In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Using flashbacks from a statement recorded late in life and archival footage for atmosphere, this film traces Harvey Milk's career from his 40th birthday to his death. He leaves the closet and New York, opens a camera shop that becomes the salon for San Francisco's growing gay community, and organizes gays' purchasing power to build political alliances. He runs for office with lover Scott Smith as his campaign manager. Victory finally comes on the same day Dan White wins in the city's conservative district. The rest of the film sketches Milk's relationship with White and the 1978 fight against a statewide initiative to bar gays and their supporters from public school jobs. Written by
The apartment that was used in the film is the real apartment Harvey Milk lived in on the Lower Haight in San Francisco. See more »
When Harvey Milk moves from New York City to San Francisco, a shot of Highway 280 shows modern freeway signs (bright green, with exit numbers) instead of the 1970s versions (darker green, no exit numbers). See more »
[to Cleve Jones]
You're going to meet the most extraordinary men, the sexiest, brightest, funniest men, and you're going to fall in love with so many of them, and you won't know until the end of your life who your greatest friends were or your greatest love was.
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I never vibrated together with Van Sant, but this time I must say he convinced me.
The main merit of "Milk" is that it conveys A MORAL PRINCIPLE - in an extraordinarily powerful, and stylish too, way. Or, as it's also stated: "What matters is the fight, more than the outcome!" The script, very dense and well organized, follows the fastidious steps of building up a message, at the same time respecting the ingrate historic chronology - the perpetual dilemma of the docudrama. All around this structure, the direction skilfully grows-up the flesh of the human content, social layers and ethical matters. It turns out a definite lesson of movie-making, for all to see and learn.
I should also add that my country, Romania, is just passing through the historical stage that "Milk" is depicting: pushing homophobia into obsolescence and reaching normality. As such, initially our rating commission came with a positively ludicrous decision: banning "Milk" for the 18- audiences, because (hear this, as a pearl of idiocy!) "It makes propaganda for a certain sexual orientation!" I gave them a piece of my mind, in my own review, pointing out that the movie only MAKES PROPAGANDA FOR MORALS, so it should be recommended to ALL AGES AUDIENCES, no matter how young! In the end, after an official complain, they relented and lowered the rating to "not recommended to under-15". Still silly, but one can't have it all, can we? Thank God, audiences who don't care about this movie will ignore it, and those who do, will see it nonetheless. And become better human beings.
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