| Neel Rønholt | ... | Katrine | |
| Mikkel Arendt | ... | Rolf | |
| Julie R. Ølgaard | ... | Sanne | |
| Mira Wanting | ... | Lena | |
| Jon Lange | ... | Lukas | |
| Rikke Lylloff | ... | Genfærdet | |
| Steen Stig Lommer | ... | Katrines Far | |
| Tania Maria Odgaard | ... | Kvindelig Beboer | |
| Rasmus Kjær Flensborg | ... | Mandlig Beboer | |
| Morten Brovn Jørgensen | ... | Overfaldsmand | |
| Michael Grønnemose | ... | Overfaldsmand | |
| Jos Gylling | ... | Overfaldsmand | |
| Thomas Clausen | ... | Overfaldsmand | |
| Peter Hald | ... | Overfaldsmand | |
| Ask Hasselbalch | ... | Student | |
| rest of cast listed alphabetically: | |||
| Brian Laursen | ... | Statist (uncredited) | |
Directed by | |||
| Martin Barnewitz | |||
Writing credits(in alphabetical order) | ||
| Jannik Tai Mosholt | ||
Produced by | |||
| Thomas Heinesen | .... | producer | |
| Christel C.D. Karlsen | .... | line producer | |
| Kim Magnusson | .... | executive producer | |
Original Music by | |||
| Tobias Hylander | |||
| Oivind Weingaarde | |||
Cinematography by | |||
| Mikael Valentin | |||
Film Editing by | |||
| Benjamin Binderup | |||
Art Direction by | |||
| Stine Elmholt | |||
Makeup Department | |||
| May Stauber | .... | assistant makeup artist | |
| Marianne Wassberg | .... | makeup artist | |
Production Management | |||
| Tove Jystrup | .... | post-production supervisor | |
| Julie Rix Petersen | .... | assistant production manager | |
| Susanne Stranddorf | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sune Lykke Albinus | .... | first assistant director | |
Art Department | |||
| Nanna Bjerre | .... | set dresser | |
| Michael Brøndum | .... | set dresser | |
| Christina Brok Hansen | .... | set dresser | |
| Casper Sejr | .... | props | |
Sound Department | |||
| Peter Albrechtsen | .... | sound designer | |
| Peter Albrechtsen | .... | sound re-recording mixer | |
| Kasper Val Bjerregård Larsen | .... | sound re-recording mixer (as Søren Bjerregaard-Ryan) | |
| Asser Borgen | .... | sound editor | |
| Jens de Place Bjørn | .... | sound recordist | |
| Mark Kenna | .... | consultant: dolby film sound | |
| Jacob Kirkegaard | .... | special sound effects | |
| Julien Naudin | .... | foley artist | |
| Oskar Skriver | .... | boom operator | |
Special Effects by | |||
| Thomas Foldberg | .... | special effects makeup | |
| Morten Jacobsen | .... | special effects makeup | |
| Hans Peter Ludvigsen | .... | special effects | |
Visual Effects by | |||
| Michael Holm | .... | visual effects supervisor | |
| Patrick O'Casey | .... | digital compositor | |
Stunts | |||
| Stig Günther | .... | stunts | |
Costume and Wardrobe Department | |||
| Jeanette Mortensen | .... | costumer | |
| Lisa Rosdahl | .... | costumer | |
Editorial Department | |||
| Simon Harder | .... | assistant editor | |
| Lone Goldie Møller | .... | post-production coordinator | |
Other crew | |||
| Jakob Balslev | .... | assistant to producer | |
| Niels Fonsecsa | .... | script consultant | |
| Julie Waltersdorph Hansen | .... | assistant to producer | |
| Rikke Høilund | .... | runner | |
| Niels Ladefoged | .... | runner | |
| Stinna Lassen | .... | assistant to producer | |
| Marie Peuliche | .... | assistant to producer | |
| David Pollison | .... | acquisition consultant for Ghost House Underground | |
| Henrik Zein | .... | head of accounting | |
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| Character | One Missed Call | An American Haunting | Darkness Falls | Don't Look Now |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Denmark section |
If you prefer "movies" to "films" you might find this one too story driven and less gory or sensationalistic than you like.
The first thing that caught my attention in this film was the warm soft color pallet. Unlike the annoying dim cold blue gels so overused by many fledgling DPs, this film breaks the mold with liberal use of orange and red throughout, in the settings and props and costumes. The result is an airiness that dispels any claustrophobia in the mostly interior college dorm location. The camera work is often very tight, reminiscent of early Polanski and John Huston with occasionally unorthodox but evocative framing. The lighting is highly effective, appropriately dark in some scenes but never murky.
The soundtrack is also a delightful break from the standard "ominous" horror beats and groans. Ethereal chimes dominate the music tracks, owing a lot to the Icelandic band Mum. The sound effects tracks are beautifully designed and unique; again the director avoids the usual horror film clichés in favor of experimental choices that work very well.
The actors are sexy and wholesome, much as you might expect from a bunch of healthy young Scandinavians. They're very good, serious actors who quickly but subtly convey the nuances of their characters, thanks to the director's steady hand.
As for the scariness, this is more on the level of Japanese creepy vengeful ghost scary than jump out of your skin American or Brit shock horror, but the story is nicely developed and fast paced, with enough intriguing mystery to hold your interest to the end.
If this movie starts to bore you then you need to put it away until you're mature enough to appreciate its artfulness.