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| David Feige | .... | supervising producer (25 episodes, 2008-2009) |
| Alison Cross | .... | consulting producer (24 episodes, 2008-2009) |
| Jesse Bochco | .... | co-executive producer (17 episodes, 2008-2009) |
| Dayna Kalins | .... | producer (15 episodes, 2008-2009) |
| Jonathan Abrahams | .... | producer (14 episodes, 2008-2009) |
| Steven Bochco | .... | executive producer (14 episodes, 2008-2009) |
| Caroline James | .... | coordinating producer / producer (14 episodes, 2008-2009) |
| Joel Fields | .... | consulting producer (13 episodes, 2009) |
| Jennifer L. Pearlman | .... | line producer: nyc (10 episodes, 2008) |
| Jonathan P. Shaw | .... | co-producer (8 episodes, 2008-2009) |
| Elicia Bessette | .... | associate producer (7 episodes, 2009) |
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| Michael F. Loomer | .... | on-set dresser (24 episodes, 2008-2009) |
| John J. Bradley | .... | set dresser (15 episodes, 2009) |
| Penelope Franco | .... | set decoration coordinator / set dec production assistant (15 episodes, 2009) |
| Alex Goode | .... | art department coordinator (14 episodes, 2008-2009) |
| Jim Ondrejko | .... | construction coordinator (12 episodes, 2008-2009) |
| Dean Wilson | .... | property master (12 episodes, 2008-2009) |
| Mark Rodriguez | .... | leadman (12 episodes, 2009) |
| Gary Warshaw | .... | assistant art director (11 episodes, 2009) |
| Michael P. Hunter | .... | assistant property master (10 episodes, 2008) |
| Martha Johnston | .... | set designer (10 episodes, 2008) |
| Linda A. King | .... | assistant art director (10 episodes, 2008) |
| Rick Staves | .... | set dresser (10 episodes, 2008) |
| Brett Bowden | .... | lead scenic (9 episodes, 2008) |
| Stephen MacMillin | .... | leadman (9 episodes, 2008) |
| David Dunn | .... | set dresser (7 episodes, 2009) |
| Mike Suhy | .... | set dresser (5 episodes, 2008) |
| John R. Boucher | .... | set dresser (5 episodes, 2009) |
| Hugo Santiago | .... | set designer (4 episodes, 2009) |
| Cheryl Gould | .... | leadman (3 episodes, 2009) |
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| Lisa Penaranda | .... | leadman (unknown episodes) |
| Eric Rood | .... | key on-set dresser (unknown episodes) |
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| Robert Janiger | .... | production sound mixer (25 episodes, 2008-2009) |
| Tim Song Jones | .... | boom operator / utility sound technician (25 episodes, 2008-2009) |
| George Haddad | .... | supervising sound editor (23 episodes, 2008-2009) |
| Edmond J. Coblentz Jr. | .... | sound designer / sound editor (19 episodes, 2008-2009) |
| Alexandra Fehrman | .... | sound recordist (19 episodes, 2008-2009) |
| Yervant Hagopian | .... | utility sound technician (15 episodes, 2009) |
| Paul Longstaffe | .... | dialogue editor (12 episodes, 2009) |
| Aaron Levy | .... | sound re-recording mixer (10 episodes, 2008-2009) |
| Reginald Dunn | .... | boom operator (10 episodes, 2008) |
| Ryan Maguire | .... | foley mixer (8 episodes, 2008) |
| Ross Davis | .... | sound re-recording mixer (4 episodes, 2008-2009) |
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| Greg Dellerson | .... | second assistant camera / second assistant camera: "a" camera / ... (23 episodes, 2008-2009) |
| Mike Blauvelt | .... | first assistant camera: "b" camera (22 episodes, 2008-2009) |
| Arien Hatch | .... | second assistant camera: "b" camera (22 episodes, 2008-2009) |
| Mick Spitalnick | .... | b dolly grip / grip (22 episodes, 2008-2009) |
| Doug Weinmann | .... | electrician (22 episodes, 2008-2009) |
| Frankie Martinez | .... | electrician (21 episodes, 2008-2009) |
| Lee Schmicker | .... | best boy electrician (20 episodes, 2008-2009) |
| Jessica Spuehler | .... | grip (18 episodes, 2008-2009) |
| Rex Anson Rhorer | .... | dolly grip (15 episodes, 2009) |
| Craig Peiffer | .... | key grip (12 episodes, 2008-2009) |
| Philip Lee | .... | b-camera operator / camera operator: "b" camera / ... (12 episodes, 2009) |
| Jeffrey M. Hall | .... | gaffer (11 episodes, 2008-2009) |
| Sean Piper | .... | grip (10 episodes, 2008) |
| David Canestro | .... | best boy grip (9 episodes, 2008) |
| Trey Clinesmith | .... | a cam/Steadicam operator (9 episodes, 2008) |
| Christopher Mack | .... | first assistant camera (9 episodes, 2008) |
| Chava Monjaraz | .... | dolly operator: "b" camera / dolly grip (9 episodes, 2008) |
| Tony Olivieri | .... | camera operator (9 episodes, 2008) |
| Ralph Scherer | .... | dolly grip (8 episodes, 2008) |
| Karen Neal | .... | still photographer (6 episodes, 2008) |
| Jeff Hall | .... | gaffer (5 episodes, 2008) |
| Lauren Blair | .... | electrician (4 episodes, 2008) |
| Thomas Burns | .... | rigging electrician (4 episodes, 2008) |
| Eric McCandless | .... | still photographer (3 episodes, 2008-2009) |
| Ben Cain | .... | camera utility: additional photography (3 episodes, 2008) |
| David Speck | .... | additional second assistant camera: "b" camera (3 episodes, 2008) |
| Bryan Gilbert | .... | grip (3 episodes, 2009) |
| Jay Pope | .... | grip (3 episodes, 2009) |
| Pete Escobar | .... | grip (2 episodes, 2008-2009) |
| Jesse Crusing | .... | additional electrician (2 episodes, 2009) |
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| Joe Cappelletti | .... | adr voice director (25 episodes, 2008-2009) |
| Amy D'Alessandro | .... | titles / titles by (25 episodes, 2008-2009) |
| Abby Emmett | .... | production coordinator / assistant production coordinator (25 episodes, 2008-2009) |
| Angela Simpson | .... | payroll accountant (25 episodes, 2008-2009) |
| Patrick Hollon | .... | production assistant (24 episodes, 2008-2009) |
| Devon Marie King | .... | stand-in (13 episodes, 2008-2009) |
| Susan Kong | .... | production accountant (12 episodes, 2008-2009) |
| Mela Lee | .... | adr voice replacement / voice actor (10 episodes, 2008-2009) |
| Alex Chernoff | .... | production assistant (10 episodes, 2008) |
| Amelia Elder | .... | executive assistant (10 episodes, 2008) |
| Nicholas Gusikoff | .... | production assistant (10 episodes, 2008) |
| Jonathan Risinger | .... | production assistant (10 episodes, 2008) |
| Doug Smith | .... | production coordinator (10 episodes, 2008) |
| Chris Hanson | .... | medical technical advisor (9 episodes, 2009) |
| Michelle Debbaudt | .... | assistant: Steven Bochco (5 episodes, 2008-2009) |
| Lalida Sujjavasin | .... | assistant production coordinator (5 episodes, 2009) |
| Claudia Eastman | .... | location manager (4 episodes, 2008) |
| Laura Bagano | .... | crafts services (4 episodes, 2009) |
| Danny Cohen | .... | production assistant (4 episodes, 2009) |
| Monique Drumheller | .... | crafts services (4 episodes, 2009) |
| Gisele Gaines | .... | production assistant (4 episodes, 2009) |
| Jon Ko | .... | set medic (4 episodes, 2009) |
| Deirdre Murphy | .... | production assistant (4 episodes, 2009) |
| John Perez | .... | production assistant (4 episodes, 2009) |
| Cheri Taylor | .... | script coordinator (4 episodes, 2009) |
| Curtis Wilmot | .... | location manager (4 episodes, 2009) |
| Phillip Arnold | .... | assistant: Dayna Bochco (3 episodes, 2009) |
| Paula Hunziker | .... | script supervisor (3 episodes, 2009) |
| Amelia Johnson | .... | assistant: Caroline James / assistant: Jesse Bochco (3 episodes, 2009) |
| Cheryl Starbuck | .... | script supervisor (2 episodes, 2008-2009) |
| Eric Rogers | .... | script coordinator (2 episodes, 2008) |
| Claire Newman | .... | post production coordinator (2 episodes, 2009) |
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I can understand why most people didn't connect, which resulted in the series being canceled. The idea of a law series that centers on "average" defendants (poor people who are stuck in the system by a combination of circumstances and poor choices, and sometimes only the first) is not something we are accustomed. We want to see either the bad guys being chased by the good guys or saintly lawyers and defendants who are unquestionably innocent (like in "To Kill a Mockingbird"). But crime and punishment in real life are far more complex, and that is why the day-to-day of public defenders is a premise that makes such good drama.
(Not that the series is ultra-realistic in every sense; most of the relationships among the characters are less than believable, very made for TV, but they had to be there if the series had any chance of success.)
The bottom line is that there is something remarkably true in the stories of Raising the Bar, something that no other cop or law show ever came close to achieving. The situations of the defendants came straight from David Feige's experience as a PD in the Bronx, and not from stock characters and plots, which puts the human element far higher.
It is impossible not to compare it to Law & Order, the only other series to have 50% of its cast made of public prosecutors. Bar doesn't have the excitement of its competitor, but it is far, far superior in terms of human content. Whenever any of the L&Os versions tries to give us some moral complexity and tackle social issues, it feels spoon-fed and artificial, like a plug for a political agenda. After all, it is basically a show about catching the bad guys and finding the truth, not one about ambiguity - actually, the LESS moral dilemmas you see in L&O, the better the episode.
The same does not happen with Raising the Bar. The focus is on the work of Public Defenders - one of the most unjustly maligned professions in the world - and their clients. The moral complexity springs from the premise, it is not inserted in the story. It is there because the situations regular people face when charged with a crime are complex, and "guilty" x "not guilty" are two terms not always easy to apply. After watching and thinking about it, you imagine yourself as a policeman, prosecutor or judge, and you wonder if you can arrest/prosecute/sentence a person for any crime without any doubts whatsoever regarding what is done. Society suffers less crime if more people who break the law are imprisoned, that's true. But does it have less victims? Hard to say.
There are other shows out there that have more thrill, but none in the legal genre that are that compelling. I hope more people, like another commenter and myself, find this great series on Netflix.
Great job, Feige & company.