An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Elderly and a virtual prisoner in her own home due to her concerned staff and daughter Carol, Margaret Thatcher, Britain's first woman prime minister, looks back on her life as she clears out her late husband Denis's clothes for the Oxfam shop. Denis is seen as being her rock as she first enters parliament and then runs for the leadership of the Conservative Party, culminating in her eventual premiereship. Now his ghost joins her to comment on her successes and failures, sometimes to her annoyance, generally to her comfort until ultimately, as the clothes are sent to the charity shop, Denis departs from Margaret's life forever. Written by
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At the 2012 Academy Awards, this movie was nominated for two Oscars, Best Actress and Best Make-Up, and won both, achieving a perfect score of two wins from two nominations. This feat was previously also achieved by Ed Wood (1994) which also won two Oscars from two nominations. Both films won in the Make-Up category and one award for the acting. See more »
On several occasions when Thatcher is speaking in the House of Commons, the camera pans the house and no other female MPs are shown. The House of Commons had 19 female MPs in 1979, when Thatcher became Prime Minister, and 66 in 1992, just after she retired. In an article in the Daily Mail dated January 9, 2011, director Phyllida Lloyd said "I've deliberately put no other women in the shots. There were, in fact, 19 female MPs by the time she became Prime Minister but we are trying to show not how it was to the objective eye but how it felt from her point of view. Ours is a collection of very selective memories, of a life of a woman formed by the Second World War and permanently at war, her life played out as a series of battles." See more »
So you are proposing to go to war over these islands. They're thousands of miles away, a handful of citizens, politically and economically insignificant, if you'll excuse me.
Just like Hawaii... I imagine.
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I Whistle a Happy Tune
(Richard Rodgers and Oscar Hammerstein II)
Published by Williamson Music, an Imagem Company
Recording taken from the original motion picture "The King and I"
Licensed courtesy of Twentieth Century Fox Film Corporation See more »
The Humanization Of Margaret Thatcher by Meryl Streep
Biopics are always a problem. That's why the long form, HBO style is infinitely more suitable and altogether more satisfying. Okay, now, once that aside, let me talk about Meryl Streep. A miracle! She does the impossible, not only manages to inhabit Thatcher, she also reveals her under a slightly different light. The human light. No matter how much at odds I've been with her politics, I saw that human side through Meryl Streep's eyes and realized that I had forgotten to remember, Thatcher was a human being, a woman breaking ground. She loved her husband but put her career first, as most men in her position do. Her drive is a mystery as much a mystery as Meryl Streep's art. After seeing the film, me, a life long anti-Thatcher, I have to say that it's a fair portrait of the woman. The ones who never heard of Margaret Thatcher, and there are, two of them were sitting next to me in theater, I think they thought "The Iron Lady" was the female version of "Iron Man" but even them surrendered to the character trough the glories of this other giant of our generation, Meryl Streep.
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