In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Using flashbacks from a statement recorded late in life and archival footage for atmosphere, this film traces Harvey Milk's career from his 40th birthday to his death. He leaves the closet and New York, opens a camera shop that becomes the salon for San Francisco's growing gay community, and organizes gays' purchasing power to build political alliances. He runs for office with lover Scott Smith as his campaign manager. Victory finally comes on the same day Dan White wins in the city's conservative district. The rest of the film sketches Milk's relationship with White and the 1978 fight against a statewide initiative to bar gays and their supporters from public school jobs. Written by
The last public appearance of Harvey Milk's life, two days before he was killed, was attending a San Francisco Opera performance of Puccini's opera "Tosca" featuring the legendary Italian soprano Magda Olivero, on Saturday, November 25th, 1978. Not only is this event depicted in the movie, but it was in honor of that appearance that the filmmakers chose to use "Tosca" for all the operatic music heard in the film. See more »
When Harvey Milk, Jack Lira, and a group of people stroll down Polk Street in the San Francisco Civic Center, the Civic Center Courthouse building is in the left background. In 1978, the San Francisco Superior Court was on the fourth floor of City Hall. The Civic Center Courthouse, designed by Hood Miller Associates and Ross Drulis Architects, was built in late 1997. See more »
Gus Van Sant's talent and humility allows Harvey Milk to be a the center of this remarkable story without putting himself in front of the camera. Sean Penn shines with a new and extraordinary light as Harvey Milk. His humanity is overwhelming at times. That permanent smile defining his face talks volumes about his faith in people, no matter what. His awareness is filled with truth and innocence, he worries he's about to be 40 and hasn't accomplished anything. Little did he know.The film is constructed brilliantly in a series of vignettes that builds up into a whole fluid narrative. Josh Brolin, as the disturbed Dan White is another standout in a complex and remarkable performance. No cheap shots here. Diego Luna, Joseph Cross and Emile Hirsch are also terrific as the boys around Harvey but it is James Franco who truly gets under your skin. His romantic turn is one of the most compelling gay love stories I've ever seen (and I've seen Brokeback Mountain). Highly recommended!
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