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Directed by | |||
| Danny Boyle | |||
| Loveleen Tandan | (co-director: India) | ||
Writing credits | ||
| Simon Beaufoy | (screenplay) | |
| Vikas Swarup | (novel "Q & A") | |
Produced by | |||
| Christian Colson | .... | producer | |
| François Ivernel | .... | co-executive producer | |
| Ivana Mackinnon | .... | associate producer | |
| Cameron McCracken | .... | co-executive producer | |
| Tabrez Noorani | .... | line producer | |
| Paul Ritchie | .... | co-producer | |
| Tessa Ross | .... | executive producer | |
| Paul Smith | .... | executive producer | |
Original Music by | |||
| A.R. Rahman | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Chris Dickens | |||
Casting by | |||
| Gail Stevens | |||
| Loveleen Tandan | |||
Production Design by | |||
| Mark Digby | |||
Art Direction by | |||
| Abhishek Redkar | |||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Suttirat Anne Larlarb | |||
Makeup Department | |||
| Virginia Holmes | .... | hair designer | |
| Virginia Holmes | .... | makeup designer | |
| Natasha Nischol | .... | hair designer | |
| Natasha Nischol | .... | makeup designer | |
Production Management | |||
| Rajeesh Dham | .... | assistant unit manager | |
| Lucie Graves | .... | post-production supervisor | |
| Sanjay Kumar | .... | unit production manager | |
| Pravesh Sahni | .... | production supervisor | |
| Chanpreet Singh | .... | assistant unit manager | |
| Jennifer Wynne | .... | production manager: UK | |
| Bill Daly | .... | post production executive: Warner Bros. (uncredited) | |
Second Unit Director or Assistant Director | |||
| Raj Acharya | .... | first assistant director | |
| Avani Batra | .... | second assistant director | |
| Shyam Kaushal | .... | action director (as Sham Kaushal) | |
| Yugandhar S. Narvekar | .... | third assistant director | |
| Sonia Nemawarkar | .... | second second assistant director | |
| Rohit Ved Prakash | .... | first assistant director: second unit | |
| Tanya Singh | .... | second assistant director: second unit | |
Art Department | |||
| Manoj N. Bhoyar | .... | assistant art director | |
| Sachin Dabhade | .... | property master | |
| Sushil Kumar Giri | .... | graphic designer | |
| Kathy Heaser | .... | graphic artist | |
| Praveen Kumar Hendway | .... | graphic designer | |
| Brendan Houghton | .... | storyboard artist | |
| Aditya Kanwar | .... | stand-by art director | |
| Srinivas Konda | .... | property master | |
| Wahid Shaikh | .... | assistant art director | |
| Andrew Tapper | .... | graphic designer | |
| Marc Knapton | .... | computer graphics (uncredited) | |
Special Effects by | |||
| Shivananda R. Mohili | .... | special effects supervisor (as Shivananda Mohili) | |
Visual Effects by | |||
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Stefan Ciupek | .... | digital camera supervisor | |
| James Cundill | .... | online editor | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Paddy Eason | .... | digital compositor: CIS London | |
| David Emeny | .... | digital compositor: CIS London | |
| Alec Feegrade | .... | film recording | |
| Adam Gascoyne | .... | visual effects supervisor | |
| Matthew Hangar | .... | software support | |
| Warwick Hewett | .... | assistant vfx producer: Rushes | |
| Simon Hughes | .... | compositor: CIS London | |
| Tom Kemplen | .... | visual effects editor | |
| Matthew Lawrence | .... | motion graphics | |
| Brad Le-Riche | .... | motion graphics | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Hugh Macdonald | .... | senior digital compositor: CIS London | |
| Collette Nunes | .... | visual effects editor: CIS London | |
| Roma O'Connor | .... | visual effects executive producer | |
| Jonathan Opgenhaffen | .... | matte painter: CIS London | |
| Jesse Parkhill | .... | digital compositor | |
| Matthew Redding | .... | visual effects artist: DEAD | |
| Becky Roberts | .... | visual effects producer | |
| David Wahlberg | .... | digital compositor: CIS London | |
| Shamsher Walia | .... | second telecine colorist: Pixion | |
| Pat Wintersgill | .... | on-line editor | |
Casting Department | |||
| Kelly Valentine Hendry | .... | casting associate | |
| Swapnil Kore | .... | casting assistant | |
| Rhea Lawyer | .... | casting assistant | |
| Tom Reed | .... | casting assistant | |
| Meredith Tucker | .... | additional casting: North America (uncredited) | |
Costume and Wardrobe Department | |||
| Riyaz Ali Merchant | .... | assistant costume designer | |
Editorial Department | |||
| Udayan Baijal | .... | assistant editor | |
| Matthew Bristowe | .... | digital intermediate supervisor | |
| Paul Byrne | .... | dailies supervisor | |
| Celia Haining | .... | assembly editor | |
| Tom Kemplen | .... | second assistant editor | |
| Jaime Leonard | .... | on-line editor | |
| Begoña Lopez | .... | digital intermediate supervisor | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Vivek Pratap | .... | assembly editor | |
| Catriona Richardson | .... | first assistant editor | |
| Ejaz Shalkh | .... | first assistant editor | |
| Prashant Sharma | .... | telecine dailies colorist | |
| Anuradha Singh | .... | assembly editor | |
| Jean-Clement Soret | .... | colorist | |
Music Department | |||
| Niv Adiri | .... | music editor | |
| Gulzar | .... | lyricist | |
| Noel James | .... | music coordinator | |
| Pravin Mani | .... | arrangement & programming | |
| Aditya Modi | .... | music engineer | |
| Simon Mortimer | .... | music associate | |
| Srinivas Murthy | .... | music assistant (as Srinivasa Murty) | |
| Srinivas Murthy | .... | vocal supervisor (as Srinivasa Murty) | |
| A.R. Rahman | .... | music producer | |
| Andy Richards | .... | original score mixer | |
| Tanvi Shah | .... | playback singer | |
| H. Sridhar | .... | music engineer | |
| Viviane | .... | music engineer | |
Transportation Department | |||
| Bhawani Singh | .... | transportation manager (uncredited) | |
Other crew | |||
| Nazar Abbas | .... | director: behind-the-scenes | |
| Maxima Basu | .... | assistant: director | |
| Paresh Behera | .... | production accountant | |
| Thom Berryman | .... | media transfer engineer | |
| Aarti Bhatia | .... | production coordinator: Mumbai | |
| Neil Calder | .... | completion guarantor: Film Finances Inc. | |
| Stefan Ciupek | .... | post production consultant | |
| Tonia Cohen | .... | script clearance | |
| Matt Curtis | .... | title designer | |
| Monal Dutia | .... | film courier | |
| Navit Dutt | .... | location manager | |
| Gaia Elkington | .... | assistant to Danny Boyle and Christian Colson | |
| Ollie Gatehouse | .... | post production assistant | |
| Juliette Howell | .... | script editor | |
| Deepak Jaitely | .... | production accountant | |
| Polly Johnsen | .... | studio executive (uncredited) | |
| Sam Lavender | .... | developmental editor: Film4 | |
| Diarmuid McKeown | .... | production executive | |
| Tushaar Mehra | .... | technical consultant | |
| Tariq Mirza | .... | production legal | |
| Debbie Moore | .... | finance controller | |
| Chirag Nihalani | .... | key production assistant | |
| George Pank | .... | business affairs: Pathe | |
| Raakesh Parekh | .... | tech support head: Pixion | |
| Gyanendra Pratap | .... | media management | |
| Rajesh Rajilal | .... | production assistant | |
| Neil Sadwelkar | .... | technology manager: Pixion | |
| Diraj Sarode | .... | assistant business manager: Pixion | |
| Nuvendra Singh | .... | script supervisor (as Nikki) | |
| Nuvendra Singh | .... | script supervisor | |
| Rakesh Singh | .... | production coordinator | |
| Asheet Thakur | .... | business manager: Pixion | |
| Ian Thomson | .... | publicist | |
| Vishal Tyagi | .... | armorer | |
| Helen Varty | .... | assistant: Tessa Ross | |
| Longiness Fernandes | .... | choreographer: "Jai Ho" dance sequence (uncredited) | |
| Mahendra Singh | .... | assistant location manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
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Danny Boyle has come up with some interesting cinema, certainly defining himself as someone above average. What he achieves in "Slumdog Millionaire" is transcend the line between inspiration and a miracle, awakening an emotional connection to the very special element great cinema can deliver. The packages might have changed, and the contents are more controversial and maybe a bit more tied to reality, certainly taking us to an exotic local, teaching us that our world extends beyond our freeway and limited perception of how more than the other half of the world's population has to deal without certainly preaching to us.
The tale of two brothers' lives is told to us through episodic flashbacks tied to an episode of India's "Who Wants to be a millionaire?". At first, the story introduces one of the brothers as being the subject of a very strong interrogation to find out whether he is being truthful about some knowledge that might be relevant to the game. As he answers the questions, we discover that this young man's life story might be more interesting than we originally expected.
There is an element of freshness in the way the story is presented, as we accompany Jamal through his life odyssey from a young child in the slums to a man who is determined to save those he loves. There are some strong emotions in the film, and Boyle's direction keeps the film dynamic and engaging.
Prepare yourself to be overtaken by emotions as varied as joy, pity, happiness, anger, revulsion, surprise, and an exhilarating conclusion rarely seen in movies anymore. This film has made me grateful to be alive and that we still have people in cinema like Boyle who understands the power and beauty of the medium. He knows that the perfect mix of a great story and the respective imagery can provoke unforgettable memories in its audience.