Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he ... See full summary »
Michael is a perpetual waster. He owes money to Perrier, a local thug. When two enforcers demand payment by nightfall, Michael does a burglary with two others but won't be paid till morning. All he has to do is stay away from the thugs until he can get the money then give it to Perrier. But the lads catch Michael and start to deliver a beating, but Brenda, Michael's suicidal neighbor, shoots one. Now they must run for their lives, accompanied by Jim, Michael's estranged father who claims to be dying and has come to reconcile with his son. Will any of the trio see the sun rise? And can Michael become enlightened, become a better man? Written by
Early in the movie Michael gets into a car (possibly VW Golf mk3) which was a 1995 registration, however when we see him pull in to speak to his father the car has a 2001 reg plate. A closer shot in the same scene reveals the 95 plate again. See more »
Voice of The Reaper:
The ocean, huh? Never fails to provoke a person to musing on philosophical shit. Heavy shit, like life and death, and fate, and all that bewildering shit. The fuckin' universe. The individual's seeming insignificant in it. But are we insignificant? I mean take, for example, this individual. Wears the name of Michael McCrea. Last night he imbibed to beat the band. And today he's paying the seedy price. It's evening. He's having himself a little siesta, yeah? Little catnap. Now relax...
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"I'm Not Gonna Teach Your Boyfriend How To Dance With You"
Written by Reginald Youngblood, Owen Holmes, Kevin Snow, Dawn Watley, and Ali Youngblood
Performed by Black Kids See more »
An aptly-described "urban western" that fans Crank and Lock Stock should not miss.
In addition to fully working as a perilous crime thriller, the film's script is filled with comedy, and the performances bring that out incredibly well. The magnetic Cillian Murphy is a quick hook into the world of the film, but Jim Broadbent is the story's heart, and the eccentric but completely relatable character he paints is a treat to watch. Brendan Gleeson as the titular Perrier is, of course, great.
In short, the film is prime entertainment, whose believable setting acts as a portal into something very unique. Definitely recommended.
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