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Directed by | |||
| Danny Boyle | |||
| Loveleen Tandan | (co-director: India) | ||
Writing credits | ||
| Simon Beaufoy | (screenplay) | |
| Vikas Swarup | (novel "Q & A") | |
Produced by | |||
| Christian Colson | .... | producer | |
| François Ivernel | .... | co-executive producer | |
| Ivana Mackinnon | .... | associate producer | |
| Cameron McCracken | .... | co-executive producer | |
| Tabrez Noorani | .... | line producer | |
| Paul Ritchie | .... | co-producer | |
| Tessa Ross | .... | executive producer | |
| Paul Smith | .... | executive producer | |
Original Music by | |||
| A.R. Rahman | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Chris Dickens | |||
Casting by | |||
| Gail Stevens | |||
| Loveleen Tandan | |||
Production Design by | |||
| Mark Digby | |||
Art Direction by | |||
| Abhishek Redkar | |||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Suttirat Anne Larlarb | |||
Makeup Department | |||
| Virginia Holmes | .... | hair designer | |
| Virginia Holmes | .... | makeup designer | |
| Natasha Nischol | .... | hair designer | |
| Natasha Nischol | .... | makeup designer | |
Production Management | |||
| Rajeesh Dham | .... | assistant unit manager | |
| Lucie Graves | .... | post-production supervisor | |
| Sanjay Kumar | .... | unit production manager | |
| Pravesh Sahni | .... | production supervisor | |
| Chanpreet Singh | .... | assistant unit manager | |
| Jennifer Wynne | .... | production manager: UK | |
| Bill Daly | .... | post production executive: Warner Bros. (uncredited) | |
Second Unit Director or Assistant Director | |||
| Raj Acharya | .... | first assistant director | |
| Avani Batra | .... | second assistant director | |
| Shyam Kaushal | .... | action director (as Sham Kaushal) | |
| Yugandhar S. Narvekar | .... | third assistant director | |
| Sonia Nemawarkar | .... | second second assistant director | |
| Rohit Ved Prakash | .... | first assistant director: second unit | |
| Tanya Singh | .... | second assistant director: second unit | |
Art Department | |||
| Manoj N. Bhoyar | .... | assistant art director | |
| Sachin Dabhade | .... | property master | |
| Sushil Kumar Giri | .... | graphic designer | |
| Kathy Heaser | .... | graphic artist | |
| Praveen Kumar Hendway | .... | graphic designer | |
| Brendan Houghton | .... | storyboard artist | |
| Aditya Kanwar | .... | stand-by art director | |
| Srinivas Konda | .... | property master | |
| Wahid Shaikh | .... | assistant art director | |
| Andrew Tapper | .... | graphic designer | |
| Marc Knapton | .... | computer graphics (uncredited) | |
Special Effects by | |||
| Shivananda R. Mohili | .... | special effects supervisor (as Shivananda Mohili) | |
Visual Effects by | |||
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Stefan Ciupek | .... | digital camera supervisor | |
| James Cundill | .... | online editor | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Paddy Eason | .... | digital compositor: CIS London | |
| David Emeny | .... | digital compositor: CIS London | |
| Alec Feegrade | .... | film recording | |
| Adam Gascoyne | .... | visual effects supervisor | |
| Matthew Hangar | .... | software support | |
| Warwick Hewett | .... | assistant vfx producer: Rushes | |
| Simon Hughes | .... | compositor: CIS London | |
| Tom Kemplen | .... | visual effects editor | |
| Matthew Lawrence | .... | motion graphics | |
| Brad Le-Riche | .... | motion graphics | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Hugh Macdonald | .... | senior digital compositor: CIS London | |
| Collette Nunes | .... | visual effects editor: CIS London | |
| Roma O'Connor | .... | visual effects executive producer | |
| Jonathan Opgenhaffen | .... | matte painter: CIS London | |
| Jesse Parkhill | .... | digital compositor | |
| Matthew Redding | .... | visual effects artist: DEAD | |
| Becky Roberts | .... | visual effects producer | |
| David Wahlberg | .... | digital compositor: CIS London | |
| Shamsher Walia | .... | second telecine colorist: Pixion | |
| Pat Wintersgill | .... | on-line editor | |
Casting Department | |||
| Kelly Valentine Hendry | .... | casting associate | |
| Swapnil Kore | .... | casting assistant | |
| Rhea Lawyer | .... | casting assistant | |
| Tom Reed | .... | casting assistant | |
| Meredith Tucker | .... | additional casting: North America (uncredited) | |
Costume and Wardrobe Department | |||
| Riyaz Ali Merchant | .... | assistant costume designer | |
Editorial Department | |||
| Udayan Baijal | .... | assistant editor | |
| Matthew Bristowe | .... | digital intermediate supervisor | |
| Paul Byrne | .... | dailies supervisor | |
| Celia Haining | .... | assembly editor | |
| Tom Kemplen | .... | second assistant editor | |
| Jaime Leonard | .... | on-line editor | |
| Begoña Lopez | .... | digital intermediate supervisor | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Vivek Pratap | .... | assembly editor | |
| Catriona Richardson | .... | first assistant editor | |
| Ejaz Shalkh | .... | first assistant editor | |
| Prashant Sharma | .... | telecine dailies colorist | |
| Anuradha Singh | .... | assembly editor | |
| Jean-Clement Soret | .... | colorist | |
Music Department | |||
| Niv Adiri | .... | music editor | |
| Gulzar | .... | lyricist | |
| Noel James | .... | music coordinator | |
| Pravin Mani | .... | arrangement & programming | |
| Aditya Modi | .... | music engineer | |
| Simon Mortimer | .... | music associate | |
| Srinivas Murthy | .... | music assistant (as Srinivasa Murty) | |
| Srinivas Murthy | .... | vocal supervisor (as Srinivasa Murty) | |
| A.R. Rahman | .... | music producer | |
| Andy Richards | .... | original score mixer | |
| Tanvi Shah | .... | playback singer | |
| H. Sridhar | .... | music engineer | |
| Viviane | .... | music engineer | |
Transportation Department | |||
| Bhawani Singh | .... | transportation manager (uncredited) | |
Other crew | |||
| Nazar Abbas | .... | director: behind-the-scenes | |
| Maxima Basu | .... | assistant: director | |
| Paresh Behera | .... | production accountant | |
| Thom Berryman | .... | media transfer engineer | |
| Aarti Bhatia | .... | production coordinator: Mumbai | |
| Neil Calder | .... | completion guarantor: Film Finances Inc. | |
| Stefan Ciupek | .... | post production consultant | |
| Tonia Cohen | .... | script clearance | |
| Matt Curtis | .... | title designer | |
| Monal Dutia | .... | film courier | |
| Navit Dutt | .... | location manager | |
| Gaia Elkington | .... | assistant to Danny Boyle and Christian Colson | |
| Ollie Gatehouse | .... | post production assistant | |
| Juliette Howell | .... | script editor | |
| Deepak Jaitely | .... | production accountant | |
| Polly Johnsen | .... | studio executive (uncredited) | |
| Sam Lavender | .... | developmental editor: Film4 | |
| Diarmuid McKeown | .... | production executive | |
| Tushaar Mehra | .... | technical consultant | |
| Tariq Mirza | .... | production legal | |
| Debbie Moore | .... | finance controller | |
| Chirag Nihalani | .... | key production assistant | |
| George Pank | .... | business affairs: Pathe | |
| Raakesh Parekh | .... | tech support head: Pixion | |
| Gyanendra Pratap | .... | media management | |
| Rajesh Rajilal | .... | production assistant | |
| Neil Sadwelkar | .... | technology manager: Pixion | |
| Diraj Sarode | .... | assistant business manager: Pixion | |
| Nuvendra Singh | .... | script supervisor (as Nikki) | |
| Nuvendra Singh | .... | script supervisor | |
| Rakesh Singh | .... | production coordinator | |
| Asheet Thakur | .... | business manager: Pixion | |
| Ian Thomson | .... | publicist | |
| Vishal Tyagi | .... | armorer | |
| Helen Varty | .... | assistant: Tessa Ross | |
| Longiness Fernandes | .... | choreographer: "Jai Ho" dance sequence (uncredited) | |
| Mahendra Singh | .... | assistant location manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
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| IMDb UK section |
It doesn't seem like a stretch to suggest that America might now be ready to embrace films in the style of India's Bollywood films. While "Slumdog Millionaire" is far from a Bollywood tragic love story filled with singing and dancing, the way director Danny Boyle will rivet audiences with his film that is authentic to Indian culture while using a distinctly Western style of film-making might be enough proof that there is a profit to be made here.
"Slumdog Millionaire" is a drama exposing the tragic effects of poverty in gigantic Indian cities like Mumbai that is also fused with a modern day Indian fairytale. Jamal Malik is a young man on India's "Who Wants to Be A Millionaire" and is a question away from one million dollars when he's arrested on suspicion of cheating. Because Jamal is from the slums of India and has no educational background, it seems entirely improbable if not impossible that Jamal could make it this far, but each question is connected with distinct and sometimes painful memories for Jamal. It's as if he is destined to win, even though he only went on the show to impress a girl he has loved his whole life, Latika.
Danny Boyle ("28 Days Later," "Sunshine") takes us from memory to memory as Jamal advances question by question toward the million dollars. These memories offer vivid insight into poverty in India as well as the lives of Jamal, Latika and Jamal's older brother Salim. As children they are left parentless and taught how to swindle tourists, leading to lives of little fulfillment or even corruption. Despite being separated, Jamal and Latika are reunited several times and in fact Jamal's only motivation in life is his love for her.
While the young, unknown, Indian actors are absolutely amazing in this film, the biggest kudos go to director Boyle, who creates an astonishing film. For Boyle to go from science fiction and zombie thrillers to taking on a project as daring and unusual as "Slumdog Millionaire" proves that he's not only a brave director, but a versatile one. His great success with making this film intense, eye-opening and full of heart all at the same time prove that he's also an incredible one. "Slumdog" is just the beginning for Boyle who might be one of the most progressive and talented directors working today.
It's hard to be completely blown away by a film whose core message is about destiny and leans on the fact that Jamal is simply fated to do this well in explaining what has unfolded, but like any good film ought to, Boyle makes you a fan of the characters and not care as much about the logistics as you might normally do. The fact that this film starts out so dramatic and real makes it hard to embrace the fairytale it blossoms into, but it's the great visual storytelling along the way that makes it so enjoyable.
~Steven C
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