An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
Elderly and a virtual prisoner in her own home due to her concerned staff and daughter Carol, Margaret Thatcher, Britain's first woman prime minister, looks back on her life as she clears out her late husband Denis's clothes for the Oxfam shop. Denis is seen as being her rock as she first enters parliament and then runs for the leadership of the Conservative Party, culminating in her eventual premiereship. Now his ghost joins her to comment on her successes and failures, sometimes to her annoyance, generally to her comfort until ultimately, as the clothes are sent to the charity shop, Denis departs from Margaret's life forever. Written by
don @ minifie-1
At one point, Thatcher is shown making ice cream to give to a voter as part of an election campaign. In real life, Thatcher was a chemist who developed the emulsifier for that particular type of ice cream. See more »
"Norma", the opera that Margaret and Denis watch in the theater and whose aria "Casta Diva" is widely used in the movie score, was composed by Vincenzo Bellini, not Francesco Bellini as the framed booklet says. See more »
"How do you feel?" / "Oh, I don't feel comfortable." / "Oh, I'm so sorry, we the group, we're feeling..." Do you know, one of the greatest problems of our age is that we are governed by people who care more about feelings than they do about thoughts and ideas? Now, thoughts and ideas, that interests me.
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I Whistle a Happy Tune
(Richard Rodgers and Oscar Hammerstein II)
Published by Williamson Music, an Imagem Company
Recording taken from the original motion picture "The King and I"
Licensed courtesy of Twentieth Century Fox Film Corporation See more »
The Humanization Of Margaret Thatcher by Meryl Streep
Biopics are always a problem. That's why the long form, HBO style is infinitely more suitable and altogether more satisfying. Okay, now, once that aside, let me talk about Meryl Streep. A miracle! She does the impossible, not only manages to inhabit Thatcher, she also reveals her under a slightly different light. The human light. No matter how much at odds I've been with her politics, I saw that human side through Meryl Streep's eyes and realized that I had forgotten to remember, Thatcher was a human being, a woman breaking ground. She loved her husband but put her career first, as most men in her position do. Her drive is a mystery as much a mystery as Meryl Streep's art. After seeing the film, me, a life long anti-Thatcher, I have to say that it's a fair portrait of the woman. The ones who never heard of Margaret Thatcher, and there are, two of them were sitting next to me in theater, I think they thought "The Iron Lady" was the female version of "Iron Man" but even them surrendered to the character trough the glories of this other giant of our generation, Meryl Streep.
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