| Videos (see all 5) |
Directed by | |||
| Glen Pitre | |||
Writing credits | ||
| Chuck Walker | (screenplay) | |
| Glen Pitre | writer | |
| Chuck Walker | writer | |
Produced by | |||
| Michelle Benoit | .... | co-producer | |
| Stephen Bowen | .... | executive producer | |
| Eric Braeden | .... | executive producer | |
| Gudegast Braeden | .... | executive producer | |
| Sam Cable | .... | producer | |
| John Castellanos | .... | producer | |
| Ra-Ana Gilani | .... | associate producer | |
| Yankie Grant | .... | associate producer | |
| Duke Meek | .... | assistant producer | |
| Chuck Walker | .... | producer | |
| Chuck Walker | .... | producer | |
Original Music by | |||
| Phil Marshall | |||
Cinematography by | |||
| Stoeps Langensteiner | |||
Film Editing by | |||
| Matthew Booth | |||
| Simon Carmody | |||
Casting by | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Karl Meek | |||
Art Direction by | |||
| James Wiley Fowler | (as James Fowler) | ||
| Karl Meek | |||
Set Decoration by | |||
| James Wiley Fowler | (as James Fowler) | ||
Costume Design by | |||
| Rona Lamont | |||
Makeup Department | |||
| Annie Cole | .... | assistant makeup artist | |
| Abiiba S. Howell | .... | co-key makeup artist: Mr. Kennedy, Ms. Alt, Ms. O'Dell, Ms. Young | |
| Abiiba S. Howell | .... | special makeup effects artist: Ms. Young | |
| Linda Kunkle | .... | key hair stylist | |
| Linda Kunkle | .... | key makeup artist | |
| Cindy Turpin | .... | assistant makeup artist: Brackettville | |
Production Management | |||
| Kim Barnard | .... | assistant production manager | |
| Christopher Gosch | .... | post-production supervisor | |
| Rogina | .... | post-production supervisor | |
| Bea Rouse | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kim Barnard | .... | key second assistant director | |
| Mike Barnard | .... | second second assistant director | |
| Simon Carmody | .... | second unit director | |
| Ra-Ana Gilani | .... | first assistant director | |
| Failey Griffin | .... | second assistant director | |
| Crystal Martinez | .... | second second assistant director: Fernland | |
Art Department | |||
| Toby Lister | .... | property manager | |
| Cookie Mann | .... | property manager | |
| Cookie Mann | .... | set designer | |
| Roland Rottweiler | .... | construction supervisor | |
Sound Department | |||
| Mark Allen | .... | sound editor | |
| John-Thomas Graves | .... | sound effects editor | |
| John-Thomas Graves | .... | sound re-recording mixer | |
| Trevor Jolly | .... | sound supervisor | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Donald Lyles | .... | adr mixer | |
| Donald Lyles | .... | sound re-recording mixer | |
| Joey McKeel | .... | boom operator | |
| Peter Nubile | .... | sound mixer | |
| Jeffrey A. Pitts | .... | sound editor | |
| Jeffrey A. Pitts | .... | sound effects editor | |
Special Effects by | |||
| Bonnie McFerrin | .... | special effects makeup | |
| Carlos Savant | .... | special effects: Fernland | |
Visual Effects by | |||
| Robert S. Douglas | .... | digital intermediate colorist | |
| Thom Obarski | .... | title animation | |
| Thom Obarski | .... | visual effects | |
Stunts | |||
| Mike Barnard | .... | stunt double | |
| Thomas E. Bentley | .... | stunt player | |
| Jackson Burns | .... | assistant stunt coordinator | |
| Jackson Burns | .... | stunt double: George Kennedy | |
| Larry Hinsley | .... | stunt performer | |
| Michael Ortiz | .... | stunts (as Mike Ortiz) | |
| Roland Rottweiler | .... | stunt performer | |
| Jody Stelzig | .... | stunt double: Mr. Braeden | |
| Dick Ziker | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Simon Carmody | .... | camera operator: second unit | |
| Christopher Ciborowski | .... | first assistant camera: "b" camera | |
| Greg Corner | .... | camera utility | |
| Raul A. Erivez | .... | second assistant camera: "b" camera, Texas | |
| Grant 'Gator' Fratt | .... | grip | |
| Heather Leigh Jackson | .... | still photographer | |
| Janet Jensen | .... | gaffer | |
| Travis Kerschen | .... | electrician | |
| Matthias Koenigswieser | .... | camera operator: "b" camera | |
| Gerard Martin | .... | additional second assistant camera | |
| Jeremy McLaughlin | .... | grip | |
| Ian Quigley | .... | best boy electric | |
| Andrew Redd | .... | first assistant camera: "a" camera | |
| Chase Rees | .... | first assistant camera: "c" camera | |
| Andre Rivera | .... | second assistant camera | |
| Keith Smith | .... | grip | |
| Elizabeth Ann Stein | .... | grip | |
| Pat Waugh | .... | key grip | |
Casting Department | |||
| Dean E. Fronk | .... | casting: California | |
| Yankie Grant | .... | casting: Texas | |
| Eddie Jaszek | .... | casting assistant | |
| Rose Jenkins | .... | extras casting assistant: Brackettville | |
| Linda K. Nelson | .... | extras casting assistant: Brackettville, TX | |
| Keenan Urnick | .... | extras casting assistant: Montgomery | |
Costume and Wardrobe Department | |||
| Karen Beall | .... | costumer | |
| Robyn Daniels | .... | costumer | |
| Claudia Hollern | .... | set costumer | |
| Barbara Kocurek | .... | costumer | |
| Keely Kuykendall | .... | costumer | |
| Taylor Rierden | .... | key costumer | |
| Kathleen Rottweiler | .... | assistant costume designer | |
| Kathleen Rottweiller | .... | assistant costume designer | |
| Jennifer Schossow | .... | costume supervisor | |
| Cheryl G. Smith | .... | set costumer | |
| Mirin Soliz | .... | costumer | |
| Mirin Soliz | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| Najmah Brown | .... | post-production coordinator | |
| Zack Cohen | .... | assistant editor | |
| Thom Obarski | .... | assistant colorist | |
| Thom Obarski | .... | on-line editor | |
| Drew Stubbs | .... | assistant editor | |
Music Department | |||
| Daniel James Chan | .... | composer: additional music | |
| Erik Janson | .... | composer: end title | |
| Erik Janson | .... | composer: main title | |
| Erik Janson | .... | music coordinator | |
| Erik Janson | .... | original songs | |
| Roger Julià | .... | composer: additional music | |
| Mor Mezrich | .... | engineer | |
| Bill Pearson | .... | score engineer | |
Transportation Department | |||
| Marty D. Evensvold | .... | driver | |
| Mark Hayter | .... | driver | |
| Tim Holt | .... | wardrobe driver: Brackettville | |
| Buddy Howard | .... | driver | |
| Buddy Howard | .... | transportation | |
| Jerry Orton | .... | driver | |
| Colby Pacey | .... | driver | |
| James Wark | .... | driver | |
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| Fellini Satyricon | Appaloosa | Jimmy and Judy | Aftershock: Beyond the Civil War | There Was a Crooked Man... |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I'm embarrassed to admit that I even rented this film, though I could not bear to watch it. As the crappy after effects title revealed itself at about 5 frames per second over the first shot of the film I said to the girl next to me, "Uh oh. That's not a good sign." I am torn with whether or not to dignify this movie with the designation "film," as it appears to have been shot with a 1998 prosumer video camera.
Poor, poor Billy Zane. I feel bad for everyone in this film actually. The acting, from the few scenes that I watched, looked as though it might have been okay. It's hard to tell when the only mic used seemed to be the one that came mounted on the camera.
I really wonder what it cost to produce this movie. I was fooled because the cover art of the DVD looked pretty good. Why does Hollywood video even stock this thing? There should be a warning next to it. "This movie was shot with a video camera!"