johnson | ... | Alana | |
| Mark Kelly | ... | Leonard | |
| Miles Platt | ... | Edward | |
| Jack McGee | ... | Paul | |
| Courtney Thomas | ... | Woman | |
| Shelley Malil | ... | Babul | |
| Dot Jones | ... | Cop #1 (as Dot-Marie Jones) | |
| Wilson Tai | ... | Tech Cop (as Wilson W. Tai) | |
| Larrs Jackson | ... | Executive Man | |
| Melissa R. Bacelar | ... | Cute Girl in Park (as Melissa Bacelar) | |
| Rick Avery | ... | Driver | |
| Bryan Hanna | ... | Jake | |
| David Winston Barge | ... | Detective | |
| rest of cast listed alphabetically: | |||
| Sadey Paige Nifong | ... | Kid in the Park | |
| Tayelor Nifong | ... | Parade Kid | |
| Marie Antoinette | ... | Woman (uncredited) | |
| Rocco Passafaro | ... | Freddie (uncredited) | |
| Marc Schaffer | ... | Garbage Truck Driver (uncredited) | |
| John H. Tobin | ... | Viola Player (uncredited) | |
| Eric Thomas Wilson | ... | Cop #2 (uncredited) | |
Directed by | |||
| Charles Burmeister | |||
Writing credits(in alphabetical order) | ||
| Charles Burmeister | written by | |
Produced by | |||
| Eric Amadio | .... | executive producer | |
| Evan Astrowsky | .... | producer | |
| Dana Brunetti | .... | producer | |
| Simon Fawcett | .... | executive producer | |
| Bruce Wayne Gillies | .... | line producer | |
| Ewa Jakubas | .... | producer | |
| Val Kilmer | .... | producer | |
| Donald Kushner | .... | executive producer | |
| Bert Marcus | .... | executive producer | |
| Joseph Merhi | .... | executive producer | |
| Jack Nasser | .... | executive producer | |
| Wojtek Palys | .... | executive producer | |
| Elie Samaha | .... | executive producer | |
| Kevin Spacey | .... | producer | |
| Jonathan Yudis | .... | executive producer | |
Original Music by | |||
| Michael A. Levine | |||
Cinematography by | |||
| Julio Macat | |||
Film Editing by | |||
| Jake Pushinsky | |||
Casting by | |||
| Chadwick Struck | |||
Production Design by | |||
| Linda Burton | |||
Art Direction by | |||
| Christopher M. Ridino | (as Chris Ridino) | ||
Costume Design by | |||
| Johanna Argan | |||
Makeup Department | |||
| David Atherton | .... | makeup artist: Val Kilmer | |
| David Atherton | .... | makeup department head | |
| Yuko T. Koach | .... | assistant makeup artist (as Yuko Tokunaga) | |
| Peter Montagna | .... | key makeup artist | |
| Traci E. Smithe | .... | key hair stylist | |
Production Management | |||
| Jeff Carlson | .... | unit production manager | |
| Dureyshevar | .... | post-production supervisor | |
| Charlie Talbert | .... | production supervisor | |
Art Department | |||
| Alona P. Acerden | .... | greensman | |
| Anthony A. Altomare | .... | assistant art director | |
| Tom Brainard | .... | art department coordinator | |
| Carrie Brody | .... | laborer | |
| Christopher Cuneo | .... | propmaker gang boss | |
| Steve Dennis | .... | scenic painter | |
| Nicolas Locke | .... | assistant art director | |
| Jimmy Martinez | .... | laborer | |
| Jake Nelson | .... | storyboard artist | |
| Scott Nifong | .... | property master | |
| Carl Nunez | .... | greens foreman | |
| Ronnie Rose | .... | labor foreman | |
| Palmer Schallon | .... | carpenter | |
| Steven Sutphen | .... | assistant property master | |
| William Sutphen | .... | set dresser | |
| Bill Thompson | .... | propmaker | |
| Taylor Thompson | .... | set dresser | |
| Maria Vargas | .... | labor foreman | |
| Phillip Vargas | .... | laborer | |
| Maret Wicken | .... | painter gangboss | |
| Roy T. Wood | .... | carpenter | |
Sound Department | |||
| Willy Allen | .... | adr editor | |
| Willy Allen | .... | dialogue supervisor | |
| Jason Brennan | .... | sound re-recording mixer | |
| Jeremy Gray | .... | studio engineer | |
| Ian Michael Griffith | .... | post sound coordinator | |
| Patrick M. Griffith | .... | supervising sound editor | |
| Greg Jefferson | .... | adr mixer | |
| Greg Jefferson | .... | adr recordist | |
| Anthony Krajchir | .... | sound engineer | |
| Steve McCarty | .... | sound effects editor | |
| Sharon Michaels | .... | walla group coordinator | |
| Steve Morantz | .... | sound mixer | |
| Joe Origlieri | .... | additional sound recordist | |
| Thomas Popp | .... | sound utility | |
| Santiago Recio | .... | sound re-recording mixer | |
| Sergio Reyes | .... | sound re-recording mixer | |
| Cathleen Rowland | .... | foley artist | |
| Cathleen Rowland | .... | foley editor | |
| Galen L. Senogles | .... | foley artist | |
| Galen L. Senogles | .... | foley editor | |
| Greg Townsend | .... | sound engineer | |
| Shannan Vergow | .... | sound consultant: Dolby | |
| Aaron Wallace | .... | boom operator | |
Special Effects by | |||
| John C. Hartigan | .... | special effects coordinator | |
| Zak Knight | .... | special effects foreman | |
| Steve Newquist | .... | pyrotechnician | |
Visual Effects by | |||
| O.T. Hight | .... | inferno artist | |
Stunts | |||
| Rick Avery | .... | stunt performer | |
| Chuck Borden | .... | stunt coordinator | |
| Ben Bray | .... | stunts | |
| Art Camacho | .... | stunts | |
| Steve Hart | .... | stunts | |
| Cole McCay | .... | stunts | |
| Thomas Rosales Jr. | .... | stunts (as Tommy Rosales) | |
| Marc Schaffer | .... | stunt double | |
Costume and Wardrobe Department | |||
| Michele Flynn | .... | key wardrobe supervisor | |
| Corrine Larson | .... | set costumer | |
| Tim Wilson | .... | costumer | |
Editorial Department | |||
| Christopher Currall | .... | on-line editor | |
| Fred Eldridge | .... | final colorist | |
| David Kern | .... | additional editor | |
| Joi McMillon | .... | first assistant editor | |
| Barry Murphy | .... | additional editor | |
| Chris Van Duyn | .... | post-production coordinator | |
| Christine Wilcock | .... | post-production coordinator | |
Music Department | |||
| Peter G. Adams | .... | composer: additional music | |
| Peter G. Adams | .... | music arranger | |
| Scott Bruzenak | .... | composer: additional music | |
| John DeBorde | .... | music arranger | |
| Nima Fakhrara | .... | assistant to composer (as Nima) | |
| The LA Strings | .... | musician: strings | |
| Ryan Leach | .... | composer: additional music | |
| Ryan Leach | .... | music editor | |
| Daniel Lessner | .... | composer: additional music | |
| William Richter | .... | composer: additional music | |
| Michael Teoli | .... | music assistant | |
Transportation Department | |||
| Corey Askins | .... | transportation coordinator | |
| Eli Lozano | .... | driver | |
| Greg Taylor | .... | transportation captain | |
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| Takers | The A-Team | 15 Minutes | The Fugitive | Mystic River |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
OK, I am not personally sure that Val Kilmer is a jerk, but John Frankenheimer, who directed him in The Island of Dr. Moreau, said about him: "...I will never work with Val Kilmer again. There isn't enough money in the world." He also said: "Will Rogers never met Val Kilmer." No doubt this refers to Rogers saying he never met a man he didn't like. A giant studio and a good director can minimize the effect of a prima donna narcissist on the movie itself. But when Val runs the show you get a mess like this. Don't think this was some artistic genius film ruined by the distributors. Val did with this what he probably tried to do with Island... make the entire movie all about Val with Val in every scene. Like a giant TJ Hooker episode, where Shatner could dictate that he appear in 90% of the scenes. Great narcissists make crappy movies. That's why the studio tried to add action scenes as the last resort, to save this mess. You can see the original movie in there-- and it sucks even worse than the action re-cut. So don't expect another Tombstone, this is either going to be boring drama drivel or incoherent action drivel, depending on which cut you see. Like all truly dreadful movies, it is fractal. The badness scales from the grandest story arc to the tiniest detail and everything in between. Everybody was phoning in their performance, no pun intended to the story line. You can almost hear them grinding their teeth waiting to get this turkey over with, and that is everyone from the director to the sound-man to the janitor to the intern getting the donuts.