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First Trailer Debuts For New British Thriller ‘Tango One’

Universal Pictures has debuted the very first trailer for their upcoming British thriller Tango One, which arrives on digital on March 5th, and then on DVD from March 19th.

Step into the ruthless London criminal underworld and prepare yourself for action of the most brutal order when the film adaptation of Stephen Leather’s nail-biting thriller Tango One launches on Digital Download from 5 March, and DVD from 19 March, 2018.

Based on the award-winning and best-selling novel by top UK thriller author Stephen Leather (Murder in Mind, London’s Burning) and directed by Sacha Bennett (Get Lucky, We Still Kill the Old Way), Tango One is a fast-paced crime thriller about how far one man will go to rescue his daughter and save his criminal empire from collapse.

When three undercover recruits are assigned an impossible mission to take down one of the world’s most wanted men, notorious drug dealer, Den
See full article at The Hollywood News »

'Narcos' producer Gaumont sets up UK division

  • ScreenDaily
Kudos executive producer Alison Jackson will take the role of UK president.

Source: Netflix

‘Narcos’

Narcos producer Gaumont is setting up a UK division, headed up by Kudos executive producer Alison Jackson (reports Broadcast).

Taking the role of UK president and reporting into Gaumont vice chief executive officer Christophe Riandee, Jackson will join the French producer when the UK arm opens for business in August.

She is currently executive producing series two of Kudos’ Sky Atlantic drama Tin Star.

Gaumont, which has offices in Paris and Los Angeles, is also opening a German office on 1 July.

Riandee said: “The UK has a rich heritage in creating exceptional dramas that travel the world, and with Alison’s infectious passion for television drama, as well as her ability to tap into the deep resource of well-established and emerging talent, this market will also be a key driver for new content for Gaumont outside of the Us, France and Germany
See full article at ScreenDaily »

'Narcos' producer Gaumont setting up UK division

  • ScreenDaily
Kudos executive producer Alison Jackson will take the role of UK president.

Source: Netflix

‘Narcos’

Narcos producer Gaumont is setting up a UK division, headed up by Kudos executive producer Alison Jackson (reports Broadcast).

Taking the role of UK president and reporting into Gaumont vice chief executive officer Christophe Riandee, Jackson will join the French producer when the UK arm opens for business in August.

She is currently executive producing series two of Kudos’ Sky Atlantic drama Tin Star.

Gaumont, which has offices in Paris and Los Angeles, is also opening a German office on 1 July.

Riandee said: “The UK has a rich heritage in creating exceptional dramas that travel the world, and with Alison’s infectious passion for television drama, as well as her ability to tap into the deep resource of well-established and emerging talent, this market will also be a key driver for new content for Gaumont outside of the Us, France and Germany
See full article at ScreenDaily »

10 Things We Learned From 'David Bowie: The Last Five Years'

Francis Whately's documentary The Last Five Years, which debuts January 8th on HBO, takes a close look at David Bowie's final recorded documents, The Next Day and Blackstar. Instead of the usual procession of famous talking heads that appear in most music docs, the portrait quizzes his close collaborators on these last two albums – producer Tony Visconti, graphic designer Jonathan Barnbrook, composer Maria Schneider and the Donny McCaslin-fronted jazz outfit that played on Blackstar. The movie toggles back and forth between decades, drawing connections between song lyrics from
See full article at Rolling Stone »

Doc NYC Film Review: ‘David Bowie: The Last Five Years’

Doc NYC Film Review: ‘David Bowie: The Last Five Years’
David Bowie: The Last Five Years,” which premieres Nov. 10 at the Doc NYC film festival (it will then be shown on HBO), is a singular and haunting pop documentary. It’s a companion piece to “David Bowie: Five Years,” the 2013 documentary in which director Francis Whately meditated on the pivotal period of Bowie’s fame, from 1970 to 1975. That movie dug deep into the heady fascination of the first rock star who was passionate and Warholian at the same time — an image junkie who kept rotating his look and aspect, and did it as casually as most of us change underwear.

The Last Five Years,” also directed by Whately, was assembled under the shadow of Bowie’s death (he died on Jan. 10, 2016). It’s about a very different man: one who remained, to the end, a committed artist even as he was living as a retired pop star. Bowie’s exit from the spotlight of celebrity happened quite suddenly
See full article at Variety - Film News »

Philip K Dick’s Electric Dreams episode 1 review: The Hood Maker

Louisa Mellor Sep 17, 2017

Three cheers for grown-up sci-fi anthology series Electric Dreams, which promises to be a real treasure trove. Spoilers...

This review contains spoilers.

See related The Croods 2 has been cancelled

1.1 The Hood Maker

A hunched robot in a Pac a Mac creeps behind a pillar. A quintet of babies with floating umbilical cords dance a ring of roses in mid-air. A neon sign advertises the services of a four-breasted woman. Welcome, say the opening credits, to the world of electric dreamer Philip K. Dick.

Or more properly, a world inspired by Philip K. Dick. Episode one of this ten-part anthology series has taken liberties with Dick’s 1955 short story The Hood Maker, and quite rightly. That was written under the shadow of McCarthyism, when loyalty and betrayal were matters of state. This was written under the shadow of the Snooper’s Charter and corporate data mining. In the fifties,
See full article at Den of Geek »

Philip K. Dick’s Electric Dreams: spoiler-free review

Rob Leane Sep 14, 2017

Here’s our verdict on two episodes of Amazon and Channel 4’s sci-fi anthology series, Philip K. Dick’s Electric Dreams...

At a swanky event in London, a gaggle of journalists was plied with booze and nibbles, before sitting down to watch two episodes of Philip K. Dick’s Electric Dreams. This sci-fi anthology series from Amazon and Channel 4, which arrives on screens later this month, adapts short stories from the literary master behind Blade Runner, Minority Report, Total Recall, A Scanner Darkly and The Man In The High Castle.

See related Twin Peaks season 3: Kyle MacLachlan chats about the finale Looking back at Twin Peaks: Fire Walk With Me

Expectations were high as the snacks depleted and we were ushered to the screening room. Then, Channel 4’s Head of Drama introduced a special video message from Bryan Cranston, who stars in one
See full article at Den of Geek »

Eiff announces screenwriter-in-residence by Amber Wilkinson - 2017-08-24 22:04:16

Three Girls Photo: BBC

Edinburgh International Film Festival announced Glasgow-born screenwriter Nicole Taylor, whose Three Girls recently aired on BBC1, as the new Eiff Screenwriter-in-Residence.

Taylor will receive a bursary of £7,500 and access to the four Edinburgh universities between now and June 2018, when the 72nd edition of the festival will take place. During this time she will have the opportunity to develop project ideas with science and humanities researchers.

Nicole Taylor Taylor's three-part Three Girls, about the Rochdale grooming scandal, garnered a strong critical response and a consolidated audience of 8.1 million on BBC1 and more than 9.3 million requests for the series were made on BBC iPlayer.

Prior to that Taylor’s multi-bafta nominated single drama, The C Word, starring Sheridan Smith, was produced for the channel. She has also written on numerous series, including Indian Summers for Channel 4, The Hour for BBC2, and Ashes to Ashes for BBC1.

Her.
See full article at eyeforfilm.co.uk »

The 25 Best TV Theme Songs of the 21st Century, Ranked

  • Indiewire
The 25 Best TV Theme Songs of the 21st Century, Ranked
Amidst the chorus of people saying that TV is better than it’s ever been, you’ll always find one person lamenting the decline of the theme song. While it’s true that the days of minutes-long intros with original songs and catchy melodies might be in the past, there’s no denying that shows are still finding memorable (and in a few cases, iconic) ways to open each episode.

Read More: The 20 Best Animated TV Shows of the 21st Century, Ranked

With that in mind, we set out to pick the best TV themes of the young century. Some of these are snippets from existing songs, others are new instrumentals that have quickly taken on meaning well beyond the shows they’re attached to. As DVRs and streaming services make it easier than ever to skip TV credits, there are plenty of songs and shows trying to keep the art of the opening alive.
See full article at Indiewire »

Does guessing a twist ruin a TV show?

Gabriel Bergmoser Apr 11, 2017

Guessing a twist ahead of time only really ruins the fun if a TV show is doing a bad job to begin with, Gabriel argues...

This article contains major spoilers from the beginning for Life On Mars, Ashes To Ashes, Westworld, Bates Motel and Dexter.

See related Top 10 music documentaries Top 10 music concert films John Lennon and Yoko Ono biopic in development

Back in 2010, Den of Geek interviewed Matthew Graham, creator of the now-classic series Ashes To Ashes, shortly before the release of the show’s brilliant finale. When asked about how close the many fan theories were getting to the truth of how the series would end, he had this to say:

“The thing is that you should be able to guess. When you get to the end, you should be able to say ‘oh yes'. It's not an out-of-nowhere thing, because I think that would be a cheat.
See full article at Den of Geek »

The 10 Best David Bowie Covers in the Year Since His Death

The 10 Best David Bowie Covers in the Year Since His Death
It’s hard to believe it’s been a year since David Bowie‘s death. It hurts for many reasons, but if there’s any solace to glean from the loss, it’s that Bowie has been properly mourned. Not just among civilians — you’d be hard-pressed to find an artist who didn’t turn in a Bowie cover at some point. Here are some of our favorites from the past year, ranging from deep cuts to the obvious ones.

Seu Jorge, “Space Oddity”

Okay, okay, this one’s kind of a cheat. Seu Jorge’s lovely samba-flavored covers of
See full article at PEOPLE.com »

David Bowie Birthday Celebration: Gary Oldman, La Roux, Simon Le Bon and More Gather to Celebrate Rocker’s Life — Watch

It’s been almost a year to the day since we lost David Bowie, but the rock icon and beloved creative force is still foremost in the minds of those who knew and loved him best. As Billboard reports, on Sunday evening, some of those people — including fans, friends and even former bandmates — gathered together to celebrate what would have been Bowie’s seventieth birthday for a three-hour charity concert at London’s Brixton Academy. It was an appropriately rocking and raucous event.

The show was hosted by actor (and close Bowie pal) Gary Oldman, who took the stage not only to emcee the event, but to rock out to a few of Bowie’s classics, including “Sorrow” and “The Man Who Sold the World.”

Read More: David Bowie’s ‘No Plan’ Music Video Is a Posthumous Tribute to the Departed Space Oddity — Watch

Oldman was joined by other luminaries and performers,
See full article at Indiewire »

Ashes To Ashes: saluting a terrific sequel

Gabriel Bergmoser Dec 1, 2016

Despite its teething problems, Life On Mars sequel Ashes To Ashes went on to surpass even the heights of its original show...

Sequels are hard to get right. Go too far in a new direction and you run the risk of betraying the original, hew too closely to an established formula and you’ll be accused of repetition. Television spin-offs arguably have an easier time of it as they can essentially recreate themselves in the image of whatever aspect of the original show they’re putting front and centre, but the tricky balancing act of creating something new while giving people what they want remains.

See related Sega Mega Drive/Genesis: Collected Works review Sensible Software 1986-1999 book review Britsoft: An Oral History book review

Ashes To Ashes is a television rarity; while it is often referred to as a Life On Mars spin-off, it’s actually a direct sequel,
See full article at Den of Geek »

Who Framed Roger Rabbit 2 would include “digital Bob Hoskins”

Simon Brew Nov 29, 2016

Director Robert Zemeckis admits the chances of Disney greenlighting Who Framed Roger Rabbit 2 are slim…

Director Robert Zemeckis has just been doing the press tour for his new movie, Allied, that’s now playing in UK cinemas. And as part of that, he’s given a lengthy interview to the terrific and bearded Robbie Collin in The Telegraph.

See related Life On Mars: revisiting a terrific UK crime drama Celebrating BBC One's Blackpool The Living And The Dead: the BBC's new supernatural drama Ashes to Ashes series 3 interview: co-creator & writer Matthew Graham Matthew Graham interview: the Ashes To Ashes finale

In said interview, the conversation turned to the long in development Who Framed Roger Rabbit 2, that Zemeckis has on and off been linked to pretty much since the original came out back in 1988.

Zemeckis does have a screenplay in place for a new film,
See full article at Den of Geek »

David Bowie’s Son Debunks ‘Gross’ Report About His Dad

  • The Wrap
David Bowie’s Son Debunks ‘Gross’ Report About His Dad
Ashes to ashes, debunk to debunky… David Bowie‘s son, filmmaker Duncan Jones, would like it known: His deceased father’s ashes were not scattered at this year’s Burning Man festival. Jones took to Twitter to clear up the matter on Monday, writing, “That Burning Man thing? What people will do & say for attention never ceases to amaze me. Not true. Kind of a gross claim as well. *sigh*” Also Read: David Bowie's Old Hair Expected to Fetch Thousands at Auction The “Burning Man thing” Jones was referring to was a report that a portion of “Suffragette City
See full article at The Wrap »

Venice unveils 2016 market projects

  • ScreenDaily
Venice Production Bridge will incorporate Gap Financing Market and Final Cut events.

The Venice Film Festival (Aug 31 - Sept 10) has revealed the line-ups for its 2016 market events, newly renamed the Venice Production Bridge (Sept 1 - 5).

The Production Bridge will host features, TV, web-series and Vr projects.

Venice’s two-day Gap-Financing Market event (September 2-3, 2016) will host 40 selected European and International projects looking to close their international financing.

The market’s Final Cut strand will award prizes to selected in-the-works projects from Africa and from Iraq, Jordan, Lebanon, Palestine and Syria, while the inaugural Book Adaptation Rights Area will see publishers pitch books ripe for film or TV adaptation.

The European Commission organises two workshops, one on access to finance (Sept 3) and the other on the future of cinemas (Sept 4). The second event, which will be opened by European Commissioner Oettinger, will focus on how cinemas can fully reap the benefits of digital technologies.

Gap Financing
See full article at ScreenDaily »

Matthew Graham interview: Childhood’s End, Syfy, Doctor Who

Simon Brew Sep 1, 2016

We chat to screenwriter Matthew Graham about Syfy miniseries Childhood's End, Us TV and why he's not doing any more Doctor Who...

Matthew Graham was the co-creator and co-executive producer of hit shows Life On Mars and Ashes To Ashes, and he’s just brought Childhood’s End to the screen in the Us.

Here's the second of two interviews we've done with Matthew. The first took us behind the scenes on the development of the seemingly abandoned live-action Star Wars TV show he was hand-picked by George Lucas to work on, while this one looks at Childhood's End, as well as what he's up to now...

How have you found Syfy? They’ve gone through a big transition in recent years, and really seem to be behind science fiction television again.

I think that’s true. Two years ago, when I sat down to start talking
See full article at Den of Geek »

Matthew Graham interview: the Star Wars live action TV show

Simon Brew Jul 21, 2016

Writer Matthew Graham takes us behind the scenes of George Lucas' since-abandoned Star Wars live-action TV show...

Matthew Graham was the co-creator and co-executive producer of hit shows Life On Mars and Ashes To Ashes, and he’s just brought Childhood’s End to the screen in the Us. But off the back of the success of Life On Mars, he was picked by George Lucas to be one of the chosen few to work on the seemingly-abandoned live action Star Wars television show. And whilst he couldn’t share story details from the show – it’s all owned by Disney now – he was able to take us behind the scenes.

Here, then, is the first of two interviews we've done with Matthew. The second, coming to the site shortly, will look at his recent Syfy TV show, Childhood's End, as well as what he's up to now.
See full article at Den of Geek »

Phantoms in the four-poster: will The Living and the Dead outspook TV's scariest ghosts?

The BBC’s new Victorian bonnet horror is a sort of Downton Spooky. But how does it compare to TV’s greatest ghost stories?

At a time when news bulletins feel supernaturally strange, period dramas are expected to bring escapist pleasures to the schedules. But, although set in 1894, The Living and the Dead, starting in the slot before whatever frights are revealed in tonight’s 10pm BBC News, won’t provide much relief to viewers feeling haunted. The six-parter revives one of TV’s least-seen genres: the ghost story.

Writer Ashley Pharoah has raised spectres before. In Life on Mars and Ashes to Ashes (co-written with Matthew Graham), the cast was filled with the living dead, although this did not become clear for several series. While those shows brought ghost stories into the contemporary world, The Living and the Dead is in the tradition of classic English Victorian chillers, although
See full article at The Guardian - TV News »

The Living And The Dead episode 1 review

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Episode one of handsome new BBC supernatural period drama The Living And The Dead feat. Colin Morgan ends on a gripping hook…

This review contains episode 1 spoilers.

Ashley Pharoah, the creator of The Living And The Dead, made his name writing genre TV with a twist. He and Matthew Graham added a time travel mystery to the police procedural in Life On Mars and Ashes To Ashes, then spliced the supernatural with court drama in Eternal Law.

Pharoah’s new series The Living And The Dead plays the same game. It’s a traditional Victorian ghost story with Something Else Going On. Two events in the first episode alert viewers to this fact – the vapour trail of a modern airplane in the 1894 Somerset sky and the closing sight of a twenty-first century woman, iPad in hand, walking around the nineteenth-century farmhouse in which the story is set.
See full article at Den of Geek »
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