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The story of Harvey Milk, and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official.

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2,119 ( 139)
Won 2 Oscars. Another 57 wins & 137 nominations. See more awards »

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Cast

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John Briggs
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David Goodstein (as Zvi Howard Rosenman)
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Storyline

Using flashbacks from a statement recorded late in life and archival footage for atmosphere, this film traces Harvey Milk's career from his 40th birthday to his death. He leaves the closet and New York, opens a camera shop that becomes the salon for San Francisco's growing gay community, and organizes gays' purchasing power to build political alliances. He runs for office with lover Scott Smith as his campaign manager. Victory finally comes on the same day Dan White wins in the city's conservative district. The rest of the film sketches Milk's relationship with White and the 1978 fight against a statewide initiative to bar gays and their supporters from public school jobs. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Never blend in See more »


Motion Picture Rating (MPAA)

Rated R for language, some sexual content and brief violence | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

30 January 2009 (USA)  »

Also Known As:

Untitled Harvey Milk Project  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$1,453,844 (USA) (28 November 2008)

Gross:

$31,838,002 (USA) (10 April 2009)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During a July 2008 interview with the Orange County Register about Pineapple Express (2008), the interviewer told Seth Rogen and James Franco that he prepared for the interview by watching the classic stoner comedy Fast Times at Ridgemont High (1982) the night before. When he asked Rogen and Franco if they prepared likewise before making Pineapple Express, Franco said he prepared by making out with Spicoli (a reference to his having shot Milk (2008), in which he and Sean Penn play lovers). See more »

Goofs

Scott swims underwater in David Goodstein's pool. In the next shot, his head is out of the water, but his frizzy hair is dry. See more »

Quotes

Dan White: [extremely drunk, to Jack Lira] Whatever! I don't even know who you are, you just showed up out of nowhere, Latino man.
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Connections

Referenced in Mike & Mike: Episode dated 26 February 2016 (2016) See more »

Soundtracks

Everyday People
Written by Sly Stone (as Sylvester Stewart)
Performed by Sly and the Family Stone (as Sly & the Family Stone)
Courtesy of Epic Records
By Arrangement with Sony BMG Music Entertainment
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Frequently Asked Questions

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User Reviews

Everything comes together in this one
18 November 2008 | by (United States) – See all my reviews

Let's get one thing out of the way. Is it entertaining? And how! Sean Penn's best performance to date – Oscar quality; Emile Hirsch riotously perfect (best "supporting?"); James Franco heartbreaking; Diego Luna, devastating; Josh Brolin, flawless. Not one false note in any of the actors – a very complicated story unfolds with absolute clarity. I will be seeing this one again just for the screenplay. I was very gratified that no attempt is made to be "delicate" about Harvey Milk's personality, either his sex life or his out-sized ego, which perhaps ironically for some, makes him all the more heroic. The finest "political" film I think I've ever seen. It does more than dramatize a strong true story, it captures convincingly the truth about a whole political movement. (One that's as freshly active as today's headlines: Prop 6 or Prop 8 — does it ever end?) There is an ease and familiarity to the "scene" — to the historical period and place — with very few, small anachronisms, as far as I could tell. This is also the most assured work of Gus Van Sant, a genuine film artist, who here delivers a complete drama with real visual style and brazen wit. The blending of documentary footage is the most seamless I can remember seeing anywhere. The crowd scenes are remarkable, and all of the location shooting miraculously right. For a couple of fast, fast hours, I felt as though I had spent a couple of days — hilarious, intense, inspiring days — immersed in 1970s San Francisco. This movie does what all movies should do. See it.


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