Two teen witches who were separated at birth and were adopted by two different families meet on their 21st birthday and must use their powers to save the world in which they were born, where their birth mother still lives.
Mitchie can't wait to return to camp rock so that she and love-interest Shane can spend the summer making music and having fun with their friends and band mates. But when a rival camp, Camp... See full summary »
After using their powers to battle the forces of darkness, the sisters settle down to lead normal lives. However, the discovery that their biological father may not be dead, but residing in New York, causes confusion for the pair.
At a music camp for gifted teens, a popular teen idol overhears a girl singing and sets out to find who the talented voice belongs to. What he doesn't know is that the girl is actually a camp kitchen worker with a fear of being heard.
Teenager Brittany is bored with her quiet suburban life. She finds excitement when her phone is switched with the phone of Jordan Cahill. Jordan, only the top teen pop singer, has come to her town to make a music video.
Savage Steve Holland
In this "trequel" to The Cheetah Girls, Chanel, Dorinda, and Aqua, are off to India to star in a Bollywood movie. But when there they discover that they will have to compete against each other to get the role in the movie. Will the Cheetah's break up again? This film stars the basic cast from The Cheetah Girls 2, excluding Raven-Symone's character Galleria Garibaldi. Written by
This is the first of the Cheetah Girls movies that Raven-Symoné does not star in. She didn't tour with the Cheetah's in 2006-2007 in their "The Party's Just Begun Tour" and is not featured in their first non-soundtrack album, released in 2007. The absence of her character, Galleria Garibaldi, is explained as her being attending University of Cambridge in England. See more »
While singing Dig a Little Deeper, Aqua's shirt switches from one shoulder to the other. See more »
Who would ever think that a girl from New York would be in this beautiful hotel room next to the Indian Ocean?
Pardon me for ever cracking open a guidebook.
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I watched the newest Cheetah Girls movie for one reason only: to see what kind of respect it paid to the Bollywood movie industry and the great Bollywood musicals that have been produced over the years, given that the plot of the movie has to do with the Cheetah Girls leaving the U.S. to star in a Bollywood movie musical being produced in Bombay (Mumbai), home of the world's largest movie industry. This was a rare opportunity to acquaint the Disney Channel audience with a phenomenon that most of them know nothing about. I was hoping the film would include at least one bonafide Bollywood musical number, sung in Hindi and danced by teams of Indian dancers, male and female. Barring that, I was hoping they'd include at least one scene showing the Cheetah Girls watching an actual Bollywood movie, giving the producers the chance to include at least a 30-second clip from a genuine Bollywood musical number, just so the audience could see what a Bollywood production looked and sounded like and get an understanding of the genre's immense popularity in other parts of the world and why exactly the three young heroines would even bother making such a trip.
Sadly, that wasn't to be. There were no Bollywood numbers in this film. Every song in the film was standard Disney Channel teen pop and they all sounded alike. Granted, two of the songs, "Dance Me if You Can" and "One World," include Bollywood elements in the choreography, and "One World," the big finale, includes significant Indian cultural elements in the production design, so I suppose you can say the audience got a whiff of Bollywood, if not exactly a taste. Still, the accompanying songs were standard Cheetah Girl material and sounded nothing like any songs you'd hear on a Bollywood soundtrack. It wasn't enough to suit me and it strikes me as a wasted opportunity. It's okay, I guess, to celebrate "One World," as long as it's the Disney Channel that's calling the shots.
For those fans who've seen this movie and are curious to follow up and see some actual Bollywood musicals, I'd urge you to look up the films of Aishwarya Rai. For starters, I'd recommend TAAL (1999), MOHABBATEIN (2000), and DEVDAS (2002). Perhaps other Bollywood fans here can give additional recommendations.
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