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Directed by | |||
| Danny Boyle | |||
| Loveleen Tandan | (co-director: India) | ||
Writing credits | ||
| Simon Beaufoy | (screenplay) | |
| Vikas Swarup | (novel "Q & A") | |
Produced by | |||
| Christian Colson | .... | producer | |
| François Ivernel | .... | co-executive producer | |
| Ivana Mackinnon | .... | associate producer | |
| Cameron McCracken | .... | co-executive producer | |
| Tabrez Noorani | .... | line producer | |
| Paul Ritchie | .... | co-producer | |
| Tessa Ross | .... | executive producer | |
| Paul Smith | .... | executive producer | |
Original Music by | |||
| A.R. Rahman | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Chris Dickens | |||
Casting by | |||
| Gail Stevens | |||
| Loveleen Tandan | |||
Production Design by | |||
| Mark Digby | |||
Art Direction by | |||
| Abhishek Redkar | |||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Suttirat Anne Larlarb | |||
Makeup Department | |||
| Virginia Holmes | .... | hair designer | |
| Virginia Holmes | .... | makeup designer | |
| Natasha Nischol | .... | hair designer | |
| Natasha Nischol | .... | makeup designer | |
Production Management | |||
| Rajeesh Dham | .... | assistant unit manager | |
| Lucie Graves | .... | post-production supervisor | |
| Sanjay Kumar | .... | unit production manager | |
| Pravesh Sahni | .... | production supervisor | |
| Chanpreet Singh | .... | assistant unit manager | |
| Jennifer Wynne | .... | production manager: UK | |
| Bill Daly | .... | post production executive: Warner Bros. (uncredited) | |
Second Unit Director or Assistant Director | |||
| Raj Acharya | .... | first assistant director | |
| Avani Batra | .... | second assistant director | |
| Shyam Kaushal | .... | action director (as Sham Kaushal) | |
| Yugandhar S. Narvekar | .... | third assistant director | |
| Sonia Nemawarkar | .... | second second assistant director | |
| Rohit Ved Prakash | .... | first assistant director: second unit | |
| Tanya Singh | .... | second assistant director: second unit | |
Art Department | |||
| Manoj N. Bhoyar | .... | assistant art director | |
| Sachin Dabhade | .... | property master | |
| Sushil Kumar Giri | .... | graphic designer | |
| Kathy Heaser | .... | graphic artist | |
| Praveen Kumar Hendway | .... | graphic designer | |
| Brendan Houghton | .... | storyboard artist | |
| Aditya Kanwar | .... | stand-by art director | |
| Srinivas Konda | .... | property master | |
| Wahid Shaikh | .... | assistant art director | |
| Andrew Tapper | .... | graphic designer | |
| Marc Knapton | .... | computer graphics (uncredited) | |
Special Effects by | |||
| Shivananda R. Mohili | .... | special effects supervisor (as Shivananda Mohili) | |
Visual Effects by | |||
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Stefan Ciupek | .... | digital camera supervisor | |
| James Cundill | .... | online editor | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Paddy Eason | .... | digital compositor: CIS London | |
| David Emeny | .... | digital compositor: CIS London | |
| Alec Feegrade | .... | film recording | |
| Adam Gascoyne | .... | visual effects supervisor | |
| Matthew Hangar | .... | software support | |
| Warwick Hewett | .... | assistant vfx producer: Rushes | |
| Simon Hughes | .... | compositor: CIS London | |
| Tom Kemplen | .... | visual effects editor | |
| Matthew Lawrence | .... | motion graphics | |
| Brad Le-Riche | .... | motion graphics | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Hugh Macdonald | .... | senior digital compositor: CIS London | |
| Collette Nunes | .... | visual effects editor: CIS London | |
| Roma O'Connor | .... | visual effects executive producer | |
| Jonathan Opgenhaffen | .... | matte painter: CIS London | |
| Jesse Parkhill | .... | digital compositor | |
| Matthew Redding | .... | visual effects artist: DEAD | |
| Becky Roberts | .... | visual effects producer | |
| David Wahlberg | .... | digital compositor: CIS London | |
| Shamsher Walia | .... | second telecine colorist: Pixion | |
| Pat Wintersgill | .... | on-line editor | |
Casting Department | |||
| Kelly Valentine Hendry | .... | casting associate | |
| Swapnil Kore | .... | casting assistant | |
| Rhea Lawyer | .... | casting assistant | |
| Tom Reed | .... | casting assistant | |
| Meredith Tucker | .... | additional casting: North America (uncredited) | |
Costume and Wardrobe Department | |||
| Riyaz Ali Merchant | .... | assistant costume designer | |
Editorial Department | |||
| Udayan Baijal | .... | assistant editor | |
| Matthew Bristowe | .... | digital intermediate supervisor | |
| Paul Byrne | .... | dailies supervisor | |
| Celia Haining | .... | assembly editor | |
| Tom Kemplen | .... | second assistant editor | |
| Jaime Leonard | .... | on-line editor | |
| Begoña Lopez | .... | digital intermediate supervisor | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Vivek Pratap | .... | assembly editor | |
| Catriona Richardson | .... | first assistant editor | |
| Ejaz Shalkh | .... | first assistant editor | |
| Prashant Sharma | .... | telecine dailies colorist | |
| Anuradha Singh | .... | assembly editor | |
| Jean-Clement Soret | .... | colorist | |
Music Department | |||
| Niv Adiri | .... | music editor | |
| Gulzar | .... | lyricist | |
| Noel James | .... | music coordinator | |
| Pravin Mani | .... | arrangement & programming | |
| Aditya Modi | .... | music engineer | |
| Simon Mortimer | .... | music associate | |
| Srinivas Murthy | .... | music assistant (as Srinivasa Murty) | |
| Srinivas Murthy | .... | vocal supervisor (as Srinivasa Murty) | |
| A.R. Rahman | .... | music producer | |
| Andy Richards | .... | original score mixer | |
| Tanvi Shah | .... | playback singer | |
| H. Sridhar | .... | music engineer | |
| Viviane | .... | music engineer | |
Transportation Department | |||
| Bhawani Singh | .... | transportation manager (uncredited) | |
Other crew | |||
| Nazar Abbas | .... | director: behind-the-scenes | |
| Maxima Basu | .... | assistant: director | |
| Paresh Behera | .... | production accountant | |
| Thom Berryman | .... | media transfer engineer | |
| Aarti Bhatia | .... | production coordinator: Mumbai | |
| Neil Calder | .... | completion guarantor: Film Finances Inc. | |
| Stefan Ciupek | .... | post production consultant | |
| Tonia Cohen | .... | script clearance | |
| Matt Curtis | .... | title designer | |
| Monal Dutia | .... | film courier | |
| Navit Dutt | .... | location manager | |
| Gaia Elkington | .... | assistant to Danny Boyle and Christian Colson | |
| Ollie Gatehouse | .... | post production assistant | |
| Juliette Howell | .... | script editor | |
| Deepak Jaitely | .... | production accountant | |
| Polly Johnsen | .... | studio executive (uncredited) | |
| Sam Lavender | .... | developmental editor: Film4 | |
| Diarmuid McKeown | .... | production executive | |
| Tushaar Mehra | .... | technical consultant | |
| Tariq Mirza | .... | production legal | |
| Debbie Moore | .... | finance controller | |
| Chirag Nihalani | .... | key production assistant | |
| George Pank | .... | business affairs: Pathe | |
| Raakesh Parekh | .... | tech support head: Pixion | |
| Gyanendra Pratap | .... | media management | |
| Rajesh Rajilal | .... | production assistant | |
| Neil Sadwelkar | .... | technology manager: Pixion | |
| Diraj Sarode | .... | assistant business manager: Pixion | |
| Nuvendra Singh | .... | script supervisor (as Nikki) | |
| Nuvendra Singh | .... | script supervisor | |
| Rakesh Singh | .... | production coordinator | |
| Asheet Thakur | .... | business manager: Pixion | |
| Ian Thomson | .... | publicist | |
| Vishal Tyagi | .... | armorer | |
| Helen Varty | .... | assistant: Tessa Ross | |
| Longiness Fernandes | .... | choreographer: "Jai Ho" dance sequence (uncredited) | |
| Mahendra Singh | .... | assistant location manager (uncredited) | |
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I won't see a better, more exhilarating movie this year than Danny Boyle's "Slumdog Millionaire." If Academy voters have any sense, they will nominate this for Best Picture and Best Director and then vote overwhelmingly for it for both awards.
Boyle has taken what is essentially a story about a young man on India's version of "Who Wants to Be a Millionaire?" and transformed it into a gritty, realistic, powerful and, at times, gut-wrenching fairy tale. It's a Dickensian picture about a world rarely, if ever, seen in mainstream movies, a film that grabs us from the opening frame and doesn't let go until the credits roll at the end.
This is why I love movies. Films like "Slumdog Millionaire" are rare. They are things of beauty, works of art that make me fall in love with movies all over again. Boyle has done it twice. First with "Millions" (2004), which also, coincidentally, was about a young boy and money; and now with "Slumdog Millionaire."
This is Boyle's masterpiece - a stunningly original piece of film-making.
Every once in a while there is a sleeper film, usually an independent movie, that comes along, takes everyone by surprise, then gets terrific word of mouth and becomes a huge success. "My Big Fat Greek Wedding" (2002), "Little Miss Sunshine" (2006) - though I did not care much for it - and "Juno" (2007) are such films. But, frankly, those films can't hold a candle to "Slumdog Millionaire."
What might surprise many viewers is that a third of the dialogue is in Hindi. (And Boyle's placement of subtitles on the screen makes such good sense!) Please do not let that dissuade you from seeing this marvelous film. Do not let the R rating prevent you, either. What was the MPAA thinking? Honestly! There are far more offensive, vulgar and violent movies that are rated PG-13. "Slumdog Millionaire" should never have received an R rating. (This film should be mandatory viewing for young people, especially those in industrialized nations.)
Simon Beaufoy's script was originally entirely in English, but Boyle's decision to have the Indian kids speak in Hindi, instead, is the right call. Having the children speaking in their native tongue makes perfect sense, especially because Boyle and Beaufoy depicts the realism of the kids' lives.
That's what incredible about this film. Boyle and Beaufoy do not shy away from showing the squalor of Bombay. These kids live in deplorable conditions amid the grime, sewers and trash dumps of the slums. And, yet, thanks of Boyle true ingenuity, he creates uplifting and even humorous moments in the slums. There is one moment - and I shan't spoil it for anyone, but you will know it when you see it - that very well might be my favorite film moment in the last five years.
Boyle doesn't do a thing wrong here. From his choice of actors to the music to his choice of colors, Boyle works his magic.
The performances are uniformly good. Irrfan Khan finds the right balance between a tormentor and a quasi-father figure as the police officer. There's young Dev Patel as Jamal, playing with confidence, bringing a wonderful swagger to his role, as well as a sense of fear that we completely understand. Freida Pinto as the love interest is superb. And, of course, there are the three young 'uns. Perfectly cast, they actually make the film work. Their performances as Jamal, Salim and Latika are so utterly convincing that they completely draw us into the picture and make the jobs of the older actors playing them much easier.
"Slumdog Millionaire" is, I suppose, a dramatic comedy at heart. But it is also much more. It is a film about friendship, gratitude, love, betrayal, poverty and hope. It makes you laugh, weep and cheer as you can't help but marvel at Boyle's sheer genius.
The film moves along at a breakneck pace, yet none of the cinematic flair - and there is plenty - seems superfluous. Everything Boyle does, including the Bollywood touches, makes sense. There's such a brilliantly kinetic energy to this film that it is impossible not to be enthralled by it.
What Boyle has done is truly miraculous. He has turned a film about street life in Bombay into a visceral, genuine crowd-pleaser. And you will walk out of the movie theater feeling inspired and hopeful, knowing you've just seen something very special.
"Slumdog Millionaire" is not to be missed. It is the best movie of the year. And it is, without any doubt, one of the ten best films of the decade.