| Ashley Judd | ... | Helen | |
| Goran Visnjic | ... | David | |
| Lauren Lee Smith | ... | Mathilda | |
| Alexia Fast | ... | Julie | |
| Alberta Watson | ... | Dr. Sherman | |
| David Nykl | ... | John | |
| David Hewlett | ... | Frank | |
| Leah Cairns | ... | Susanna | |
| Ali Liebert | ... | Donna | |
| rest of cast listed alphabetically: | |||
| Grace Bauer | ... | Store Employee | |
| Chaz Chamberlain | ... | Man | |
| Jonathan Holmes | ... | Thief | |
| Chelah Horsdal | ... | Kara | |
| Julia Keilty | ... | Psych Nurse #1 | |
| Robin Nielsen | ... | Young Man | |
| Sunita Prasad | |||
| David Quinlan | ... | Dan | |
| Mylene Robic | ... | Psych Nurse #2 | |
| Veena Sood | ... | Defense Attorney | |
| Malcolm Stewart | ... | Wilkins | |
| Ian Thompson | ... | Bus Driver | |
| Vanessa Burns | ... | Mother (uncredited) | |
Directed by | |||
| Sandra Nettelbeck | |||
Writing credits | ||
| Sandra Nettelbeck | (screenplay) | |
Original Music by | |||
| James Edward Barker | (supervising composer) | ||
| Tim Despic | |||
Cinematography by | |||
| Michael Bertl | |||
Film Editing by | |||
| Barry Egan | |||
| Christian Lonk | |||
Casting by | |||
| Pam Dixon | |||
| Jennifer Page | |||
Production Design by | |||
| Linda Del Rosario | |||
Art Direction by | |||
| Brian Kane | |||
Set Decoration by | |||
| Brian Kane | |||
Costume Design by | |||
| Bettina Helmi | |||
Makeup Department | |||
| Gitte Axen | .... | makeup artist: Ashley Judd | |
| Sarah Bergeest | .... | makeup artist | |
| Leeann Charette | .... | first assistant makeup artist | |
| Susanne Woerle-Jiritano | .... | key makeup artist | |
Production Management | |||
| Tia Buhl | .... | production manager | |
| Todd Giroux | .... | post-production manager | |
| Tina Mersmann | .... | post-production supervisor | |
Art Department | |||
| Peter Bien | .... | art department coordinator | |
| Jean Brophey | .... | on-set dresser | |
| Moni El Batrik | .... | on-set dresser | |
| Margo Kaczynska McKenzie | .... | paint coordinator | |
| Megan Poss | .... | set designer | |
| Patricia Schwaertzel | .... | first assistant props | |
| Elizabeth Shelton | .... | assistant art director | |
| John Wilcox | .... | co-paint coordinator | |
Sound Department | |||
| Alexander Buck | .... | dialogue editor | |
| Amy Giammarco | .... | post audio coordinator | |
| Tilman Hahn | .... | sound editor | |
| Chris Howland | .... | additional boom operator | |
| Robert Hunter | .... | walla mixer | |
| Stefan Korte | .... | sound re-recording mixer | |
| David Livingstone | .... | adr boom operator | |
| Christoph Oertel | .... | foley recordist | |
| Elda Pinckney | .... | post audio administrative assistant | |
| Laura Plock | .... | foley editor | |
| Carsten Richter | .... | foley artist | |
| Gordon Sproule | .... | adr mixer | |
| Alexander Vitt | .... | adr editor | |
| Guido Zettier | .... | sound designer | |
| Guido Zettier | .... | supervising sound editor | |
Special Effects by | |||
| Brant McIlroy | .... | special effects coordinator | |
| Martin Testa | .... | special effects first assistant | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital effects editor | |
| Matthias Albrecht | .... | digital film editor | |
| Christoph Benden | .... | digital compositor: RISE Visual Effects Berlin | |
| Markus Degen | .... | visual effects supervisor: RISE Visual Effects Berlin | |
| Andreas Helm | .... | film scanning | |
| Andrea Jakob | .... | film scanning | |
| Claudia Lechen | .... | digital compositor: RISE Visual Effects Berlin | |
| Thomas Lehmann | .... | digital effects artist | |
| Thomas Lehmann | .... | flame artist | |
| Krista Lomax | .... | digital effects artist | |
| Brian Moylan | .... | visual effects supervisor | |
| Sandor Nagy | .... | digital colourist | |
| Sven Pannicke | .... | visual effects producer: RISE Visual Effects Berlin | |
| Maik Strauch | .... | color timer | |
| Robert Tucker | .... | digital compositor: RISE Visual Effects Berlin | |
| Jonathan Weber | .... | digital compositor: RISE Visual Effects Berlin | |
Stunts | |||
| Janene Carleton | .... | stunt double: Ashley Judd | |
Camera and Electrical Department | |||
| Ed Araquel | .... | still photographer | |
| Adam Bunz | .... | best boy grip | |
| Damon J. Evans | .... | lighting technician | |
| Liane Hentscher | .... | still photographer | |
| David-Wesley Kyle | .... | second assistant camera: "a" camera (as David Wesley Kyle) | |
| Trevor Leyenhorst | .... | grip | |
| Harald Mellwig | .... | assistant camera | |
| Emmanuelle Rousseau | .... | assistant camera | |
| Gary Stamford | .... | set electrician | |
Costume and Wardrobe Department | |||
| Chrissie S. Armstrong | .... | costumer: preparation | |
| Nancy Duggan | .... | assistant costume designer | |
Editorial Department | |||
| Adam Locke-Norton | .... | additional editor | |
| Christian Lonk | .... | assembly editor | |
| Ursina Merkt | .... | post-production assistant | |
| Gabriela Schultze | .... | sales manager film lab | |
Music Department | |||
| James Edward Barker | .... | musician: piano, percussion | |
| James Edward Barker | .... | score producer | |
| Natasha Duprey | .... | music clearances | |
| Markus Glunz | .... | music editor | |
| Natalie Ann Holt | .... | additional composer | |
| James Loughrey | .... | music mixer | |
| Ian Neil | .... | music supervisor | |
Other crew | |||
| Dorothe Beinemeier | .... | production coordinator/assistant: Judy Tossell | |
| Ian Doig | .... | animal coordinator | |
| Annette Drees | .... | script supervisor | |
| Danny Ho | .... | video & computer playback supervisor | |
| Doug Kerr | .... | production assistant | |
| Alison Low | .... | assistant accountant | |
| Grace MacLeod | .... | animal trainer | |
| Claudia Morgado Escanilla | .... | additional script supervisor | |
| Crystal Remmey | .... | production coordinator | |
| Tracey Renyard | .... | location manager | |
| Devi Singh | .... | assistant: producer | |
| Marie-Louise Stares | .... | personal assistant: Director | |
| John T.L. Tang | .... | key production assistant | |
| Anah Teele | .... | personal assistant: Ashley Judd | |
| Haydn Wazelle | .... | assistant to producers | |
| Daniella Wells | .... | personal assistant: Ashley Judd | |
| Gero Brugmann | .... | legal advisor: financing (uncredited) | |
Thanks | |||
| Michael Schmid-Ospach | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Trailer (for real) | fefe07 |
| question | epritch7827 |
| Sounds interesting. | another_fan |
| David Hewlett? | betagirl23 |
| Goran Visnjic is not David Hewlett | fhutchison |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
From a purely clinical standpoint, a purist would likely find that there are number of stylized caricatures, stereotypical performances, and clichés even in this fictionalized family drama even though writer/director Sandra Nettleback undertook her own research into the terrible affliction of what she calls "suicidal depression," in what amounted to a ten year project. Inspired by an article written by a man with severe depression and the suicide of a personal friend of her's more than a decade ago, this movie still contains numerous overtures to the more mainstream viewpoint of mental illness. However, this somewhat long movie continues to build and reveal a depth toward mental illness and its complications leading toward a somewhat more traditional ending. There are some parallels to "Girl Interrupted" (1999), particularly with the relationship developed between the two women in that movie and this movie. The sound track in this movie is superb and really adds a special intimacy and richness to this movie along with nice musical tracks. It is surprisingly Lauren Lee Smith as Mathilda that provides the most intriguing and authentic performance, though Ashley Judd's performance as well as Gorin Visnjic's performance may have suffered a bit more from a script developed by an outsider's view of mental illness rather than their acting ability themselves. This movie taken by a non-professional however, does offer up some of the dramatic aspects of mental illness and refers to a treatment that has been rarely mentioned anymore in mainstream movies on the topic. Overall, this movie deserves wider distribution to the general public as it provides a layperson's look into an important medical issue as well as maintaining a compelling dramatic appeal sufficient to offer the general audience the satisfaction of having experienced a meaningful and worthwhile movie. - Screened at the Sundance Film Festival- Eight out of Ten Stars.