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The supervillain Megamind finally defeats his nemesis, the superhero Metro Man. But without a hero, he loses all purpose and must find new meaning to his life.

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Cast

Cast overview, first billed only:
...
Megamind (voice)
...
Metro Man (voice)
...
Roxanne Ritchie (voice)
...
Tighten (voice)
...
Minion (voice)
...
Bernard (voice)
...
Jessica Schulte ...
...
Emily Nordwind ...
Lady Scott (voice)
...
Warden (voice)
Ella Olivia Stiller ...
Schoolchild (voice)
Quinn Dempsey Stiller ...
Schoolchild (voice)
Brian Hopkins ...
Prisoner (voice)
...
Prison Guard (voice)
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Storyline

After super-villain Megamind (Ferrell) kills his good-guy nemesis, Metro Man (Pitt), he becomes bored since there is no one left to fight. He creates a new foe, Titan (Hill), who, instead of using his powers for good, sets out to destroy the world, positioning Megamind to save the day for the first time in his life. Written by IMDb Editors

Plot Summary | Plot Synopsis

Taglines:

Giving bad a good name. See more »


Motion Picture Rating (MPAA)

Rated PG for action and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

5 November 2010 (USA)  »

Also Known As:

Master Mind  »

Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend:

$46,016,833 (USA) (5 November 2010)

Gross:

$148,337,537 (USA) (18 February 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Dolby Surround 7.1)| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

There are numerous references to Superman in this film. These include: - The way Megamind's parents put him in a capsule to Earth just before his planet is destroyed - The love interest is a reporter - Hal's "space dad" is obviously modeled after Marlon Brando as Superman (1978)'s father in Richard Donner's film version - Almost all of Metroman's super powers are the same as Superman's - Megamind's pronunciation of Metro City has the same stress pattern as 'Metropolis' in Superman - Megamind's alter ego Bernard wears glasses like Clark Kent. - In the Metro Man Museum, there's a statue of Metro Man preparing to catch an airplane. This is a reference to John Byrne's 'Superman' comics, where Superman made his first appearance by catching a plane and saving Lois Lane. See more »

Goofs

When Minion confronts Megamind about dating Roxanne Ritchie, Megamind disables Minion's arm. When Megamind says maybe he doesn't want to be the bad guy anymore, Minion recoils with a gasp and lifts both arms in surprise which he shouldn't have been able to do with a disabled arm. Minion is then shown driving away on his Segway, and his arm is once again disabled. See more »

Quotes

[first lines]
Megamind: Here's my day so far: went to jail, lost the girl of my dreams and got my butt kicked pretty good. Still, things could be a lot worse. Oh, that's right... I'm falling to my death. Guess they can't. How did it all come to this? Well, my end starts at the beginning... The very beginning!
See more »

Crazy Credits

The opening title, and part of the closing credits, is composed out of a gallery of newspaper clippings and documents. See more »

Connections

Referenced in Animation Lookback: DreamWorks Animation Part 7 (2010) See more »

Soundtracks

Crazy Train
Written by Ozzy Osbourne (as John Osbourne), Bob Daisley (as Robert Daisley) and Randy Rhoads
Performed by Ozzy Osbourne
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
See more »

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User Reviews

 
Putting the Mind in MEGAMIND
4 April 2011 | by (San Jose) – See all my reviews

Let me begin this review by saying that I was very pleasantly surprised with 'Megamind.' I was not expecting much beyond what we've all seen in the trailers: cheeky laughs, slapstick humor, and the like. While it is certainly all there and accounted for, I was very surprised by the level of humanity and realism underneath the misleading facade of colorful, CG images which might have implied this would be a kid's movie and nothing more. Some of the great parts of the movie are present in the first few minutes of the film, where we see how Megamind came to be a villain. We see a baby Megamind being carried by his parents, who tell him that he was destined to become something, though he doesn't remember what. He is sent to Earth at the same time as Metro Man, his opposite and future rival. As fate has it, the baby Metro Man crash lands in a rich family's house while baby Megamind crash lands in a prison. They are raised in their new homes, causing them to become what their environments expect them to become. This bit in which the babies are seemingly thrown into a place where they seemingly 'belong' sets the stage for a great exploration of the theme of identity and destiny, and begs the question of whether we have roles to play or whether we directly choose our own paths.

Not much later, we see an older Megamind dealing with another problem that we should all be able relate to--the desire to be accepted by society. It is especially difficult for Megamind, being a the only blue alien among his many peers at school, while his rival, Metro Man, seems to always be the object of favor. As we get to understand Megamind's reasons for being a villain, there's an excellent example of role reversal--we perceive the 'bad guy,' Megamind, as the good guy, because we can relate to his problems and understand the motivation behind his actions. We also see the 'good guy', Metro Man, as the bad guy, because he is, ironically, less human than Megamind--Metro Man is without flaw, and is without any understanding or sympathy for Megamind. A good example is one of the earlier scenes, where Megamind accidentally starts a fire when he attempts to use a ray gun to pop corn for his classmates. Metro Man saves the class by extinguishing the fire, and he is praised while everyone shuns Megamind. Metro man and the class look past Megamind's intentions to be good, and only at the fact that a fire has been started from his attempt. They see Megamind in an unfortunately prejudiced way, and they don't consider the motivation for his actions, but only results of the actions themselves.

At that moment, Megamind feels that he and Metro man are destined to have specific roles as the bad guy and the good guy. The whole beginning sequence on the earlier years of Megamind works for well, packing a lot of humanity into first the few minutes. This is great for several reasons--we are immediately to connect to and root for our main character, Megamind, and none of it feels rushed. We immediately understand his jealousy and his desire to be accepted and have his own role--he decides that if he can't be perfect like Metro man, he will try to be what he is 'good' at--being bad. It also enables the rest of the film to explore the development of Megamind's established character and whether he is really stuck with the 'role' he's been given--and it all plays out very well as he discovers the path to one's destiny and identity with his rival Metro Man and his love interest, Roxanne. The film is also legitimately funny on multiple occasions! In short, I believe Megamind is a mega-masterpiece, and that it is also very thoughtful, putting the 'mind' in MEGAMIND.


34 of 45 people found this review helpful.  Was this review helpful to you?

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I gave 'Megamind' a 4 out of 5 instead of 5 out of 5 because of 'Titan' Turfseer
Best lines Melodic_Nomad
Megamind was quite attractive Mochi-Phantom
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Metroman sounds like George Clooney!! Binkles
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